Archive: The House
by staff on May 1st, 2012 at 6:30 pm in The House

[Editor's Note: House Rewind is a collection of House articles from the month gone by—a recap of the posts you loved and those you might have missed.]
In a special edition of our weekly list feature, R. Kurt Osenlund compiled a collection of our 15 Most Anticipated Summer Films.
Other lists in April included 15 Famous Cabins in the Woods, 15 Famous Movie Monkeys, and 15 Famous Movie Blackbirds.
Reporting from the 2012 Tribeca Film Festival, House contributors Gerard Raymond and Kenji Fujishima offered reviews of Wagner's Dream, BAM150, Rubberneck, Mansome, and more.
After writing up a similar piece on The Artist, Ted Pigeon returned with another "Critical Distance" article, this time taking a look at Mission: Impossible - Ghost Protocol.
In Books, Sumanth Prabhaker reviewed Jonathan Franzen's Farther Away, Indrapramit Das reviewed Ben Marcus's The Flame Alphabet, and Tim Peters reviewed Guy Delisle's Chronicles from the Holy City.
Reviewing such titles as Samsara, Reportero, and The Queen of Versailles, Budd Wilkins provided extensive coverage of this year's Full Frame Documentary Film Festival.
Continue Reading »
Tags: Amy Herzog, Ben Marcus, Chromatics, critical distance, Django Unchained, Dntel, Downton Abbey, Follies, Full Frame Documentary Film Festival, Guy Delisle, House Rewind, Japandroids, Jonathan Franzen, Liars, lists, Mansome, Mission: Impossible - Ghost Protocol, Rubberneck, savages, The Artist, The Cabin in the Woods, the queen of versailles, the raven, The Walkmen, Total Recall, Tribeca Film Festival, Wagner's Dream
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by staff on April 4th, 2012 at 6:13 pm in The House

[Editor's Note: House Rewind is a collection of House articles from the month gone by—a recap of the posts you loved and those you might have missed.]
Chiming in on the Hunger Games phenomenon, Richard Larson offered an essay dubbed, "Reality Hunger."
Just in time for the release of The Deep Blue Sea, Aaron Cutler wrote an essay on the films of Terence Davies.
In Poster Lab, R. Kurt Osenlund dissected the posters for Intruders, Moonrise Kingdom, Cosmopolis, and Cabin in the Woods.
After attending a special 92Y Tribeca event for Jerry Lewis, Bill Weber delivered a coverage article he called, "The Indelicate Delinquent in Manic Winter."
In the wake of the release of HBO's Game Change, Oscar Moralde shared his own take on the film.
In Theater, Ela Bittencourt reviewed The New York Theatre Workshop's production of An Iliad, and the Signature Theatre's production of The Lady from Dubuque.
Continue Reading »
Tags: Bear in Heaven, Bully, Chromatics, Game Change, Gimme the Loot, House Rewind, Jennifer DuBois, Jerry Lewis, john carter, Justified, Luck, Moonrise Kingdom, Nas, Regina Spektor, Sarah Palin, SXSW, Terence Davies, The Artist, The Cabin in the Woods, The Hunger Games, Tinker Tailor Soldier Spy
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by staff on March 1st, 2012 at 10:12 pm in The House

[Editor's Note: House Rewind is a collection of House articles from the month gone by—a recap of the posts you loved and those you might have missed.]
Leading up to the Academy Awards ceremony on February 26, Ed Gonzalez, Eric Henderson, and R. Kurt Osenlund predicted the winners in every category, slipping up on only six: Live Action Short, Foreign Language Film, Costume Design, Visual Effects, Film Editing, and Actress, which went to―egads!―Meryl Streep.
Ed Gonzalez also ranked, from best to worst, all 58 of the 61 nominated films he saw before the ceremony. The list may surprise you.
We didn't too bad with our Grammy predictions either.
In the wake of Whitney Houston's death, Andrew Chan wrote a beautiful piece about his personal connection to her work, one he no doubt shared with countless fans.
In yet another installment of our "Conversations" series, Jason Bellamy and Ed Howard discussed Spike Lee's Bamboozled.
In response to the endless swirl of buzz and ire surrounding The Artist, Ted Pigeon offered a popular essay entitled, "Critical Distance."
Continue Reading »
Tags: Academy Awards, Bamboozled, Berlinale, film comments selects, Grammy Awards, House Rewind, josh hutcherson, Justified, Katori Hall, Lana Del Ray, Lana Del Rey, Luck, Madonna, Meryl Streep, Nicki Minaj, Posters, Santigold, The Artist, The Hunger Games, the wooster group, this means war, Tom Hardy, Transfer, Whitney Houston
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by staff on February 1st, 2012 at 9:00 am in The House

