Welcome to fucking Deadwood!
Édouard Louis’s latest is strong as a portrait of a family unable to communicate through anything but volatile, toxic outbursts.
To celebrate this sacred anniversary, we’re taking a look back at the single’s evolution over the last three decades.
The 91st Academy Awards are now behind us, and the telecast told us just about nothing that we don’t already know about AMPAS.
Lynch's paintings are beautiful yet macabre, mysterious and rich in the tactility of the methods of their creation.
Transformation, whether of theme or person, lies at the heart of Joseph H. Lewis’s cinematic identity.
No one is okay with the Academy Awards the way they are, and everyone seems sure that they know how to fix them.
The industry’s existential crisis has polluted this race so thoroughly that it feels eerily similar to the 2016 election cycle all over again.