MTV decimated whatever tiny shred of integrity its annual Video Music Awards show still had when this year’s list of nominations were announced. It’s not so much the nominees—the usual suspects are present and accounted for (The White Stripes, Justin Timberlake, Beyoncé, Kanye West) and, as always, mediocre videos are being over-praised (“What Goes Around…Comes Around”) while other, less popular achievements in the music video medium go unrecognized—but it’s the categories that have prompted many to pronounce the video channel’s yearly burlesque show completely irrelevant. As if last summer’s viewer-decided winners weren’t horrendous enough, this year’s clusterfuck replaces standard categories like Best Group Video with the more general Best Group (which, in effect, continues to strip MTV of its ties to actual music videos) and trades genre categories for such asinine honors as Most Earth-Shattering Collaboration and Quadruple Threat of the Year. If there’s an upside to these radically stripped nominations-gone-wild, it’s that the discontinuation of their one-time-only Ringtone of the Year award means that Fort Minor’s singular legacy will now remain officially without peer.
Fall Out Boy (Will Win)
Gym Class Heroes
The White Stripes
Sal Cinquemani: Whether this is supposed to be Best Group Making Music in 2007 or Best Group Making Music Videos in 2007 is unclear. What is clear, however, is that you didn’t even have to see The White Stripes’ videos (or hear their album, for that matter) to know they should win here.
Eric Henderson: I have to assume the nominees aren’t decided by viewer votes, because who in the newly gerrymandered VMA age demographic (i.e. ages 7 through My Super Sweet 16) knows who Linkin Park or The White Stripes even are? I’d like to hope this might be one of the few categories where my taste (or possible lack thereof) might overlap with the MTV audience’s tastes (or definite lack thereof) and see Gym Class Heroes take a win—even if they are admittedly a tad closer to the Black Eyed Peas than The Roots.
Ed Gonzalez: MTV wouldn’t dream of dignifying itself by giving this one to The White Stripes. I say Fall Out Boy will take it, because smut rules and Pete Wentz hasn’t been rewarded yet for those nudie pictures he took of himself on his cellphone last year.
Alexa Camp: They should erect, I mean resurrect Ringtone of the Year just for him.
BEST NEW ARTIST
Gym Class Heroes
Peter Bjorn & John
Amy Winehouse (Will Win)
Sal: Wino should be disqualified in this category for entering rehab so early in her career.
Eric: So early? She’s like 50 years old, or at least probably appears about that old to most VMA viewers.
Ed: Girl is reinventing the wheel: She not only gets high, but she calls Perez Hilton to tell him about it. She’s more ghetto than Pete Wentz.
Sal: Didn’t Carrie Underwood’s album come out almost two years ago? Maybe the MTV voting bloc was afraid she’d key their cars.
Eric: Yeah, I’m going to side with bad behavior here. I’d say Winehouse’s coronation here is as inevitable as Lindsay Lohan’s two hours of community service.
FEMALE ARTIST OF THE YEAR
Beyoncé (Will Win)
Sal: This is a pretty predictable harem. Since actual videos don’t seem to be a consideration this year, I wouldn’t be surprised if Amy won here. Otherwise the Dutchess would be the heiress apparent of the Female Artist throne since her videos are inexplicably and compulsively watchable. Then again, Beyoncé did release 467 videos this year.
Eric: And one of them was “Ring the Alarm.” If Dreamgirls was her ode to Ray, “Ring the Alarm” was her psychotic tribute to Paul Verhoeven. I’ve never been closer to wanting to rub lotion on her calves. That said, there is the unfortunate matter of “Irreplaceable,” so I’ll take Rihanna on a roll instead.
Ed: Nelly Furtado and Rihanna have the smallest dicks in this category, so it’s probably between them.
MALE ARTIST OF THE YEAR
Justin Timberlake (Will Win)
Eric: Looks ripe for a vote-split to me. Let’s hope the winner remembers to thank Daddy Seaver.
Sal: Kanye’s presence here is dubious. His, uhhh, late registration in this year’s music video derby makes it an honor just to be nominated.
Ed: Because Robin Thicke and Justin Timberlake sound like they have vaginas, it’s probably between them. But which one’s is bigger?
Sal: So the person with the smallest dick wins Female Artist but the person with the biggest vagina wins Male Artist?
