Connect with us

Blog

Links for the Day: Noam Chomsky on the End of Human History, Boardwalk Empire As TV History, Ariel Pink Interview, As the Gods Will Trailer, & More

Published

on

Links for the Day: Noam Chomsky on the End of Human History, Boardwalk Empire As TV History, Ariel Pink Interview, As the Gods Will Trailer,  & More

1. “Are We Approaching the End of Human History?” Noam Chomsky on how the likely end of civilization is foreshadowed in a new draft report by the Intergovernmental Panel on Climate Change.

“The land of the Tigris and Euphrates has been the scene of unspeakable horrors in recent years. The George W. Bush-Tony Blair aggression in 2003, which many Iraqis compared to the Mongol invasions of the 13th century, was yet another lethal blow. It destroyed much of what survived the Bill Clinton-driven U.N. sanctions on Iraq, condemned as ’genocidal’ by the distinguished diplomats Denis Halliday and Hans von Sponeck, who administered them before resigning in protest. Halliday and von Sponeck’s devastating reports received the usual treatment accorded to unwanted facts.”

2. “Victim-Blaming Is a Lot Harder in the Age of Streaming Video.” Jesse Singal on streaming video influencing observer empathy.

Empathy is not a word you’d necessarily associate with the age of streaming video. Anyone who has been on YouTube, let alone ventured into its untamed-jungle comments section, knows that streaming video has a tendency to bring out the worst in human beings. But over the last few months, we’ve also seen an unexpected, welcome side effect to the constant recording and posting of everything and everyone: increased empathy for victims of assaults who, in ages past, would have likely been at least partially blamed for what happened to them.”

3. “Why The Leftovers Might Be the Most Creatively Bold Series on Television.” Tim Goodman explains how the show is about the depressing (fine, sometimes freeing) elements of existentialism, which is harder to sell than a thriller or rom-com.

The Leftovers has been described as depressing television (it certainly can be). There’s melancholia to it, a byproduct of its existentialism. But the real beauty of The Leftovers is that the show is about discovering what happens to people when something unexplainable and horrendous happens to them. The answers that The Leftovers seeks are varied and do not begin nor end with how or why the Sudden Departure happened. That’s the provenance of a procedural. The Leftovers isn’t a show about logic and concrete conclusions. It’s a show about what happens to the human condition when you severely mess with it. When you shake it and upend it and give it stimuli and end results it’s not necessarily built to process. That’s a fascinating idea for a show in that said reactions can be all over the map—and in The Leftovers, they are.”

4. “Ariel Pink.” The 36-year-old weirdo-pop savant talks about his colorfully bizarre forthcoming album—which includes tracks about strippers, Jell-O, and nude beaches—and explains why American culture is too politically correct for its own good.

“I’m trying to be a grown up when I say that I’m over love. Is it child’s play? Having been single for three years, I feel like I’m just entering my own as a grown man. I should have done it a lot sooner, but I didn’t. I was a serial monogamist for the whole of my 20s, and I had a very cynical and sour attitude towards marriage because of my upbringing, but I still allow myself to entertain the notion that I might be in love. And when I was happy, I was in love. And then it went away, and I was really bad, but that was an opportunity for me to get right with myself and dispel the notions of needing a partner. It’s a natural thing to want, but from where I stand I feel so much more comfortable in my own skin these days. I don’t have any need to be with anybody. I’m happy with myself.”

5. “Entertainment Geekly: Boardwalk Empire as TV history.” EW’s Darren Franich on the show’s place in the HBO decade.

“You could argue that Boardwalk Empire is the last great glimmering remnant of what is already being termed the Difficult Men era–the HBO Renaissance, memorialized with maybe a touch too much hagiography in Brett Martin’s book. Difficult Men posits a theory of TV history that focuses on dudes and dramas. But 2010 is the year that Parks and Recreation capped off a second season that saw it transform from a weird Office non-spinoff into a ribald world-building ensemble comedy that abstracted the politics of the Bush era into the proteaon Leslie Knope/Ron Swanson relationship (love/hate, lazy boss/overdelivering employee, mentor/mentee, idealist/cynic, Great Old American Male and Great New American Female).”