[Editor's Note: House Rewind is a collection of House articles from the month gone by—a recap of the posts you loved and those you might have missed.]
In the second episode of Season 1 of our SlantCast, R. Kurt Osenlund dished on the Oscars, while Jaime N. Christley sat down with filmmaker Joe Swanberg.
Reporting from the Sundance Film Festival, Simon Abrams and Michał Oleszczyk reviewed Tim and Eric's Billion Dollar Movie, Simon Killer, Red Hook Summer, Keep the Lights On, The Surrogate, Beasts of the Southern Wild, and more.
In the latest installment of the ever-popular "Conversations" series, Jason Bellamy and Ed Howard chatted about 3D.
Leading up to the announcement of the Oscar nominations on Jan. 24, Eric Henderson and R. Kurt Osenlund made nominee predictions in the Academy's top categories. They fared best in the areas of Picture, Cinematography, and Directing (but don't miss Eric's killer write-ups on Best Actor and Adapted Screenplay).
In Music, the House added to its playlist the the latest from Wild Nothing, Zebra Katz & Blood Orange; The Shins, The Magnetic Fields, New Build & Fort Romeau; Tanlines, Sleigh Bells, Rick Ross & John Talabot; Grimes, Labyrinth Ear & Napolian; and Destroyer, SBTRKT, D'Angelo & Warm Weather.
Continue Reading »
Tags: Blade Runner, Global Lens, Grey Matter, House Playlist, House Rewind, International Film Festival Rotterdam, Joe Swanberg, Justified, lists, Luck, Man on a Ledge, Rise of the Planet of the Apes, Roberto Bolaño, Rooney Mara, Santigold, slant cast, Sundance Film Festival, The Conversations, The Oscars, the paperboy, The Third Reich, the words, Understanding Screenwriting
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by staff on December 1st, 2011 at 1:30 pm in The House

[Editor's Note: House Rewind is a collection of House articles from the month gone by—a recap of the posts you loved and those you might have missed.]
In response to the pepper spray incident at UC Davis, Sal Cinquemani offered an essay focused on the second half of that now-infamous viral video, and its stance as "a lesson in civil disobedience."
In the first installment of the new series On the Rise, the House profiled Tom Hiddleston, the standout Brit who classed up Thor, Midnight in Paris and War Horse.
In Music, the House added to its playlist the the latest from Guided By Voices, Escort, Carina Round, Morris Cowan, & Duncan Edward Jones; Lindstrøm, Cloud Nothings, Fred Falke, Tamaryn and Ford, & Lopitan; and Jónsi, Blackout Beach, and Radiohead.
In Oscar Prospects, R. Kurt Osenlund discussed which Academy Award nominations are on the horizon for Anonymous, J. Edgar, The Descendants, My Week with Marilyn, and Hugo.
In DVD, Simon Abrams journeyed into the self-flagellating, flame-throwing, "souped-up abyss" of Evan Glodell's Bellflower.
In Interviews, Gerard Raymond spoke with Burning playwright Thomas Bradshaw.
Continue Reading »
Tags: AFI Fest, Bellflower, Books, DOC NYC, Gerard Raymond, House Playlist, House Rewind, Interviews, Music, on the rise, Oscar Prospects, Politics, Poster Lab, São Paulo International Film Festival, Tom Hiddleston, UC Davis, Understanding Screenwriting
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by staff on November 1st, 2011 at 7:30 pm in The House

