The festival’s greatest singularity is two-fold: its lack of pretense and judicious curatorial eye.
Mac discusses experience of starring in Sarah Ruhl’s show and the projects waiting in the wings.
The filmmaker brothers discuss how Bigfoot straddles the human and the animal world.
Loach discusses the connection between form and content throughout his body of work.
McKay discusses the connections between his two latest performances.
On the occasion of Godzilla x Kong’s release, we ranked the films in the Godzilla franchise.
Rohrwacher and O’Connor discuss the ethereal qualities of the film’s main character.
The filmmaker discusses his approach to depicting the present day as a historical moment.
To celebrate the album’s enduring legacy, we’ve ranked all 11 songs from worst to best.
A highlight of this year’s festival was the focus on the work of Basma Al-Sharif.
This list is part cathartic exorcism and part sheepish capitulation to the role the Oscars have played in our lives.
We may as well just light it up and acquiesce to the inevitable all-consuming blast.
Chernov discusses what guides his camera, Russia’s weaponization of disinformation, and more.
Manning Walker discusses what different audiences have made of the film’s ambiguities.
What makes IFFR so endearing is an atmosphere that’s joyful and devoid of self-importance.
Avilés discusses why it’s important to be in touch with a collective consciousness.
Sayles discusses how his 1996 neo-western noir speaks to the present political climate.