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Premiere: Boy Meets Boy in Bright Light Bright Light’s “Into the Night” Music Video

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Premiere: Boy Meets Boy in Bright Light Bright Light’s “Into the Night” Music Video

Daniel Robinson

Premiere: Boy Meets Boy in Bright Light Bright Light’s “Into the Night” Music Video

A companion piece to Bright Light Bright Light's music video for “New York Pretty,” the first single from his new EP Tales of the City, “Into the Night” finds Welsh singer-songwriter Rod Thomas paying tribute to his adopted hometown of New York City. Along his route from Brooklyn to Manhattan, Thomas strolls past queer landmarks like Stonewall and Big Apple icons like the Williamsburg Bridge.

Twin Peaks: The Return Recap Part 11

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Twin Peaks: The Return Recap: Part 11

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Part 11

Where last week's episode of Twin Peaks: The Return brought intimations of encroaching darkness on a tide of unflinching violence and male brutality, last night's installment divides its time pretty evenly between domestic drama, furthering the show's overarching mythology, and an extended set piece of seriocomic pop surrealism. In a tidy structural parallel, “Part 11” opens with a pair of scenes that extend (and complicate) events from last week. The first reveals that eyewitness Miriam Sullivan (Sarah Jean Long) somehow survived Richard Horne's assault and attempted assassination via makeshift gas-oven-and-candle explosive. It's safe to say that Horne's misdeeds will now see the light of day, setting up an inevitable showdown with the authorities that seems likely to end in a hail of bullets.

Game of Thrones Recap Season 7, Episode 2, “Stormborn”

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Game of Thrones Recap: Season 7, Episode 2, “Stormborn”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 2, “Stormborn”

Once upon a time on Game of Thrones, Oberyn Martell made an oath to Cersei Lannister (Lena Headey), promising that her daughter, who'd been sent to Dorne as part of a marriage treaty, would be treated well: “We don't hurt little girls in Dorne.” After Oberyn's death, however, his vengeful lover, Ellaria Sand (Indira Varma), did precisely that, poisoning the innocent girl. Now, months later, Tyrion Lannister (Peter Dinklage) calls Ellaria to account for that, passionately arguing before Daenerys Targaryen (Emilia Clarke) that they be more than indiscriminate murderers. It's one of many callbacks to past actions that are brought up in “Stormborn,” an episode that's not only packed with intrigue, intimacy, and insanity, but also with a richness of history.

Insecure Recap Season 2, Episode 1, “Hella Great”

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Insecure Recap: Season 2, Episode 1, “Hella Great”

HBO

Insecure Recap: Season 2, Episode 1, “Hella Great”

It's nighttime in Los Angeles. Or, to more accurately locate the universe of HBO's Insecure, it's nighttime in Inglewood. That's evident upon watching the opening moments of the show's second season, which feature a number of familiar establishing shots from the South L.A. neighborhood. One can't help but notice that the introduction to “Hella Great” bears a striking resemblance to that of the show's pilot. Each contains requisite shots of locales like Randy's Donuts and the Forum, and in the background blares a cherry-picked track (Kendrick's “Alright” in season one, NxWorries's “Scared Money” here).

Ranking Christopher Nolan’s Films: From Worst to Best

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Ranking Christopher Nolan’s Films: From Worst to Best
Ranking Christopher Nolan’s Films: From Worst to Best

There’s an engimatic quality to the role of Christopher Nolan in the current filmmaking landscape, and one that stands apart from the fact that his films so often court ambiguity with explicit intent. From the Russian-nesting-doll antics of Inception to the magicians-as-filmmakers commentary of The Prestige, Nolan’s ambition within the realm of big-budget, broad audience spectacle is comparable to the likes of few. Among those, James Cameron comes to mind, and now Nolan joins the Avatar director with his own film about interplanetary travel, the logical next step for a filmmaker so concerned with world-building, literal and otherwise. Looking back at his work thus far, what emerges—apart from his obsession with identity, reality, community, and obsession itself—is an artist who, heedless of his own shortcomings, is intent on challenging himself, a quality that salvages and even inverts a great many of his otherwise pedestrian choices. One suspects that this is an artist still in his pupa stage, and one is also fearful that the near-unanimous praise heaped upon his work since his breakout hit, Memento, will only serve to keep him there. To wit, his latest film, Dunkirk, employs the kind of chronology-bending antics that epitomize Memento and Inception.

