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    <title>Slant Magazine</title>
    <link>http://slantmagazine.com</link>
    <description>RSS Feed for latest articles from Slant Magazine</description>
    <dc:language>en</dc:language>
    <dc:creator> Ed Gonzalez and Sal Cinquemani</dc:creator>
    <dc:rights>Copyright 2013</dc:rights>
    <dc:date>2013-06-18T21:12:01+00:00</dc:date>

    <item>
      <title>Watch Sigur Rós Live in 360 Degrees</title>
	      <link>http://www.slantmagazine.com/house/2013/18/watch-sigur-ros-live-in-360-degrees</link>
      <guid>http://www.slantmagazine.com/house/2013/18/watch-sigur-ros-live-in-360-degrees#When:22:26:36Z</guid>
      <description><![CDATA[<p>
							
		


	Sigur R&oacute;s takes on a more aggressive&mdash;or to quote our own Kevin Liedel in his review of the album, "more acute"&mdash;posture on their seventh effort, Kveikur, their first since becoming a threesome following the departure of Kjartan Sveinsson last year. The band will perform five songs from the album tomorrow, June 19th, at 2:50 EST during "Kveikur Live 360," a special "360&hellip;</p>
        <p>By: staff</p><hr />]]></description>
      <dc:subject>house</dc:subject>
      <dc:date>2013-06-18T22:26:36+00:00</dc:date>
    </item>

    <item>
      <title>Monsters University</title>
	      <link>http://www.slantmagazine.com/film/review/monsters-university</link>
      <guid>http://www.slantmagazine.com/film/review/monsters-university#When:22:20:56Z</guid>
      <description><![CDATA[<p>
		A college-centric prequel to Monsters Inc., Monsters University is unfortunate proof that the animation studio previously known for its brains is now resting a little too heavily on its nominal brawn. Monsters Inc.&#39;s success came from the imaginative land of Monstropolis, evoking a sense of place through quotidian and nuanced details of urban life and an industrial workplace. Instead of merely relying on a previously created world, this origin story envisions the loveable monsters as&hellip;</p>
        <p>By: Nick McCarthy</p><hr />]]></description>
      <dc:subject>film</dc:subject>
      <dc:date>2013-06-18T22:20:56+00:00</dc:date>
    </item>

    <item>
      <title>Unfinished Song</title>
	      <link>http://www.slantmagazine.com/film/review/unfinished-song</link>
      <guid>http://www.slantmagazine.com/film/review/unfinished-song#When:21:12:01Z</guid>
      <description><![CDATA[<p>
		Part end-of-life romance, part grossly manipulative mush, Unfinished Song tries to stare grief and mortality in the face while practically shitting rainbows. From Hallmark adages and a cherubic granddaughter to cancer death and senior-citizen exploitation, it barely takes a step without referring to a sappy, patronizing checklist. Its closest relative is the 2008 documentary Young@Heart, which similarly followed the endeavors of a choir of spry silver foxes, but at least padded its force-fed sentiment with a steady undercurrent&hellip;</p>
        <p>By: R. Kurt Osenlund</p><hr />]]></description>
      <dc:subject>film</dc:subject>
      <dc:date>2013-06-18T21:12:01+00:00</dc:date>
    </item>

    <item>
      <title>Things to Come</title>
	      <link>http://www.slantmagazine.com/dvd/review/things-to-come</link>
      <guid>http://www.slantmagazine.com/dvd/review/things-to-come#When:20:23:50Z</guid>
      <description><![CDATA[<p>
				From first to last, Things to Come was intended to bear the unmistakable stamp of H. G. Wells&#39;s personal vision. Adapted by the legendary science-fiction novelist from his nonfiction book of "future history" entitled The Shape of Things to Come, both book and film are earnest attempts to foretell the future, extrapolating from current conditions in the 1930s the course of human events over a hundred-year period. Divided&hellip;</p>
        <p>By: Budd Wilkins</p><hr />]]></description>
      <dc:subject>dvd</dc:subject>
      <dc:date>2013-06-18T20:23:50+00:00</dc:date>
    </item>