[Editor's Note: House Rewind is a collection of House articles from the month gone by—a recap of the posts you loved and those you might have missed.]
In our extensive coverage of The New York Film Festival, House contributors reviewed Le Havre, 4:44 Last Day on Earth, A Dangerous Method, Martha Marcy May Marlene, This Is Not a Film, The Turin Horse, and The Descendants, among many other titles.
In the latest installment of The Conversations, Jason Bellamy and Ed Howard discussed Stanley Kubrick's Barry Lyndon.
In the new series Oscar Prospects, R. Kurt Osenlund looked at the Academy Awards hopes for buzzworthy contenders Carnage, Moneyball, The Artist, and The Help.
In Music, the House added to its Playlist the latest from Charlie XCX, Icona Pop, Small Black, & Hands and Teeth; Kurt Vile, AU/Palais, & Phantogram; and Shimmering Stars, Amanda Mair and Cate Le Bon.
Reporting from The São Paulo International Film Festival, Aaron Cutler offered coverage of such films as The Kid with a Bike and A Trip to the Moon, Jeanne and Hanezu, and Outside Satan and Breathing.
Continue Reading »
Tags: Barry Lyndon, Belleville, Charlie XCX, Chinglish, Daniel Clowes, David Foster Wallace, David Henry Hwang, God's Land, God's Land: Production Diaries, House Rewind, J. Edgar, Le Havre, Martha Marcy May Marlene, São Paulo International Film Festival, Shimmering Stars, Stanley Kubrick, The Artist, The Descendants, The Girl With the Dragon Tattoo, The Great Northern Brotherhood of Canadian Cartoonists, The Help, The Iron Lady, The Kid with a Bike, The New York Film Festival, The Pale King, The Turin Horse, This Is Not a Film
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Here's a roundup of some work being done/appearances being made by House contributors around the web.
First off, have you been reading Odienator's daily February series Black History Mumf, inaugurated in 2008, now in the middle of its third go-round at Big Media Vandalism? You no longer have an excuse. Go here for a breakdown of all the entries, past and present. From his introduction to the 2010 Mumf:
"I am proud to be American, but you know what else? I like being Black too. And even if I didn't, Blackness, like prostitution, advertises itself. All you have to do is look to see it. It's going to be a long time before Bulworth's suggestion comes true, and I guarantee you the end result's going to look more like me than David Duke.
"I hope this is enough to justify having a Black History Mumf this year, and if it isn't, too fucking bad. I'm here and I'll be here the next 28 days, reflecting on life through the movies and TV that gave us images of African-Americans, Negroes, Colored People and Blacks. As I've said the past two years, this is not a scholarly discussion. I am not politically correct. I use profanity. I don't care if I offend you, and I probably will. The N-word will appear here, and I don't mean Negro (whose appearance is a given), but always in the negative context it deserves. And the person I am meanest to in these pieces is Black. No, not Diana Ross. I'm talking about me. Continue Reading »
Tags: Black History Mumf, Good Day Street Talk, Nick Schager, Odienator, Philadelphia Weekly, Sean Burns, Shutter Island, The Oscars, The Wolfman, Time Out New York
2 Comments »

