Right out of the gate, the film only sees a kind of blunt irony in this blurring of her public and private selves.

The film carelessly affirms the idea that all women should be able to fight back at will, and if they don't, it's on them.

In Fahrenheit 11/9, Michael Moore's circus-showman duplicity is as crass and abhorrently self-promoting as that of the man he seeks to oust.

The Sisters Brothers proffers a sort of Edenic vision of a latter-day El Dorado that’s worth basking in.

Its success is due to the way it relies on Radner's often elegant words to relay her experience of female stardom.