The film is content to blandly shrug in the direction of an amorphous societal choas.
Wenders discusses how Kiefer’s work informed the craft of Anselm and more.
This pro-shot of Waitress is most successful in its close-ups of Bareilles.
The family drama consistently pulls focus from the satire of America’s cultural caste system.
The film is consistently revealing tale about how morality drives a wedge between people.
This adaptation of Caste: The Origins of Our Discontents is equal parts unwieldy and ambitious.
On the occasion of Godzilla Minus One’s release, we ranked the films in the Godzilla franchise.
The film is a celebration of people’s desire for everything that’s beautiful and fleeting in life.
For all the unbridled destruction, Godzilla Minus One remains perversely light and fun.
The film’s action is as artful as anything that Woo has whipped up throughout his career.
It transmits a profound sense of the communion between people bound by shared hardship.
Wiseman discusses how his latest documentary relates to frequent fascinations in his work.
The film demonstrates Argentine novelist Ricardo Piglia’s theory of “paranoid fiction.”
Wish plays out like the No Frills version of a Disney princess story.
Kore-eda’s film is perched precariously between gentle humanism and contrived sentimentality.
Scott cares only for the set pieces, as evinced by the listless mediocrity that surrounds them.
Eli Roth’s Thanksgiving is a slasher for today, slickly made, coolly mean, and with a satiric bite.