    <item>
      <title>The Howling</title>
	      <link>http://www.slantmagazine.com/dvd/review/the-howling</link>
      <guid>http://www.slantmagazine.com/dvd/review/the-howling#When:19:46:16Z</guid>
      <description><![CDATA[<p>
				Credit widespread jealousy of Taylor Lautner&#39;s washboard abs for staving off a full-fledged werewolf revival, as body hair has never been as conspicuously in vogue as it is right now since the aftermath of the 1970s&mdash;not coincidentally the last time lycanthropy served as one of the horror genre&#39;s foremost fashion statements. The trend&#39;s failure to re-launch makes some sense, though, as Lautner&#39;s Jacob marks perhaps the first&hellip;</p>
        <p>By: Eric Henderson</p><hr />]]></description>
      <dc:subject>dvd</dc:subject>
      <dc:date>2013-06-18T19:46:16+00:00</dc:date>
    </item>

    <item>
      <title>Futurama: Season Seven (Part 2)</title>
	      <link>http://www.slantmagazine.com/tv/review/futurama-season-seven-part-2</link>
      <guid>http://www.slantmagazine.com/tv/review/futurama-season-seven-part-2#When:19:34:22Z</guid>
      <description><![CDATA[<p>
						There isn&#39;t much that represents the metaphysical heart and soul of Futurama better than the Planet Express crew&#39;s faithful freighting ship. The ever-dependable vessel has been to hell and back, damaged and reformatted in a wealth of ways both comical and cruel, yet the lumbering lime-green spacecraft remains an iconic, trustworthy source of steadfast entertainment and excitement. The same can be said of Futurama itself,&hellip;</p>
        <p>By: Mike LeChevallier</p><hr />]]></description>
      <dc:subject>tv</dc:subject>
      <dc:date>2013-06-18T19:34:22+00:00</dc:date>
    </item>

    <item>
      <title>Kuichisan</title>
	      <link>http://www.slantmagazine.com/film/review/kuichisan</link>
      <guid>http://www.slantmagazine.com/film/review/kuichisan#When:17:29:40Z</guid>
      <description><![CDATA[<p>
		Late in Kuichisan, the nameless almost-baldheaded boy (Raizo Ishihara) who&#39;s the closest the film comes to a central character spouts a bunch of gibberish to a gang of young kids, to which they respond with hostile cries of "You don&#39;t make sense!" and "Busted brain!" For some viewers who, by this point, are still resisting the wantonly free-associational wavelength of this brazenly oddball doc-fiction hybrid, the moment may well play like a shamelessly self-referential joke&hellip;</p>
        <p>By: Kenji Fujishima</p><hr />]]></description>
      <dc:subject>film</dc:subject>
      <dc:date>2013-06-18T17:29:40+00:00</dc:date>
    </item>

    <item>
      <title>Hannibal: Season One</title>
	      <link>http://www.slantmagazine.com/tv/review/hannibal-season-one</link>
      <guid>http://www.slantmagazine.com/tv/review/hannibal-season-one#When:17:07:37Z</guid>
      <description><![CDATA[<p>
						Hannibal is set in the kind of horror realm we might imagine when we indulge our worst fears of the hideous forms the civilized world could be capable of assuming. The cityscapes are richly foreboding shades of night blue and blood red, and the clouds rush by the screen in accelerated speed to affirm a general sense of relentless dislocating unease. The show&#39;s&hellip;</p>
        <p>By: Chuck Bowen</p><hr />]]></description>
      <dc:subject>tv</dc:subject>
      <dc:date>2013-06-18T17:07:37+00:00</dc:date>
    </item>

    <item>
      <title>The Way, Way Back</title>
	      <link>http://www.slantmagazine.com/film/review/the-way-way-back</link>
      <guid>http://www.slantmagazine.com/film/review/the-way-way-back#When:17:01:50Z</guid>
      <description><![CDATA[<p>
		Another white, insular teen is having yet another initially shitty summer at the beginning of The Way, Way Back, the disappointing directorial debut of Jim Rash and Nat Faxon, Alexander Payne&#39;s Oscar-winning writing partners on The Descendants. This particular smart yet tragically awkward teen happens to be named Duncan (Liam James), who&#39;s being dragged on summer vacation in Massachusetts by his mother, Pam (Toni Collette), and her sternly dickish boyfriend, Trent (Steve Carell). At first content&hellip;</p>
        <p>By: Chris Cabin</p><hr />]]></description>
      <dc:subject>film</dc:subject>
      <dc:date>2013-06-18T17:01:50+00:00</dc:date>
    </item>

