For Fandor, Nick Davis and Nathaniel Rogers talk Best Picture.
Eric Hynes celebrates the quiet performances that make loud, Oscar-winning ones possible.
Andrew O’Hehir and Matt Zoller Seitz ponder Oscar’s Best Actor race.
The Guardian’s Tom Shone wonders who calls the Oscar shots.
A.O. Scott and Manohla Dargis answer a few Oscar-related questions from their readers.
There are eight ways the Oscars are going to be radically different this year.
Ricky Gervais wrote a fake script for Anne Hathaway and James Franco.