Alexa: Makes perfect sense to me. I’ve seen Justin Timberlake’s vagina. Trust me, it’s huge.
MONSTER SINGLE OF THE YEAR
Fall Out Boy, “Thks Fr Th Mmrs”
Avril Lavigne, “Girlfriend”
Lil Mama, “Lip Gloss”
Mims, “This Is Why I’m Hot” (Will Win)
Eric: The Mims song leaves out more explanatory details than the Fall Out Boy drops letters.
Ed: Chris Daughtry has a monster ass.
Alexa: Me likey.
Eric: Speaking of monsters, you know what this show is really missing? An award given out to songs (or, if they’re feeling adventurous, videos) that haven’t been released yet. You know, like when the MTV Movie Awards turned into a big commercial for Transformers?
Sal: So, basically, Best Future Collaboration with Timbaland?
Alexa: Celine Dion. Always go with Celine.
MOST EARTH-SHATTERING COLLABORATION
Akon f/ Eminem, “Smack That”
Beyoncé f/ Shakira, “Beautiful Liar” (Will Win)
Gwen Stefani f/ Akon, “The Sweet Escape”
Justin Timberlake f/ Timbaland, “SexyBack”
U2 f/ Green Day, “The Saints Are Coming”
Alexa: The only thing shattered by “Beautiful Liar” was my hip when I tried to emulate those pelvic thrusts.
Ed: “The Saints Are Coming” doesn’t reveal any cracks in Bono’s ego, so that one is probably a long shot. Besides, Katrina is so 2006.
Sal: Technically, Katrina is so 2005.
Eric: Wow, Akon’s in here twice. So, that’s what I guess passes for earth-shattering superstardom, huh? Someone call Al Gore off his soapbox, because the world deserves to fry.
QUADRUPLE THREAT OF THE YEAR
Justin Timberlake (Will Win)
Sal: Is bringing sexy back considered a threat?
Alexa: Maybe it’s a promise.
Eric: Now here’s a category they should’ve tried to sneak Lindsay Lohan into.
Sal: I’m not sure driving backwards full-sped at your assistant’s mom while high on coke is considered a talent.
Alexa: Not unless you actually hit the mom. Hey, does rehab count? I’m pretty sure she’ll have gone four times by the end of the year.
Ed: I did four things this year.
Alexa: And that’s not counting the NY Marathon! If you’re reading this, sponsor him, bitches!
VIDEO OF THE YEAR
Rihanna f/ Jay-Z, “Umbrella”
Justin Timberlake, “What Goes Around…Comes Around” (Will Win)
Kanye West, “Stronger”
Amy Winehouse, “Rehab”
Eric: Rihanna gets it for performing a pas de deux with a gigantic money shot while wearing virginal white.
Ed: She also gets it for having Jay-Z onboard, assuming there are people still working at MTV who remember that he was robbed in this category for “99 Problems.”
Sal: “D.A.N.C.E.” is this year’s token obscurity. It’s crafty and karaoke-friendly!
Eric: Sadly, it was clearly the reason this category was expanded to fit six nominees. Still, I can’t watch it and not be preoccupied with the hunch that it was secretly funded by Threadless.com.
Beyoncé f/ Shakira, “Beautiful Liar”
Chris Brown, “Wall to Wall”
Ciara, “Like a Boy”
Justin Timberlake, “My Love” (Will Win)
Sal: I don’t mean to get all existential here, but cinematography, which is a prerequisite for any music video to even exist, gets the boot, but choreography is a keeper? I guess it doubles as Best Dance Video, but, as expected, none of these are actual dance songs.
Eric: I imagine Justin is out in front for this award for his uncanny rendition of what Ben Vereen looks like trying to scrape dog shit off the bottom of his soft shoe.
Ed: Ciara should be out in front for her uncanny ability to dance with her back almost horizontal to the floor. Her video is more supernatural than all of the “Thriller”-biting “Wall to Wall.”
Alexa: Whatchu mad? Can’t handle that?
