This trilogy shows just how versatile and highly entertaining the Japanese samurai film can be.
The film is an anguished update of, and response to, Ousmane Sembène’s Black Girl.
Arrow’s 4K does right by this cyberthriller’s small but hardcore fanbase.
This set casts a spotlight on hidden gems from the Hong Kong studio’s greatest era.
Witness’s Vermeer-inspired cinematography looks warm and naturalistic on this 4K disc.
Messiah of Evil remains an undervalued gem of American gothic filmmaking.
Arbelos’s new restoration of the film can’t rewrite history, but it does illuminate a way forward.
Amenábar’s film is a work of intoxicating, subtly ominous beauty.
The Edge of the World is rife with miraculously unforced moments of enchantment.
The film is a taboo-smashing adult fairy tale that still packs one hell of a punch.
Hardy’s legendary British folk horror film looks gorgeous on Lionsgate’s UHD release.
These three films collectively suggest a miniature narrative of Browning’s evolution as a filmmaker.
Bava’s ominous omnibus Black Sabbath is equal parts stunning and chilling.
Criterion has outfitted this seminal biopic of Ritchie Valens with a strong slate of extras.
A solid commentary track and handsome transfer should help raise this underrated film’s stock.
With Criterion’s glorious 4K restoration of Videodrome, the new flesh lives anew.
Roeg’s Don’t Look Now is driven by a crushing sense of emotional desolation.
Stone’s splenetic, sophomoric, but nonetheless captivating media satire has never looked better.
Frankenheimer’s beautifully mounted and intelligent film gets a nifty A/V boost from Kino.
A desperate yearning for belonging is central to Boetticher’s subtle and serpentine westerns.
The A/V presentation makes this a worthy addition to any Bowie fan’s home video collection.