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Oscar 2014 Winner Predictions: Sound Mixing

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Oscar 2014 Winner Predictions: Sound Mixing

This past weekend, Gravity claimed the Live Action Film award for sound mixing from the Cinema Audio Society, one more precursor voting body whose results could prove prescient when it comes to Oscar’s March 2nd endgame. But, really, even if the CAS had tossed a lifesaver to Captain Phillips, or a dollar into the hopelessly lightweight guitar case of Inside Llewyn Davis, it still wouldn’t have changed our opinion that this statuette belongs to Alfonso Cuarón’s minimalist, outer space-set spectacle, which is poised to pick up more technical Oscars than any film since The Lord of the Rings: the Return of the King. Had the Coen brothers’ folksy ode to failure had more rafter-shaking pizazz (a la Les Misérables, Dreamgirls, and other musicals served well by this category), and had Captain Phillips had the hyperkinetic technical muscle of Paul Greengrass’s three-time Oscar winner The Bourne Ultimatum, there might be arguments worth having here. But there really seems to be no stopping Gravity’s craft-category onslaught, and its victories in the sound races in particular will prove that, in the cinematic silences of space, everyone can hear you scream, breathe, howl, “detach!” and hurtle toward rebirth.

Will Win: Gravity

Could Win: Captain Phillips

Should Win: Gravity