Christina Aguilera, “Candyman” (Matthew Rolston)
Beyoncé f/ Shakira, “Beautiful Liar” (Jake Nava)
Kanye West, “Stronger” (Hype Williams)
Linkin Park, “What I’ve Done” (Joe Hahn)
Rihanna f/ Jay-Z, “Umbrella” (Chris Applebaum)
Justin Timberlake, “What Goes Around…Comes Around” (Samuel Bayer) (Will Win)
Eric: Samuel Bayer could win for the most over-direction in a music video. And that’s no small accomplishment with Hype Williams in the mix.
Alexa: The Linkin Park video is a little unfocused. I think they need to pick one global plight and stick with it. Like Lindsay Lohan’s downward spiral.
Sal: Subtlety is not juxtaposing a woman measuring her waist with an emaciated African or synching the beat of your song to a junkie slapping his arm. And kudos to Joe Hahn for the least powerful use of a 9/11 image to date. This video is about as interesting as watching grass grow. Oh, and that’s in there too!
Ed: You have to understand that there are people out there who think the video is neat-o for showing them everything that happened in the world since the last time they changed the channel from MTV.
Beyoncé f/ Shakira, “Beautiful Liar” (Jarrett Figl)
Gnarls Barkley, “Smiley Faces” (Ken Mowe)
Linkin Park, “What I’ve Done” (Igor Kovalik)
Justin Timberlake, “What Goes Around…Comes Around” (Hollee Singer) (Will Win)
Kanye West, “Stronger” (Peter Johnson & Corey Weisz)
Ed: I used to splice random shit together back at NYU and cue it to some semi-topical song from the moment and I was never nominated for an MTV award.
Sal: Obviously the editing is the worst part of the Linkin Park video. I predict a Timbersweep in the tech categories.
Ed: The Gnarls Barkley video nails the documentary aesthetic it’s going after, but I think J.T. will win for updating the bloat of Celine Dion and Meatloaf videos for Generation Y.
Alexa: I told you. Always bet on Celine.
This blog entry was originally published on Slant Magazine on the date above.
2019 Oscar Nomination Predictions
How has Oscar royally screwed things up this year? Let us count the ways.
How has Oscar royally screwed things up this year? Let us count the ways. The hastily introduced and unceremoniously tabled (for now) “best popular film” Oscar. The impending commercial-break ghettoization of such categories as best cinematography and best film editing, but most certainly not best song and best animated feature. The abortive attempts to unveil Kevin Hart as the host not once, but twice, stymied by the online backlash over years-old anti-gay Twitter jokes and leading AMPAS to opt for George Glass as this year’s master of ceremonies. The strong-arming of its own membership to deter rank-and-file superstars from attending competing precursor award shows. If these end up being the last Oscars ever, and it’s starting to feel as though it should be, what a way to go out, right? Like the floating island of plastic in the Pacific, the cultural and political detritus of Oscar season has spread far beyond any previous rational estimates and will almost certainly outlive our functional presence on this planet. And really, when you think about it, what’s worse: The extinction of mankind or Bohemian Rhapsody winning the best picture Oscar? In that spirit, we press on.
There will be plenty of time, too much time, to go deep on the many ways Green Book reveals the flawed soul of your average, aged white liberal in America circa 2019. For now, let’s just admit that it’s as sure a nominee as The Favourite, Roma, and A Star Is Born. (There’s snackable irony in the fact that a movie called The Front Runner became very much not an Oscar front runner in a year that doesn’t appear to have a solid front runner.) And even though few seem to be predicting it for an actual win here, Spike Lee’s BlacKkKlansman has an almost spotless precursor track record, showing up almost across the board among the guilds. Predicting this category would’ve been easy enough when Oscar limited it to five films, but it’s strangely almost as easy this year to see where the line will cut off between five and 10. Adam McKay’s Vice may be without shame, but you don’t have to strain hard to see how people could mistake it for the film of the moment. Bohemian Rhapsody is certainly lacking in merit, but, much like our comrade in chief, Oscar has never been more desperate for people to like and respect him, and a hit is a hit. Except when it’s a Marvel movie, which is why Black Panther stands precariously on the category’s line of cutoff, despite the rabid enthusiasm from certain corners that will likely be enough to push it through.
