The film carelessly affirms the idea that all women should be able to fight back at will, and if they don't, it's on them.

In Fahrenheit 11/9, Michael Moore's circus-showman duplicity is as crass and abhorrently self-promoting as that of the man he seeks to oust.

The Sisters Brothers proffers a sort of Edenic vision of a latter-day El Dorado that’s worth basking in.

Its success is due to the way it relies on Radner's often elegant words to relay her experience of female stardom.

It's a poignant portrait of an artist trying to transcend the limitations of his art by refusing to see the process through.