Review: In My Skin

Marina de Van’s oft-flashy visuals needlessly reinforce her already obvious fascination with all things surface.

Review: Freaks

With good reason, film theorist Andrew Sarris called the film one of the most compassionate of all time.

Review: The Cooler

End-of-the-road Vegas pictures are a dime a dozen, but this desperate contrivance is pretty low on the totem pole.

Review: Elf

It shouldn’t come as a surprise that Will Ferrell’s insane performance almost saves the show.

Review: In the Cut

In the Cut fails to communicate the same complexities about men and women that Jane Campion has more deeply explored in her earlier films.

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