Everyone can agree that Bohemian Rhapsody will be one of the best picture contenders that doesn’t get a corresponding best director nomination, but virtually all the other nominees we’re predicting have a shot. Including Peter-flashing Farrelly, whose predictably unsubtle work on Green Book (or, Don and Dumber) netted him a widely derided DGA nomination. The outrage over Farrelly’s presence there took some of the heat off Vice’s Adam McKay, but if any DGA contender is going to swap out in favor of Yorgos Lanthimos (for BAFTA favorite The Favourite), it seems likely to be McKay. As Mark Harris has pointed out, Green Book is cruising through this awards season in a lane of its own, a persistently well-liked, well-meaning, unchallenging throwback whose defiant fans are clearly in a fighting mood.
Had Fox Searchlight reversed their category-fraud strategizing and flipped The Favourite’s Olivia Coleman into supporting and Rachel Weisz and Emma Stone into lead, the five best actress slots would arguably have been locked down weeks, if not months, ago, unless Fox’s bet-hedging intuits some form of industry resistance to double female-led propositions. As it stands, there are four locks that hardly need mention and a slew of candidates on basically equal footing. Hereditary’s Toni Collette has become shrieking awards show junkies’ cause célèbre this year, though she actually has the critic awards haul to back them up, having won more of the regional prizes than anyone else. The same demographic backing Collette gave up hope long ago on Viola Davis being able to survive the Widows collapse, and yet there by the grace of BAFTA does she live on to fight another round. Elsie Fisher’s palpable awkwardness in Eighth Grade and winning awkwardness navigating the Hollywood circuit have earned her an almost protective backing. But we’re going out on a limb and calling it for the rapturously received Roma’s Yalitza Aparicio. Voters could, like us, find it not a particularly great performance and still parlay their good will for her into a nomination that’s there for the taking.
Should Be Nominated: Juliette Binoche (Let the Sunshine In), Toni Collette (Hereditary), Olivia Colman (The Favourite), Regina Hall (Support the Girls), and Melissa McCarthy (Can You Ever Forgive Me?)
Take Toni Collette’s trophies thus far in the competition and double them. And then add a few more. That’s the magnitude of endorsements backing First Reformed’s Ethan Hawke. And his trajectory has the clear markings of an almost overqualified performance that, like Naomi Watts’s in Mulholland Drive, cinephiles decades from now will wonder how Oscar snubbed. If Pastor Ernst Toller and Sasha Stone are right and God is indeed watching us all and cares what the Academy Awards do, Hawke’s nomination will come at the expense of John David Washington, whose strength in the precursors thus far (SAG and Globe-nominated) is maybe the most notable bellwether of BlacKkKlansman’s overall strength. Because, as with the best actress category, the other four slots are basically preordained. Unlike with best actress, the bench of also-rans appears to be one solitary soul. A fitting place for Paul Schrader’s man against the world.
Closest Runners-Up: Ethan Hawke (First Reformed)
Every Oscar prognosticator worth their bragging rights has spent the last couple weeks conspicuously rubbing their hands together about Regina King’s chances. The all-or-nothing volley that’s seen her sweep the critics’ awards and win the Golden Globe, and at the same time not even get nominations from within the industry—she was left off the ballot by both SAG and the BAFTAs—are narrative disruptions among a class that lives for narratives and dies of incorrect predictions. But despite the kvetching, King is as safe as anyone for a nomination in this category. It doesn’t hurt that, outside the pair of lead actresses from The Favourite, almost everyone else in the running this year feels like a 7th- or 8th-place also-ran. Except maybe Widows’s Elizabeth Debicki, whose fervent fans probably number just enough to land her…in 7th or 8th place. Vice’s Amy Adams is set to reach the Glenn Close club with her sixth Oscar nomination, and if she’d only managed to sustain the same loopy energy she brings to Lynne Cheney’s campaign-trail promise to keep her bra on, she’d deserve it. Which leaves a slot for supportive housewives Claire Foy, Nicole Kidman, and Emily Blunt. Even before the collapse of Mary Poppins Returns, we preferred Blunt’s chances in A Quiet Place.
