MUSIC
LIST
The 25 Best Singles of 2011
by Slant Staff on December 13, 2011 Jump to Comments (17) or Add Your Own

10. Azealia Banks featuring Lazy Jay, "212." "I been that bitch since the Pamper," Ms. Banks snaps, and then I can't really repeat most of the rest of what follows. I'd pity the target(s), but Azealia Banks spits some of the most witheringly funny diss-topian wordplay in recent memory that it would be an honor to be in her crosshairs. (Why yes, Azealia, that is what's caught up in my doo-rag too.) Skittering syllables like paradiddles over a Jaxxian groove from Lazy Jay's "Float My Boat," the chick who'd dare dismiss Nicki Minaj as a hipster-kowtowing Lil' Kim floats like a new Queen Bee, leaving no orifice unturned in what has to be considered the most unforgettable debutante debut of the season. EH

9. Beth Ditto, "I Wrote the Book." Simple semantics kept Gossip siren Beth Ditto's EP off our list of the best albums of the year. Good thing she saw fit to release one of its four equally fantastic tracks as an official single, the sleazy-sounding but pure-hearted "I Wrote the Book." Ditto uses her lilting voice as a red herring, tricking her second-person account out with the same sort of psycho-sexual omniscience that, in EP's me-or-her anthem "Do You Need Someone," is an albatross around her lovelorn neck. Only here she lulls her dallying intended into a false sense of security before patronizingly reminding, "I see right through you." And that's what really kills me. EH

8. Lady Gaga, "The Edge of Glory." It's a long and synth overdrive-overloaded road to get there, but Lady Gaga's expansive, go-for-broke Born This Way ends on a note of '80s power pop that unifies a huge album's every last conquistador concern, and wraps it up in a bow of saxophone blastula. A complete inversion of its LP-capping partner "Yoü and I," which turns a simple tune into country-fried fireworks, "The Edge of Glory" is a study in radical contrast that, once you sift aside its deliberately dated effects and the legacy of the late Clarence Clemons, is deep down an incredibly delicate ballad. Yes, everyone expects Gaga to make her confessions on the dance floor, but who knew she could make her shouts whisper? EH

7. Fleet Foxes, "Helplessness Blues." There are a whole lot of ways to like a song, but "Helplessness Blues" struck me in a way that only two or three other songs ever have, nearly bypassing my whole sense of having an opinion about it and confronting me with the recognition that the song was true. When I try to reflect about where I'm at right now in the ongoing attenuation between my ambitions and my real prospects, I can see the push and pull of the forces that Robin Pecknold so lyrically evokes. The gorgeous harmonies are what put the equivocal song decisively on the side of hope as Fleet Foxes offer comfort and perspective to anyone torn between their sense of purpose and their fear of failure. MC

6. Robyn, "Call Your Girlfriend." "Call Your Girlfriend" certainly isn't the first song to be sung from the homewrecker's point of view, but Robyn's character ends up being unlike any other woman in pop. Always hyper-attuned to emotional detail, she focuses on the neglected side of the love triangle that connects the one who gets left with the one for whom they're left. Robyn's not naïve enough to think that no one will get hurt, but in the interest of minimizing harm, she walks her suitor through his breakup, navigating him past some of the avoidable land mines with a sensitivity that suggests she's seen them detonate before. "Don't you tell her that I give you something that you never even knew you missed," she warns. "And then you let her down easy." MC

5. Lady Gaga, "Born This Way." Few singles have ever been as hotly anticipated as "Born This Way," and in that sense, the song may have become a victim of its own excess. Though it was unleashed last February to stunningly fast digital sales, it was also welcomed with an unmistakable undercurrent of critical disappointment. Yes, it borrows liberally from Madge's Shep Pettibone-era blueprint. Yes, it's lyrically beyond presumptuous for Gaga to be speaking on our behalf. Yes, it's as subtle as a hot-pink dildo affixed to a chainsaw. It's still an unmistakable landmark pop-cultural moment, a post-irony, post-metaphor, pansexual celebration, aimed squarely at the audience that probably needs it the most. Simple, elegant, better. "Born This Way" doesn't just make a lot of noise. It is a lot of noise. And hell no, it won't go. EH

