From Taylor Swift to The Tortured Poets Department, we’ve ranked all of the singer’s studio albums.
Danish R&B chanteuse Maria Jensen draws on the unlikeliest influences for her debut album.
Blondie turned more than a few punk purist heads with Parallel Lines.
South’s brand of fuzzy space-rock, though certainly not singular, creates an empyreal atmosphere that pulls you in like the sea.
This is clearly the voice of someone who will never stop searching.
Let’s get down to the nitty grit-tay.
Each of the tracks on 10,000 Maniacs’s swan song, Our Time in Eden, is like a miniature parable on the state of America, past and present.
Sheryl Crow’s self-titled sophomore effort remains her most consistent and distinctly modern album to date.
Each song was a unique arrangement that reflected a then-new pop-cult personality and voice.
Depeche Mode’s Violator seamlessly marries dance, goth-rock, and synth-pop with good ol’ fashioned funk and rock n’ roll.
Dido’s is a relentless love and it informs almost all of Life for Rent.
Voyageur’s palette is virtually nondescript.
Amorino matches Campbell’s delicate, paper-thin voice effortlessly with a myriad of styles.
Some Devil might just be the jam-band frontman’s best work since Before These Crowded Streets.
Unwrapped is weighed down by its slightly overzealous production and seemingly perpetual sameness.
Despite some finely crafted moments, Doll Revolution is far from the revolution its title implies.
Different Light sounds surprisingly fresh in hindsight.
The album is a starkly personal statement that effectively set the artist’s professional downfall into motion.
To Big Boi’s socially-charged yin is Dre’s horny yang.
Rancid’s sixth full-length release is a bold continuation of the neo-punk band’s brazen yet accessible style.
A quiet storm album without the sex, Butterfly is, above everything, idiosyncratic.