Should Be Nominated: Sakura Ando (Shoplifters), Zoe Kazan (The Ballad of Buster Scruggs), Regina King (If Beale Street Could Talk), Rachel McAdams (Disobedience), and Haley Lu Richardson (Support the Girls)
The same people who’re curiously doubting Regina King’s nomination chances seem awfully assured that Sam Elliott’s moist-eyed, clearly canonical backing-the-truck-up scene in A Star Is Born assures him not only a nomination but probably the win. Elliott missed nominations with both the Golden Globes and BAFTA, and it was hard not to notice just how enthusiasm for A Star Is Born seemed to be cooling during the same period Oscar ballots were in circulation. Right around the same time, it started becoming apparent that BlacKkKlansman is a stronger draw than anyone thought, which means Adam Driver (who everyone was already predicting for a nod) won’t have to suffer the representationally awkward fate of being the film’s only nominee. Otherwise, the category appears to favor previously awarded actors (Mahershala Ali and Sam Rockwell) or should have been previously awarded actors (Chalamet). Leaving Michael B. Jordan to remain a should have been previously nominated actor.
Get beyond the best picture hopefuls BlacKkKlansman and If Beale Street Could Talk, which seem deservedly locked, and A Star Is Born, which is even more deservedly iffy, and you’ll see the screenwriters’ branch deciding just how seriously to take themselves this year, and whether they’re feeling like spiritually reliving the moments that found them nominating Bridesmaids and Logan. If so, then expect Crazy Rich Asians and Black Panther to factor in here. If they most definitely don’t feel frisky, then maybe the foursquare First Man has a shot at reversing its overall downward trajectory. If they’re seeking that “just right” middle ground, then Can You Ever Forgive Me? and The Death of Stalin are in.
It’s not unusual for some of the year’s most acclaimed movies whose strength isn’t necessarily in their scripts to get nominated only in the screenwriting categories. First Reformed, which even some of its fiercest defenders admit can sometimes feel a bit like Paul Schrader’s “It’s Still Rock and Roll to Me” greatest-hits package, stands to be another of them. But it’ll be a close call, given the number of other equally vanguard options they’ll be weighing it against, like Sorry to Bother You, which arguably feels more urgently in the moment in form, Eighth Grade, which is more empathetically post-#MeToo, and even Cold War, which had a surprisingly strong showing with BAFTA. Given the quartet of assured best picture contenders in the mix, First Reformed is going to have to hold off all of them.
2018 Tony Nominations: Mean Girls and SpongeBob SquarePants: The Musical Lead, Followed by Angels in America
The Tony nominations were announced Tuesday morning, with Mean Girls and SpongeBob SquarePants: the Musical leading the way with 12 nominations.
Nominations for the 72nd Tony Awards were announced this morning by Katharine McPhee and Leslie Odom Jr. Leading the pack with 12 nominations each is Mean Girls and SpongeBob SquarePants: The Musical, followed by The Band’s Visit, Angels in America, and Rodgers & Hammerstein’s Carousel, all three with 11. And with 10 nominations is Harry Potter and the Cursed Child, Parts One and Two and the revival of My Fair Lady. The awards will be broadcast live from Radio City Music Hall on Sunday, June 10 on CBS.
See below for a full list of the nominations.
Best Book of a Musical
The Band’s Visit, Itamar Moses
Frozen, Jennifer Lee
Mean Girls, Tina Fey
SpongeBob SquarePants: The Musical, Kyle Jarrow
Best Original Score (Music and/or Lyrics) Written for the Theatre
Angels in America, Music: Adrian Sutton
The Band’s Visit, Music & Lyrics: David Yazbek
Frozen, Music & Lyrics: Kristen Anderson-Lopez and Robert Lopez
