Frank Borzage’s Moonrise is a sensual scrutiny of a man’s free will. In the film’s striking opening moments, a dazzling spectacle of black-and-white chiaroscuro conveys a throbbing sense of madness cattle-branded into the imagination of a young Danny Hawkins, who’s terrorized by bullies from childhood to adulthood because of his father’s execution. When Danny (Dane Clark) kills one of his tormentors, he must struggle with the terrible push-pull effect of the past and the memory of his father on his psyche. Borzage magnificently frames the film along very severe, richly layered diagonal angles, catching nervous hands and faces from odd positions and giving startling visual expression to Danny’s loose grip on his moral compass. A shot might begin with Danny towering above a character, only to end with him cowering beneath the same person, and in a tour-de-force sequence at a town fair, Borzage’s camera moves in heady and terrifying tandem with the stop-go movements of a Ferris wheel. The director plays with shifting perspectives to convey the disorientation of a man struggling to stay on top even as he is drowning.
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