    <item>
      <title>Links for the Day: Making Love at the Movies, Taliban Ready for Peace Talks, Ebert Beyond the Screen, Brody on Vulgar Auteurism, Russell Brand vs. MSNBC, &amp;amp; More</title>
	      <link>http://www.slantmagazine.com/house/2013/18/links-for-the-day-making-love-at-the-movies-taliban-ready-for-peace-talks-ebert-beyond-the-screen-brody-on-vulgar-auteurism-russell-brand-vs-msnbc-more</link>
      <guid>http://www.slantmagazine.com/house/2013/18/links-for-the-day-making-love-at-the-movies-taliban-ready-for-peace-talks-ebert-beyond-the-screen-brody-on-vulgar-auteurism-russell-brand-vs-msnbc-more#When:15:56:38Z</guid>
      <description><![CDATA[<p>
							
		


	Making love in the movies.

	Taliban signal readiness to begin peace negotiations.

	For the Los Angeles Review of Books, Rebecca Morgan Frank on poets speaking with movies.

	Richard Brody chimes in on vulgar auteurism.

	Mike D&#39;Angelo&#39;s latest scenic route leads him toward Michael Mann&#39;s Heat.
	</p>
        <p>By: Ed Gonzalez</p><hr />]]></description>
      <dc:subject>house</dc:subject>
      <dc:date>2013-06-18T15:56:38+00:00</dc:date>
    </item>

    <item>
      <title>Los Angeles Film Festival 2013: Crystal Fairy, The Women and the Passenger, Workers, &amp;amp; I.D.</title>
	      <link>http://www.slantmagazine.com/house/2013/18/los-angeles-film-festival-2013-crystal-fairy-the-women-and-the-passenger-workers-and-id</link>
      <guid>http://www.slantmagazine.com/house/2013/18/los-angeles-film-festival-2013-crystal-fairy-the-women-and-the-passenger-workers-and-id#When:14:18:23Z</guid>
      <description><![CDATA[<p>
							
		


	Though writer-director Sebasti&agrave;n Silva&#39;s Crystal Fairy chronicles a Chilean desert road trip punctuated by psychoactive drug use and discursive digression, the film is not Fear and Loathing in the Atacama. Instead, it&#39;s a clear-eyed look at the fragility of tentative friendships and a clash of personalities, cultures, and desires. It&#39;s also wincingly funny: Michael Cera&#39;s Jamie, channeling a bit of Odelay-era&hellip;</p>
        <p>By: Oscar Moralde</p><hr />]]></description>
      <dc:subject>house</dc:subject>
      <dc:date>2013-06-18T14:18:23+00:00</dc:date>
    </item>

    <item>
      <title>Empire of the Sun: Ice on the Dune</title>
	      <link>http://www.slantmagazine.com/music/review/empire-of-the-sun-ice-on-the-dune</link>
      <guid>http://www.slantmagazine.com/music/review/empire-of-the-sun-ice-on-the-dune#When:13:40:30Z</guid>
      <description><![CDATA[<p>
			In The X-Files episode "Hollywood A.D.," Mulder observes that Ed Wood&#39;s infamous B-movie howler Plan 9 from Outer Space is so poorly written and executed that watching it actually prevents him from thinking critically, the inadvertent effect of which is that the right side of his brain is free to make wildly illogical deductions, an immeasurable advantage when it comes to his supernatural line of work. Catharsis through stupefaction, if you&hellip;</p>
        <p>By: Kevin Liedel</p><hr />]]></description>
      <dc:subject>music</dc:subject>
      <dc:date>2013-06-18T13:40:30+00:00</dc:date>
    </item>

    <item>
      <title>M.I.A. Brings the &amp;quot;Noize&amp;quot; on New Single</title>
	      <link>http://www.slantmagazine.com/house/2013/17/mia-brings-the-noize-on-new-single</link>
      <guid>http://www.slantmagazine.com/house/2013/17/mia-brings-the-noize-on-new-single#When:18:07:27Z</guid>
      <description><![CDATA[<p>
							