Mean Girls, Music: Jeff Richmond, Lyrics: Nell Benjamin
SpongeBob SquarePants: The Musical, Music & Lyrics: Yolanda Adams, Steven Tyler & Joe Perry of Aerosmith, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady Antebellum, Cyndi Lauper & Rob Hyman, John Legend, Panic! at the Disco, Plain White T’s, They Might Be Giants, T.I., Domani & Lil’C
Best Performance by an Actor in a Leading Role in a Play
Andrew Garfield, Angels in America
Tom Hollander, Travesties
Jamie Parker, Harry Potter and the Cursed Child, Parts One and Two
Mark Rylance, Farinelli and The King
Denzel Washington, Eugene O’Neill’s The Iceman Cometh
Best Performance by an Actress in a Leading Role in a Play
Glenda Jackson, Edward Albee’s Three Tall Women
Condola Rashad, Saint Joan
Lauren Ridloff, Children of a Lesser God
Amy Schumer, Meteor Shower
Best Performance by an Actor in a Leading Role in a Musical
Harry Hadden-Paton, My Fair Lady
Joshua Henry, Rodgers & Hammerstein’s Carousel
Tony Shalhoub, The Band’s Visit
Ethan Slater, SpongeBob SquarePants: The Musical
Best Performance by an Actress in a Leading Role in a Musical
Lauren Ambrose, My Fair Lady
Hailey Kilgore, Once On This Island
LaChanze, Summer: The Donna Summer Musical
Katrina Lenk, The Band’s Visit
Taylor Louderman, Mean Girls
Jessie Mueller, Rodgers & Hammerstein’s Carousel
Best Performance by an Actor in a Featured Role in a Play
Anthony Boyle, Harry Potter and the Cursed Child, Parts One and Two
Michael Cera, Lobby Hero
Brian Tyree Henry, Lobby Hero
Nathan Lane, Angels in America
David Morse, Eugene O’Neill’s The Iceman Cometh
Best Performance by an Actress in a Featured Role in a Play
Susan Brown, Angels in America
Noma Dumezweni, Harry Potter and the Cursed Child, Parts One and Two
Deborah Findlay, The Children
Denise Gough, Angels in America
Laurie Metcalf, Edward Albee’s Three Tall Women
Best Performance by an Actor in a Featured Role in a Musical
Norbert Leo Butz, My Fair Lady
Alexander Gemignani, Rodgers & Hammerstein’s Carousel
Grey Henson, Mean Girls
Gavin Lee, SpongeBob SquarePants: The Musical
Ari’el Stachel, The Band’s Visit
Best Performance by an Actress in a Featured Role in a Musical
Ariana DeBose, Summer: The Donna Summer Musical
Renée Fleming, Rodgers & Hammerstein’s Carousel
Lindsay Mendez, Rodgers & Hammerstein’s Carousel
Ashley Park, Mean Girls
Diana Rigg, My Fair Lady
Best Scenic Design of a Play
Miriam Buether, Edward Albee’s Three Tall Women
Jonathan Fensom, Farinelli and The King
Christine Jones, Harry Potter and the Cursed Child, Parts One and Two
Santo Loquasto, Eugene O’Neill’s The Iceman Cometh
Ian MacNeil and Edward Pierce, Angels in America
Best Scenic Design of a Musical
Dane Laffrey, Once On This Island
Scott Pask, The Band’s Visit
Scott Pask, Finn Ross & Adam Young, Mean Girls
Michael Yeargan, My Fair Lady
David Zinn, SpongeBob SquarePants: The Musical
Best Costume Design of a Play
Jonathan Fensom, Farinelli and The King
Nicky Gillibrand, Angels in America
Katrina Lindsay, Harry Potter and the Cursed Child, Parts One and Two
Ann Roth, Edward Albee’s Three Tall Women
Ann Roth, Eugene O’Neill’s The Iceman Cometh
Best Costume Design of a Musical
Gregg Barnes, Mean Girls
Clint Ramos, Once On This Island
Ann Roth, Rodgers & Hammerstein’s Carousel
David Zinn, SpongeBob SquarePants: The Musical
Catherine Zuber, My Fair Lady
Best Lighting Design of a Play
Neil Austin, Harry Potter and the Cursed Child, Parts One and Two
Paule Constable, Angels in America
Jules Fisher + Peggy Eisenhauer, Eugene O’Neill’s The Iceman Cometh
Paul Russell, Farinelli and The King
Ben Stanton, Junk
Best Lighting Design of a Musical
Kevin Adams, SpongeBob SquarePants: The Musical
Jules Fisher + Peggy Eisenhauer, Once On This Island
Donald Holder, My Fair Lady
Brian MacDevitt, Rodgers & Hammerstein’s Carousel
Tyler Micoleau, The Band’s Visit
Best Sound Design of a Play
