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Lichman & Rizov “Live” at Grassroots Tavern: Episode 12, “Neuroticism Gone Wild”

Back like disco, but twice as corrupt, Vadim and myself return for another week of discourse.

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Lichman & Rizov “Live” at Grassroots Tavern: Episode 12, “Neuroticism Gone Wild”

Back like disco, but twice as corrupt, Vadim and myself return for another week of discourse. This time the reigns are firmly handed over to The Impaler for most of the episode, in part due to Grassroots serving me a “magic beer” that seemed to knock me out of most of the conversation. But it was only fitting to allow Vadim to discuss an over-glorified livejournal entry by former Gawker editor Emily Gould, which took the New York Times Magazine cover story last week.

We go into other topics, such as how friend-to-the-podcast Eric Kohn live-blogged Indiana Jones IV at Cannes and was subsequently attacked by a know-nothing idiot and also inspired a rather funny send-up. Of course, does this mean Eric is the first real film blogger? And will we ever degrade to such a format for future criticism? (Answer: of course not. As Eric said to me, everyone had Blackberries at the premiere and it seemed only natural for him to do the same.)

And while this episode may not have much film relatedness to it, just wait until Episode 12a premieres later this week, where our guest is Grady Hendrix—co-founder of the New York Asian Film Festival and writer for Slate, The New York Sun and Variety‘s Kaiju shakedown—who will walk us through unacknowledged French-to-American horror remakes and the 2008 NYAFF line-up.

So until then, if you see either Vadim or me at the bar, buy us a drink! Or, buy me dinner at Yakitori Taisho. John Lichman

If you have trouble streaming the above podcast, click here to download it.

John Lichman is a freelance writer who contributes to The Reeler, Primetime A&E and anyone with cash. He works odd jobs to afford his vices, sleeps on couches and can drink Vadim Rizov under a table.

Vadim Rizov is a New York-based freelance writer whose work has appeared in The Reeler, Nerve, and, oddly enough, Salt Lake City Weekly.

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Watch: The Long-Awaited Deadwood Movie Gets Teaser Trailer and Premiere Date

Welcome to fucking Deadwood!

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Deadwood
Photo: HBO

At long last, we’re finally going to see more of Deadwood. Very soon after the HBO series’s cancellation in 2006, creator David Milch announced that he agreed to produce a pair of two-hour films to tie up the loose ends left after the third season. It’s been a long road since, and after many false starts over the years, production on one standalone film started in fall 2018. And today we have a glorious teaser for the film, which releases on HBO on May 31. Below is the official description of the film:

The Deadwood film follows the indelible characters of the series, who are reunited after ten years to celebrate South Dakota’s statehood. Former rivalries are reignited, alliances are tested and old wounds are reopened, as all are left to navigate the inevitable changes that modernity and time have wrought.

And below is the teaser trailer:

https://www.youtube.com/watch?v=tAcftIUE6MQ

Deadwood: The Movie airs on HBO on May 31.

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Watch: Quentin Tarantino’s Once Upon a Time in Hollywood Gets Teaser Trailer

When it rains, it pours.

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Once Upon a Time in Hollywood
Photo: Columbia Pictures

When it rains, it pours. Four days after Quentin Tarantino once more laid into John Ford in a piece written for his Beverly Cinema website that saw the filmmaker referring to Ford’s She Wore a Yellow Ribbon as Tie a Yellow Ribbon, and two days after Columbia Pictures released poster art for QT’s ninth feature that wasn’t exactly of the highest order, the studio has released a teaser for Once Upon a Time in Hollywood. The film was announced early last year, with Tarantino describing it as “a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood.”

Set on the eve of the Manson family murders, Once Upon a Time in Hollywood tells the story of TV actor Rick Dalton (Leonardo DiCaprio) and his stunt double, Cliff Booth (Brad Pitt), as they try to get involved in the film industry. The film also stars Margot Robbie (as Sharon Tate), Al Pacino, the late Luke Perry, Damian Lewis, Dakota Fanning, Emile Hirsch, Timothy Olyphant, Kurt Russell, and Bruce Dern in a part originally intended for the late Burt Reynolds.

See the teaser below:

https://www.youtube.com/watch?v=Scf8nIJCvs4

Columbia Pictures will release Once Upon a Time in Hollywood on July 26.

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Watch the Stranger Things 3 Trailer, and to the Tune of Mötley Crüe and the Who

A wise woman once said that there’s no such thing as a coincidence.

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Stranger Things 3
Photo: Netflix

A wise woman once said that there’s no such thing as a coincidence. On Friday, Jeff Tremaine’s The Dirt, a biopic about Mötley Crüe’s rise to fame, drops on Netflix. Today, the streaming service has released the trailer for the third season of Stranger Things. The clip opens with the strains of Mötley Crüe’s “Home Sweet Home,” all the better to underline that the peace and quiet that returned to the fictional rural town of Hawkins, Indiana at the end of the show’s second season is just waiting to be upset again.

Little is known about the plot of the new season, and the trailer keeps things pretty vague, though the Duffer Brothers have suggested that the storyline will take place a year after the events of the last season—duh, we know when “Home Sweet Home” came out—and focus on the main characters’ puberty pangs. That said, according to Reddit sleuths who’ve obsessed over such details as the nuances of the new season’s poster art, it looks like Max and company are going to have to contend with demon rats no doubt released from the Upside Down.

See below for the new season’s trailer:

https://www.youtube.com/watch?v=YEG3bmU_WaI

Stranger Things 3 premieres globally on July 4.

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