The 15 Best Whitney Houston Singles

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The 15 Best Whitney Houston Singles
The 15 Best Whitney Houston Singles

On August 26th, Nick Broomfield's new documentary, Whitney: Can I Be Me, will make its television premiere on Showtime. The film focuses largely on Whitney Houston's tumultuous private life, and at one point a member of the singer's inner circle suggests that the whitewashed image that was crafted for Houston by her handlers was, in part, responsible for her inevitable self-destruction. It's no secret that Houston was largely an A&R creation, a traditional vocalist who emerged in the era of Michael Jackson and Madonna, two self-empowered artists who took 360-degree creative control of their careers.

Twin Peaks: The Return Recap Part 10

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Twin Peaks: The Return Recap: Part 10

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Part 10

In “The Marriage of Heaven and Hell,” William Blake wrote: “Without Contraries is no progression…Love and Hate are necessary to Human existence.” Last night's installment of Twin Peaks: The Return illuminated the precarious balance between these two opposing forces, previously represented as overarching cosmic principles in “Part 8” but here embodied at the level of all-too-human experience in ways both touching and terrifying.

Game of Thrones Recap Season 7, Episode 1, “Dragonstone”

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Game of Thrones Recap: Season 7, Episode 1, “Dragonstone”

Helen Sloan/HBO

Game of Thrones Recap: Season 7, Episode 1, “Dragonstone”

Whenever Jon Snow (Kit Harington), the newly minted King of the North, seeks guidance, he thinks back to the words of his deceased father, Ned Stark. When it comes to whether he should punish the disloyal houses of Karstark and Umber, who fought against his rightful rule in last season's Game of Thrones episode “Battle of the Bastards,” he chooses not to hold the children responsible for the mistakes of their parents, and bulldozes his way past the more vengeful desires of his sister, Sansa Stark (Sophie Turner). Yes, Cersei Lannister (Lena Headey) has seized control of King's Landing and summons Jon to take a knee before her, and yes, Daenerys Targaryen (Emilia Clarke) has finally returned to her ancestral home at Dragonstone, but “Yesterday's wars don't matter anymore,” Jon announces. Winter is here, women and children will learn to fight alongside men—a prospect fully backed by the fiery young Lyanna Mormont (Bella Ramsey)—and gold is irrelevant. Only dragonglass (and Valyrian steel) can slay the marching armies of the dead.

Garbage Releases Dystopian Single “No Horses” Benefiting the Red Cross

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Garbage Releases Dystopian Single “No Horses” Benefiting the Red Cross
Garbage Releases Dystopian Single “No Horses” Benefiting the Red Cross

Though “No Horses” isn’t explicitly about the Trump administration, Shirley Manson describes Garbage’s new single as a “panic attack” that imagines a dystopian, über-capitalist future ruled by a regime that values profit above all else. One hundred percent of the band’s earnings from the song, released today, will be donated to the International Committee of the Red Cross.

Kesha Drops Feminist Trump-Inspired Track and Video “Woman”

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Kesha Drops Feminist Trump-Inspired Track and Video “Woman”
Kesha Drops Feminist Trump-Inspired Track and Video “Woman”

After nearly five years with no new solo material, Kesha has dropped two new tracks in the span of one week. Following “Praying,” the first single from her upcoming album, Rainbow, the funk-tinged “Woman” is another empowering anthem, this time with a more playful, upbeat vibe. The bouncy, expletive-riddled track, which features the members of the Dap-Kings on horns, is a musical departure for the singer, but it reprises the celebratory spirit of her past hits in a way that its predecessor didn’t.