		


	Mathangi "Maya" Arulpragasam has been lying relatively low since she flipped the bird at 114 million people during the Super Bowl halftime show last year. Matangi, her first album since signing with Jay-Z&#39;s Roc Nation management, has been delayed several times, but it looks like M.I.A. is finally ready to "Bring the Noize." Following 2010&#39;s divisive Maya and last year&#39;s "Bad Girls,"&hellip;</p>
        <p>By: Sal Cinquemani</p><hr />]]></description>
      <dc:subject>house</dc:subject>
      <dc:date>2013-06-17T18:07:27+00:00</dc:date>
    </item>

    <item>
      <title>Kanye West: Yeezus</title>
	      <link>http://www.slantmagazine.com/music/review/kanye-west-yeezus</link>
      <guid>http://www.slantmagazine.com/music/review/kanye-west-yeezus#When:17:46:43Z</guid>
      <description><![CDATA[<p>
			With Yeezus, Kanye West has once again created something singular in the world of platinum-class hip-hop: an album built on alien, angular beats, slowly morphing drones and sirens, abrupt periods of silence, and a pulse-quickening style of delivery from Yeezy himself. The album is also, at its essence, a very alluring con job. Its politics are pure posture, and for all the effort Kanye spent on the undeniably striking music, the man hasn&#39&hellip;</p>
        <p>By: Ted Scheinman</p><hr />]]></description>
      <dc:subject>music</dc:subject>
      <dc:date>2013-06-17T17:46:43+00:00</dc:date>
    </item>

    <item>
      <title>Britney Spears Debuts &amp;quot;Ooh La La&amp;quot; from The Smurfs 2</title>
	      <link>http://www.slantmagazine.com/house/2013/17/britney-spears-debuts-ooh-la-la-from-the-smurfs-2</link>
      <guid>http://www.slantmagazine.com/house/2013/17/britney-spears-debuts-ooh-la-la-from-the-smurfs-2#When:15:35:04Z</guid>
      <description><![CDATA[<p>
							
		


	After a slight detour into Eurotrash for 2011&#39;s Femme Fatale and faux-English accents on will.i.am&#39;s "Scream &amp; Shout," Britney Spears returns to her roots on the Dr. Luke-produced "Ooh La La," from one of the most hotly anticipated sequels of the year, The Smurfs 2. Another infuriatingly catchy trifle from the superstar pop tart, the "Smurftastic" (her words) single juxtaposes a hard, stomping beat and&hellip;</p>
        <p>By: Alexa Camp</p><hr />]]></description>
      <dc:subject>house</dc:subject>
      <dc:date>2013-06-17T15:35:04+00:00</dc:date>
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    <item>
      <title>Links for the Day: Daytime Emmy Awards Winners, Iranian President&#45;Elect Promises Moderation, Björk Wears Funny Outfit, Obama&#39;s Approval Dips, &amp;amp; More</title>
	      <link>http://www.slantmagazine.com/house/2013/17/links-for-the-day-daytime-emmy-awards-winners-iranian-president-elect-promises-moderation-bjoerk-wears-funny-outfit-obamas-approval-dips-more</link>
      <guid>http://www.slantmagazine.com/house/2013/17/links-for-the-day-daytime-emmy-awards-winners-iranian-president-elect-promises-moderation-bjoerk-wears-funny-outfit-obamas-approval-dips-more#When:15:06:54Z</guid>
      <description><![CDATA[<p>
							
		


	Click here for a complete list of yesterday&#39;s Daytime Emmy Awards winners.

	Iranian president-elect Hassan Rouhani pledges path of moderation.

	Vadim Rizov interviews Tobias Lindholm on A Hijacking.

	Bj&ouml;rk dazzles with rare U.S. performance and very unusual outfit at Bonnaroo.

