JASON BELLAMY: America’s relationship with Star Trek began before man ever set foot on the moon. Gene Roddenberry’s creation was born in 1966 and lasted three seasons on TV before dying of low ratings in 1969. Forty years, endless reruns, four live-action TV series and 10 feature films later, Star Trek is alive and well in the pop culture. In just a few days, on May 8, the crew of the starship Enterprise—Kirk, Spock, Bones, Scotty, Uhura, Sulu and Chekov—will hit the big screen yet again in an origin story directed by J.J. Abrams. Star Trek, as the film is simply called, is perhaps the most anticipated movie of the spring. And though its arrival is hardly a surprise in this era of remakes and retreads, the brand’s longevity is nonetheless impressive.
From 1987-2005, there was some form of modern Star Trek on TV. The Next Generation (1987-94) begat Deep Space Nine (1993-99), which begat Voyager (1995-2001), which begat Enterprise (2001-05). All of these series can be traced back to the 1966 pilot that started it all, but it’s safe to say that none of these series would have been possible without the varied yet undeniable success of Star Trek at the cinema. From 1979-91, six Star Trek films were released featuring the recognizable cast and characters of the original TV series. Almost two decades later, these films are cherished by some (“Trekkies” or “Trekkers”), mocked by others and seemingly ignored by everyone else.
Ed, I have invited you to join me in boldly going where so many have gone before, to those first six Star Trek films. Over the course of our discussion, I’d like to explore the factors that make Star Trek beloved and belittled. I’d like to figure out whether Star Trek gets too much respect or not enough. I’d like to debate the series’ impact on cinema. And I’d like to forecast what a successful Abrams adaptation might look like. But let’s begin at the beginning. Tell me: Prior to rewatching the first six Star Trek films, what was your relationship to those films and to the overall brand? Which of these films had you seen, and how long had it been since you’d seen them? What was your stored impression of Star Trek cinema up until a few weeks ago, and what is it now?
ED HOWARD: I’ve never had much of a personal connection to any of the Star Trek films or TV series. Growing up, I was always more of a Star Wars kid—not that one need be just a Star Wars kid or just a Star Trek kid, I don’t think. Or is there some kind of Beatles vs. Rolling Stones type competitiveness between these two venerable sci-fi institutions? But anyway, it was Star Wars that I watched obsessively over and over again on worn VHS tapes, and Star Wars that I was into so intensely that I eventually branched out into the many semi-canonical books based on George Lucas’ universe and characters, some of them surprisingly great, most unsurprisingly trash, but all of them devoured by nerdy me. To put it another way: as a kid, I could’ve told you a lot about Wookies and Bothans but very little about Klingons.
To the extent that I was aware of Star Trek, it was as some peripheral thing, that other big sci-fi series. I saw a few of the movies—I know I at least saw The Wrath of Khan—and I’ve caught random episodes of all the various TV shows at one point or another. I remember some stuff about the Borg (was that Next Generation?), who I thought were pretty cool villains. I remember the famous kitschy/sexy/ridiculous green lady (Yvonne Craig) from the original series, and got a kick out of catching her again on a rerun not too long ago. But my interest in Star Trek has never been what you’d call serious. Watching these first six films for this conversation, I was seeing most of them for the first time, and even with the ones I’d seen before, my memories of them were so hazy that it might as well have been the first time.
So that’s the story of my (lack of) relationship with these films prior to this conversation. Now in a very condensed period of time I’ve seen the first six Star Trek films. So in theory I’m far better versed in this universe than I was before. But I can’t shake the feeling that if you ask me again in a few months, I’ll be more or less back to where I was before. There’s something ephemeral about these films, something insubstantial, like they’ll all just melt away once I stop thinking about them. Maybe it’s because they’re so thoroughly rooted in this weird nostalgia for the original series, a nostalgic feeling that I can’t say I really share. Each of the films has an extended montage, some of them longer and more insufferable than others, in which the camera caresses the glistening surface of the starship Enterprise with fetishistic glee, like a horny dude ogling a naked centerfold or a mid-life crisis case polishing the chrome on his sports car. In the first film, it feels like it takes 20 minutes for everyone to stop just gawking at the damn ship in disbelief. It’s a strange experience to watch these films with all these obvious nostalgic cues—the crew reassembling for each new mission, the familiar faces being highlighted, the bombastic music whenever the ship first appears, the obscure nods to episodes of the TV series—and to realize that I’m not in on the reminiscences of the intended audience.
So I watched these films, and some of them I enjoyed, and some of them I could have gone my whole life without ever subjecting myself to, but all of them gave me the feeling that I was watching something not really made with me in mind. That is, they all seem to be aimed very specifically at an audience of fans who had adored the original series and would now follow the movies as though they were just really long TV episodes. Some of them even begin with a “previously on Star Trek” synopsis of the previous movie before jumping into the action. I’m sure you can already tell, but I haven’t exactly become a converted Trekkie now that I’ve caught up with these movies. There’s a lot to like in this series, and one or two of them I’d actually call, somewhat grudgingly, good movies, but on the whole nothing I’ve seen here has substantially improved my perceptions of the pop culture phenomenon I mostly ignored as a kid and will be happy to resume ignoring as an adult.