Video of the Day: Takashi Miike’s As the Gods Will gets a trailer:

https://www.youtube.com/watch?v=OEh1fT1IH14
Advertisement
Comments

Blog

Watch: The Long-Awaited Deadwood Movie Gets Teaser Trailer and Premiere Date

Welcome to fucking Deadwood!

Published

on

Deadwood
Photo: HBO

At long last, we’re finally going to see more of Deadwood. Very soon after the HBO series’s cancellation in 2006, creator David Milch announced that he agreed to produce a pair of two-hour films to tie up the loose ends left after the third season. It’s been a long road since, and after many false starts over the years, production on one standalone film started in fall 2018. And today we have a glorious teaser for the film, which releases on HBO on May 31. Below is the official description of the film:

The Deadwood film follows the indelible characters of the series, who are reunited after ten years to celebrate South Dakota’s statehood. Former rivalries are reignited, alliances are tested and old wounds are reopened, as all are left to navigate the inevitable changes that modernity and time have wrought.

And below is the teaser trailer:

https://www.youtube.com/watch?v=tAcftIUE6MQ

Deadwood: The Movie airs on HBO on May 31.

Continue Reading

Blog

Watch: Quentin Tarantino’s Once Upon a Time in Hollywood Gets Teaser Trailer

When it rains, it pours.

Published

on

Once Upon a Time in Hollywood
Photo: Columbia Pictures

When it rains, it pours. Four days after Quentin Tarantino once more laid into John Ford in a piece written for his Beverly Cinema website that saw the filmmaker referring to Ford’s She Wore a Yellow Ribbon as Tie a Yellow Ribbon, and two days after Columbia Pictures released poster art for QT’s ninth feature that wasn’t exactly of the highest order, the studio has released a teaser for Once Upon a Time in Hollywood. The film was announced early last year, with Tarantino describing it as “a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood.”

Set on the eve of the Manson family murders, Once Upon a Time in Hollywood tells the story of TV actor Rick Dalton (Leonardo DiCaprio) and his stunt double, Cliff Booth (Brad Pitt), as they try to get involved in the film industry. The film also stars Margot Robbie (as Sharon Tate), Al Pacino, the late Luke Perry, Damian Lewis, Dakota Fanning, Emile Hirsch, Timothy Olyphant, Kurt Russell, and Bruce Dern in a part originally intended for the late Burt Reynolds.

See the teaser below:

https://www.youtube.com/watch?v=Scf8nIJCvs4

Columbia Pictures will release Once Upon a Time in Hollywood on July 26.

Continue Reading

Blog

Watch the Stranger Things 3 Trailer, and to the Tune of Mötley Crüe and the Who

A wise woman once said that there’s no such thing as a coincidence.

Published

on

Stranger Things 3
Photo: Netflix

A wise woman once said that there’s no such thing as a coincidence. On Friday, Jeff Tremaine’s The Dirt, a biopic about Mötley Crüe’s rise to fame, drops on Netflix. Today, the streaming service has released the trailer for the third season of Stranger Things. The clip opens with the strains of Mötley Crüe’s “Home Sweet Home,” all the better to underline that the peace and quiet that returned to the fictional rural town of Hawkins, Indiana at the end of the show’s second season is just waiting to be upset again.

Little is known about the plot of the new season, and the trailer keeps things pretty vague, though the Duffer Brothers have suggested that the storyline will take place a year after the events of the last season—duh, we know when “Home Sweet Home” came out—and focus on the main characters’ puberty pangs. That said, according to Reddit sleuths who’ve obsessed over such details as the nuances of the new season’s poster art, it looks like Max and company are going to have to contend with demon rats no doubt released from the Upside Down.

See below for the new season’s trailer:

https://www.youtube.com/watch?v=YEG3bmU_WaI

Stranger Things 3 premieres globally on July 4.

Continue Reading
Advertisement

Donate

Slant is reaching more readers than ever, but as online advertising continues to evolve, independently operated publications like ours have struggled to adapt. We're committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a Slant patron:

Patreon

You can also make a donation via PayPal.

Giveaways

Advertisement

Newsletter

Advertisement

Preview

Trending