4. Lana Del Rey, "Video Games." Lana Del Rey's wistful, blasé voice casts "Video Games" through all kinds of conflicting prisms. Is her beau an insensitive, manhandling misogynist or an adorable rogue? She might be dazzled by his love, but it's entirely possible that she's just exasperated over his half-assed attempts at romance. The line "This is my idea of fun" is either a sincere, starry-eyed revelation or an unimpressed, sarcastic invective. With Del Rey's delivery and the grandly tragic and triumphant turns the song takes, these riddles hang in the air over the '60s-tinged "Video Games" like a cloud of Pall Mall smoke. The song has since come to represent Del Rey's own persona: a fascinating contrast of styles and ideas that's easy to both dismiss and worship, hate and love. Whether Del Rey is a bad girl with a good girl's heart or vice versa, "Video Games" distills her contradictory nature into five minutes of immaculate indie-pop bliss. KL

3. Adele, "Rolling in the Deep." We're all thinking it: Thank goodness Adele got dumped. Without her dysfunctional breakup, the world wouldn't have 21, which, in turn, would have robbed us of "Rolling in the Deep," a fiery, almost sermonic soul-pop missive promising doom, pain, and woe on its unfortunate target. "Unfortunate," of course, because listeners can't help but feel sorry for the guy after hearing the kind of damning rage Adele levels at him, using the full force of her cosmic voice and the song's fierce gospel to pound at his guilty conscience. Even the track's unrelenting foot stomps sound as though they're being aimed squarely at her victim's noncommittal ass. Which is why "Rolling in the Deep" is such a good pop song: Far from a passive lament on the barbs of love, it's a weapon Adele uses with deadly precision to display virtuoso control over both her ex-lover and her craft. KL

2. Tyler, the Creator, "Yonkers." Tyler, the Creator's second album, Goblin, functions as a microcosm of the entire Odd Future explosion that played out early this year: a distended, confused mess with glimmers of surprising brilliance. Its high point is "Yonkers," a masterfully alluring lead single that distills all the latent menace and charm of the group's high-socked ringleader. Balanced atop a creeping haunted-house beat, produced by the rapper himself, he preens, boasts, and threatens in a style that's downright ominous, but he's also somehow fragile, possessed with a greater sense of self-awareness than many rappers twice his age. JC

