The true-crime docs here expose the rot at the core of many of our venerated institutions.
The series allows us to get comfortable in the familiar rhythms of a detective show just so it can then completely wrongfoot us.
With his first HBO special, the writer-comedian disarmingly balances satire, straight comedy, and old-fashioned pathos.
This romanticized series mostly suggests rather than shows the horrors of a totalitarian regime.
Having Esposito in the driver’s seat prevents the series from spinning out altogether.
The series squanders its initial intrigue with its plodding pace, repetitive structure, and cardboard writing.
Despite some clunky characterization, the series is an ambitious and inventive piece of sci-fi.
The series uses three distinct perspectives for a rumination on life and death.
The series builds something different on the sturdy foundation established by the film.
The series tells a story that might have worked just fine if it weren’t spread across six episodes.
The series recreates the military machinery of its World War II tale in exacting detail but struggles to bring its human stories to life.
The series is a thoughtful meditation on the simultaneously distortive and revelatory nature of the human memory.
Boy Swallows Universe Review: A Sprawling, At Times Melodramatic, Coming-of-Age Story
The series is charming, hair-raising, and heavy-handed in equal measure.
The AMC series is bookended by a heavy-handed setup and an unsatisfying ending.
In the 24 years since it hit airwaves, Survivor has morphed from a “social experiment” into TV’s most complex competition.
The anthology’s fourth season thrives on its ability to exist as both a brisk, thrilling genre piece and a weighty, philosophical drama.
Watch Kate McKinnon, Billie Eilish, Kristen Wiig, and Maya Rudolph Sing About Tampons on SNL
Tampon cauliflower, anyone?