Adam Cork, Travesties
Ian Dickinson for Autograph, Angels in America
Gareth Fry, Harry Potter and the Cursed Child, Parts One and Two
Tom Gibbons, 1984
Dan Moses Schreier, Eugene O’Neill’s The Iceman Cometh
Best Sound Design of a Musical
Kai Harada, The Band’s Visit
Peter Hylenski, Once On This Island
Scott Lehrer, Rodgers & Hammerstein’s Carousel
Brian Ronan, Mean Girls
Walter Trarbach and Mike Dobson, SpongeBob SquarePants: The Musical
Best Direction of a Play
Marianne Elliott, Angels in America
Joe Mantello, Edward Albee’s Three Tall Women
Patrick Marber, Travesties
John Tiffany, Harry Potter and the Cursed Child, Parts One and Two
George C. Wolfe, Eugene O’Neill’s The Iceman Cometh
Best Direction of a Musical
Michael Arden, Once On This Island
David Cromer, The Band’s Visit
Tina Landau, SpongeBob SquarePants: The Musical
Casey Nicholaw, Mean Girls
Bartlett Sher, My Fair Lady
Christopher Gattelli, My Fair Lady
Christopher Gattelli, SpongeBob SquarePants: The Musical
Steven Hoggett, Harry Potter and the Cursed Child, Parts One and Two
Casey Nicholaw, Mean Girls
Justin Peck, Rodgers & Hammerstein’s Carousel
John Clancy, Mean Girls
Tom Kitt, SpongeBob SquarePants: The Musical
AnnMarie Milazzo and Michael Starobin, Once On This Island
Jamshied Sharifi, The Band’s Visit
Jonathan Tunick, Rodgers & Hammerstein’s Carousel
The Children, Author: Lucy Kirkwood
Farinelli and The King, Author: Claire van Kampen
Harry Potter and the Cursed Child, Parts One and Two, Author: Jack Thorne
Junk, Author: Ayad Akhtar
Latin History for Morons, Author: John Leguizamo
The Band’s Visit
SpongeBob SquarePants: The Musical
Best Revival of a Play
Angels in America
Edward Albee’s Three Tall Women
Eugene O’Neill’s The Iceman Cometh
Best Revival of a Musical
My Fair Lady
Once On This Island
Rodgers & Hammerstein’s Carousel
Recipients of Awards and Honors in Non-competitive Categories
Special Tony Awards for Lifetime Achievement in the Theatre
Andrew Lloyd Webber
Special Tony Awards
Regional Theatre Tony Award
La MaMa E.T.C. New York City
Isabelle Stevenson Tony Award
Tony Honors for Excellence in the Theatre
Ernest Winzer Cleaners
Tony Nominations by Production
Mean Girls – 12
SpongeBob SquarePants: The Musical – 12
Angels in America – 11
The Band’s Visit – 11
Rodgers & Hammerstein’s Carousel – 11
Harry Potter and the Cursed Child, Parts One and Two – 10
My Fair Lady – 10
Eugene O’Neill’s The Iceman Cometh – 8
Once On This Island – 8
Edward Albee’s Three Tall Women – 6
Farinelli and The King – 5
Travesties – 4
Frozen – 3
Lobby Hero – 3
The Children – 2
Junk – 2
Summer: The Donna Summer Musical – 2
Children of a Lesser God – 1
Latin History for Morons – 1
Meteor Shower – 1
1984 – 1
Saint Joan – 1
Oscar 2018 Winner Predictions
This is a complete list of our predicted winners at the 2018 Academy Awards with links to individual articles.
This is a complete list of our predicted winners at the 2018 Academy Awards with links to individual articles.
Picture: Get Out
Director: Guillermo del Toro, The Shape of Water
Actor: Gary Oldman, Darkest Hour
Actress: Frances McDormand, Three Billboards Outside Ebbing, Missouri
Supporting Actor: Sam Rockwell, Three Billboards Outside Ebbing, Missouri
Supporting Actress: Laurie Metcalf, Lady Bird
Original Screenplay: Three Billboards Outside Ebbing, Missouri
Adapted Screenplay: Call Me by Your Name
Foreign Language: A Fantastic Woman
Documentary Feature: Icarus
Animated Feature Film: Coco
Documentary Short: Heaven Is a Traffic Jam on the 405
Animated Short: Revolting Rhymes
Live Action Short: The Eleven O’Clock
Film Editing: Dunkirk
Production Design: The Shape of Water
Cinematography: The Shape of Water
Costume Design: Phantom Thread
Makeup and Hairstyling: Darkest Hour
Score: The Shape of Water
Song: “Remember Me,” Coco
Sound Editing: Dunkirk
Sound Mixing: Dunkirk
Visual Effects: War for the Planet of the Apes