1. Kanye West, "All of the Lights." A holdover from last year's epochal My Beautiful Dark Twisted Fantasy, "All of the Lights" beats the pulp out of nearly everything released this year. It's also perhaps the most acute example of Kanye West's pitched mania for theatrical expressions of manic-depressive instability, his mixture of self-destruction and self-love, sentiments which carried over to this year's Watch the Throne, albeit muted by Jay-Z's magisterial arrogance, which is more static and less interesting. Beyond the canned horn fanfare and the unhinged breakbeats, the song's chorus ranks as one of the most brilliantly purposeful wastes of big-name talent ever: transport 20 pop stars to Hawaii, record them, hit blend. JC
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Comments
- denvercash77 on December 13, 2011, 12:04 PM
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Great list, but what about Adele's "Someone Like You?" It was reviewed favorably in 21's album review and ended up doing much better than anyone thought (it should also be noted it was the first strictly-piano-and-vocals song to go number one on Billboard's Hot 100). I was admittedly surprised not to see it on this list.
- Mike321 on December 14, 2011, 12:42 AM
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denvercash77, I was not surprised by the absence of "Someone Like You". To be honest, I was more surprised that the track listing from "Born this Way" didn't make up the top 14 positions on the chart...
- No-Personality on December 14, 2011, 09:40 AM
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Well, I'm glad I agree on your #1 choice. But... "Till the World Ends"?!?! "The Edge of Glory"??!!?!? I know I must come off as an insane person defending Rihanna and Ke$ha in other articles but... seriously; WHAT?! "Till the World Ends" is nothing but a rip-off of "Blow," which is infinitely superior (yeah, I know Ke$ha had a hand in writing it but isn't that all the more reason to see that it isn't half the song?). And "Glory" puts me to sleep (isn't that the opposite effect Gaga was going for and just an abuse of the word's intent?). Hardly a shock, I know, but a song that eats my brain is "S&M." And... this only just occured to me: no "Super Bass"? Another track easily superior to "Till the World Ends." As a matter of fact, it was the "Poker Face" of 2011 and you guys decided to favor that with a mention of the best singles of the decade in 2009. I wanted to comment on the album article but there was way too much freaky discussion by sad Spears fan of how critics aren't fair to her, blah blah blah. But, for Spears songs better than "World Ends": "I Wanna Go" (also featuring a bit that rips off of Ke$ha's "Dinosaur") and "Up N' Down" (deleted from the standard album, kept on the Deluxe Edition).
Agreed on "Cruel" as well.
Singles, Mike321, singles.
- denvercash77 on December 14, 2011, 10:13 AM
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I, too, am surprised at some of the choices on here. "Born This Way"?? Really? I mean, I don't care about her ripping off Madonna's "Express Yourself", but the song is so damn overproduced, I can't stand it. And "The Edge of Glory". It's an okay song (I prefer her acoustic rendition on Howard Stern. Check it out sometime, it's actually one of the best performances I've seen from her), but critics (including Slant) hated it initially. Also, that bit where you tried justifying Spears' "Till The World Ends" was kind of lousy. I guess that "surviving the apocalypse" bit was kind of interesting, but doesn't make up for all of Ke$ha's whoa-oh-oh's that she puts in to cover up the fact that she doesn't know any words, and sure as hell doesn't warrant a place on a year-ends list, much less in the top twenty.
I don't know if everyone's just grown to love the songs, or if it's a sign of where music is today that Lady Gaga and Britney Spears could, combined, have three songs in the top twenty of a year-end's best songs list. I expect this from someone like Rolling Stone, but a bit surprised to find it on Slant.
- MidnightSonnet on December 14, 2011, 04:17 PM
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Very refreshing to see K-pop on this list! I've been waiting for the US to get on the K-pop boat with the rest of the world, but I always suspected it would have to be 2NE1 to do it, since they're the most akin to Western styles of music. It seems like they're doing just that, with their recent MTV win and this feature of their single "I Am The Best" in Slant. 2NE1 is perhaps the most unique girl band to come out of Asia, and if anybody can break down the wall between the East & the West, these girls can do it! They're style, sound, and attitudes definitely make them a group to look out for in the coming years! I don't doubt they'll be making more "Best Singles" lists in the future, and maybe even some "Best Albums" lists! Their US project should be coming out in 2012, and hopefully they'll put an end to the poorly executed US projects that other K-pop, J-pop, and J-rock artists have tried.
- betomeza64 on December 14, 2011, 08:45 PM
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Utterly dissapointed. Lady Gaga? Seriously? You think that putting her (horrible) face in your homepage would attract more viewers?
There are more, way more best singles this year.
- adamant_cocoon on December 14, 2011, 11:29 PM
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Das Racist is a sweet choice...though The Rapture's "How Deep Is Your Love" is missing.
- Grotesk on December 15, 2011, 12:06 AM
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Wow, people really have to say something about Gaga—female pop is just so looked down upon. Take your snobbery elsewhere—the lady deserves it. She deserves every last bit of it.
Thank you, Slant, for making outstanding lists.
- EJ on December 15, 2011, 12:14 AM