	The president&#39;s approval rating falls.
	</p>
        <p>By: Ed Gonzalez</p><hr />]]></description>
      <dc:subject>house</dc:subject>
      <dc:date>2013-06-17T15:06:54+00:00</dc:date>
    </item>

    <item>
      <title>Of Human Bondage</title>
	      <link>http://www.slantmagazine.com/dvd/review/of-human-bondage</link>
      <guid>http://www.slantmagazine.com/dvd/review/of-human-bondage#When:14:07:20Z</guid>
      <description><![CDATA[<p>
				Extracted and somewhat bowdlerized from Somerset Maugham&#39;s 1915 novel, Of Human Bondage has waned in the manner of other condensed-classics adaptations made with the stilted "prestige" accompanying a European story shot on a 1934 Hollywood lot. Leslie Howard, on the wrong side of 40 to persuasively play failed artist turned London medical student Philip Carey, displays his trademark class and impeccable diction, but furrows (or clutches) his brow whenever the humiliations of the character&#39;s clubfoot or&hellip;</p>
        <p>By: Bill Weber</p><hr />]]></description>
      <dc:subject>dvd</dc:subject>
      <dc:date>2013-06-17T14:07:20+00:00</dc:date>
    </item>

    <item>
      <title>Watch the First Trailer for Martin Scorsese&#8217;s The Wolf of Wall Street</title>
	      <link>http://www.slantmagazine.com/house/2013/17/watch-the-first-trailer-for-martin-scorseses-the-wolf-of-wall-street</link>
      <guid>http://www.slantmagazine.com/house/2013/17/watch-the-first-trailer-for-martin-scorseses-the-wolf-of-wall-street#When:13:08:22Z</guid>
      <description><![CDATA[<p>
							
		


	Continuing to show a late-career hunger for genre experimentation, Martin Scorsese follows his highly-decorated 3D fantasy Hugo with The Wolf of Wall Street, a brash, rise-and-fall stock-market satire that seems to boast more comedy than the filmmaker&#39;s typical hard-hitting drama. Marking Scorsese&#39;s fifth collaboration with leading man Leonardo DiCaprio (who, with this and The Great Gatsby, is officially cinema&#39;s devil-may-care party-thrower of 2013),&hellip;</p>
        <p>By: R. Kurt Osenlund</p><hr />]]></description>
      <dc:subject>house</dc:subject>
      <dc:date>2013-06-17T13:08:22+00:00</dc:date>
    </item>

    <item>
      <title>Bonnaroo 2013 Photo Diary: Macklemore, the National, Swans, Edward Sharpe and the Magnetic Zeros, Action Bronson, &amp;amp; Kacey Musgraves</title>
	      <link>http://www.slantmagazine.com/house/2013/17/bonnaroo-2013-photo-diary-macklemore-the-national-swans-edward-sharpe-and-the-magnetic-zeros-action-bronson-kacey-musgraves</link>
      <guid>http://www.slantmagazine.com/house/2013/17/bonnaroo-2013-photo-diary-macklemore-the-national-swans-edward-sharpe-and-the-magnetic-zeros-action-bronson-kacey-musgraves#When:12:41:14Z</guid>
      <description><![CDATA[<p>
							Photographer Chris Jorgensen has set up shot at Bonnaroo, a four-day, multi-stage music and arts festival held on a 700-acre farm in Manchester, Tennessee. Each day we&#39;ll be posting some of his up-close-and-personal shots of the bands, the fans, and the press events. And check out Bonnaroo&#39;s live social webcast schedule here.

	
		


	
		Macklemore

	</p>
        <p>By: staff</p><hr />]]></description>
      <dc:subject>house</dc:subject>
      <dc:date>2013-06-17T12:41:14+00:00</dc:date>
    </item>

    <item>
      <title>Safety Last!</title>
	      <link>http://www.slantmagazine.com/dvd/review/safety-last</link>
      <guid>http://www.slantmagazine.com/dvd/review/safety-last#When:00:46:22Z</guid>
      <description><![CDATA[<p>
				Harold Lloyd&#39;s Safety Last!&nbsp;is inseparable from its signature image&mdash;that of Lloyd himself, bespectacled and well-tailored, hanging precariously from an oversized clock fixed to the side of a 12-story building in downtown Los Angeles, his hands clasped tightly around the minute hand as if it were a rope with which he might be lowered gently back to earth. It&#39;s a masterful image: The composition is&hellip;</p>
        <p>By: Calum Marsh</p><hr />]]></description>
      <dc:subject>dvd</dc:subject>
      <dc:date>2013-06-17T00:46:22+00:00</dc:date>
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