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Psyched to see Kanye at number one. It's a damn good song and even with all the hyped out production values, it's got a dark story line that still shines through. Also good to see Patrick Wolf, although "Time of My Life" is my favorite on that album. As for Gaga, I'm not surprised to see her a couple of times on the list due to all the love she gets from this blog for some reason. I just don't find her authentic and her music doesn't stand out to me as anything interesting or different. A couple I would have added in replace of Gaga, Kate Bush for "Misty" and Erasure for "Whole Lotta Love Run Riot", but I don't think the latter was even reviewed here. Oh yeah, Blondie had one of their best singles out this year too, "Mother".
- OK on December 16, 2011, 05:49 PM
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Decent list - I don't mind Gaga, but her placements on this list concern me.
I agree wit No-Personality that 'Super Bass' should've featured here...and surely 'We Found Love'?? Instead of Britney....
Love 'Rolling In The Deep', great to see Beth Ditto on here - the EP is gr8.
I keep hearing about K-pop...everywhere....seriously
- peacockpharoah on December 17, 2011, 09:39 AM
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Your list is a bit whack if u ask me..it consists of mainly a bunch of eith brand new or indie groups that most people haven't even heard of, accompanied by the WORST songs On Lady Gagas Born this way album..personally, the only one on that album that is good enough to make the list was "Bloody Mary"..That is a flippin AWESOME SONG..I was very disappointed with it after waiting FOREVER for it to be released..Adelle s only good one is "Set Fire To The Rain"..the rest of them are just a bunch of whiny sappy LESBIAN POWER ballads...puke..she has an INCREDIBLE voice, but all she wants to do is DWELL in her past..get the hell over it already..youre rich now..
Britney s Album was pretty damned good too..but the ONE song u chose is typical of Keisha to have co-written..Shes an Illuminatti puppet bar whore who is not only trashy but ugly and talentless except for her song writing abilities..all she sings about is getting wasted in the clubs all night...TIRED..Til The World Ends isnt a bad song, however it is dark and depressing..they FINALLY managed to rope Britney into their false little NEW WORLD ORDER doomsday shit beliefs..."Inside Out" is the best one on Femme Fatale...Her Circus album was PHENOMENAL..this one was just good...Kanye West was a decent choice for spot one..but Rihanna wasnt even credited for it and she is half the song if not more...and she got ZERO nominees??? WTF? The Rated R album was better but come on...give me a break.."Only Girl in the World" or "Whats My Name" were both HUGE this year..And "Skin"..wow INCREDIBLE SONG...I have over 1700 cds..Im a MUSIC PHENATIC and there were people on ur list I have never heard of, which is RARE..Im gonna update this after I look into those ones so that maybe I can give yall a bit more positive quotations...
- No-Personality on December 17, 2011, 02:15 PM
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Woah, peacock, I couldn't disagree with you more on "Bloody Mary." Easily the weakest song on the album in my opinion. As for Rihanna, I only wish "Skin" had been a single rather than "Cheers." Then, yes, it would have been my #2 vote for best single of the year (right after "All of the Lights"). I was under the impression Slant had yet to catch Adele fever. I seem to remember they've given both of her albums 3/5.
Thanks, OK. But I'd say "We Found Love" was good, not great. Better than "Til the World Ends" but not better than Britney's "I Wanna Go" (which again is why it's too bad Slant went for Ke$ha's sequel to "Blow" instead). As for Gaga, "Judas" is still the best single she's released from the album yet. Though I'm still hoping "Government Hooker" and "Highway Unicorn" become singles (this is why I really resent "Edge of Glory" as a choice for single since almost no major artist releases more than 6 singles from an album anymore). Or "Heavy Metal Lover" - DAMN that thing grows on you!
- protools on December 18, 2011, 08:39 AM
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Unlike the crazypants above me, I'm just wondering where "Barton Hollow" is.
- No-Personality on December 18, 2011, 01:01 PM
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There are 4 letters in your screenname which you really don't need.
Guess which.
- clearly on December 20, 2011, 12:07 PM
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Great list. I was pretty surprised to see some of my favorites on here, particularly "Till the World Ends", "Call Your Girlfriend", "Rolling in the Deep", and "All of the Lights".
Till the World Ends was the biggest surprise for me, and I guess it's understandable for other people to question its position. Personally, I thought it was one of Britney's best singles in years, there's just something about that song that hits you. I definitely don't care if Kesha wrote the song, it stands completely alone from Blow (hated that song).
I would've loved to see Time Machine - Robyn, and Heavy Metal Lover - Lady Gaga, but they weren't released as singles, so I'm still happy to see the artists' presences on this list anyway with the songs that were released as singles.
- protools on December 23, 2011, 05:07 PM
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Heh, No-Personality, I wasn't simply referring to you, but *all* the crazypants. Debating the merits of Rihanna v. Britney v. Ke-dollarsign-ha is a particularly amusing task to me.
I'm all for "All of the Lights" and Lana Del Rey. I'd be great if I never heard another word from Tyler, the Asshole again. I'm guessing it was too late in the game to get the Black Keys' "Lonely Boy" on the list, as well, but I'm willing to forgive.
- No-Personality on December 29, 2011, 02:12 PM
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protools: Still. I do agree that Tyler's overrated, at the very least, though.
clearly: You're wrong. (All that need be said, really.)
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