Last year it was Muriel. This year, piggybacking on the State of the Union address and the unveiling of the iPad (always our intention), the House is doubly rewarded.
First, columnist and blogger Roy Edroso profiles our site in the Village Voice feature "I Blog New York." Click here; the text is at the bottom of the page (7) and continues onto the next (8). Special congrats to "Turkish correspondent" Ali Arikan (a well-deserved mention, my friend).
Second, MovieMaker Magazine, under the stewardship of Jennifer M. Wood, has named us one of the "50 Best Blogs for Moviemakers." This link will take you to the list. There is reportedly a longer article on the chosen blogs in the print issue (soon-to-be/currently on stands).
This wouldn't have come about without the writers (past, present, and future) who contribute to the site and the readers who visit us. My deepest thanks to you all for your dedication and support. I promise you, there's lots more to come.
Tags: 50 Best Blogs for Moviemakers, I Blog New York, MovieMaker Magazine, Roy Edroso, Village Voice
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Hello House readers. As you can see, we've implemented a few changes, and I do plan on giving you a larger tour of our new home in the near future. For the moment, we're smoothing out a few bugs, restyling imported posts, making sure every contributor is credited, etc. So if you go through the archives and find a few rough patches, just know that I and my colleagues at Slant are on it. The building will be up to code soon—then I'll take you more fully round. Thanks for your patience and continued support. I'll keep posting new material in the meantime. There's plenty of it.
Tags: House Maintenance
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Received an e-mail just before bed last night, reprinted here in full, links added to relevant text:
Keith,
My name is Paul Clark, and I'm the proprietor of the web site Silly Hats Only. For the past two years, I've been administrating a movie poll called The Muriel Awards. Beginning this year, we've decided to reward our favorite film-related web site, and our inaugural winner in this category is The House Next Door. Congratulations! Attached is a Muriel Awards sidebar banner to be displayed on THND if you so desire (ed. note: so desired, and added).
Here's a link to a lovely short piece written about the site by your 2008 Cannes correspondent Matt Noller: Once again, congratulations, and keep up the wonderful work.
Paul Clark
Administrator, The Muriel Awards
My deepest thanks to Paul and the voters for the honor; to Matt Noller for his heartfelt appreciation; to Matt Seitz for startin' the whole damn thing; and to all House contributors past, present, and yet to come. If I may borrow Noller's phrasing: It's a beautiful day in our neighborhood.
Tags: Muriel Awards
7 Comments »

When the history of intellectual property law is written, January 12, 2009 should be marked as a decisive moment. It was the day that my friend, fellow House Next Door contributor and sometime filmmaking partner Kevin B. Lee saw his entire archive of critical video essays deleted by YouTube on grounds that his work violated copyright.
Regular readers of this blog are familiar with Kevin's work. He's the New York-based publisher of Shooting Down Pictures, a film history and criticism website dedicated to watching and discussing each of the 1,000 feature films cited on They Shoot Pictures, Don't They? For years now, Kevin has been writing about each and every film on the list, starting out with a personal, critical essay, then segueing into a compilation of excerpts from various works of history and criticism. His goal was to give his audience a sense of a film's place in modern culture and collective memory.
Some of his entries were accompanied by freestanding video essays that used ripped scenes from DVDs and voice-over narration (by Kevin or a guest critic; I participated in two essays myself, on The Outlaw Josey Wales and They Died with Their Boots On). I can't point you to those pieces because they're gone. So is the rest of the approximately 300 minutes' worth of work Kevin posted to YouTube, working solo or in collaboration with fellow critics, including Jonathan Rosenbaum, Chris Fujiwara, Mike D'Angelo, Richard Brody, and many House contributors. Continue Reading »
Tags: Chris Fujiwara, Jonathan Rosenbaum, Kevin B. Lee, Mike D'Angelo, Museum of the Moving Image, Richard Brody, The Outlaw Josey Wales, They Died with Their Boots On, They Shoot Pictures Don't They?, YouTube
40 Comments »
I missed our 2000th post exactly (this is #2002), but still wanted to mark the moment. Jason Statham helps us celebrate, and points the way to 3... thousand! (See you there.)

Tags: 2000, Jason Statham, Transporter 3
3 Comments »

Gone to the Mountains. Back on Monday. —Management
Tags: House Maintenance
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A note to our readers. We've changed our URL to http://www.thehousenextdooronline.com so please update your bookmarks and records accordingly. The transition takes a few days, so if there are any problems the original URL (mattzollerseitz.blogspot.com) will take you to the site as well, and should continue to after the fact. Thank you.
Tags: House Maintenance
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Introduction
A new day dawns and, from this side of the web, it seems business as usual. Perhaps that's because I've been aware for a while now that my co-editor and friend Matt Zoller Seitz is leaving behind the world of print journalism.
It's long been a point of conversation, one of those topics posited in off-the-cuff "what-if?" asides, always leading to deeper discussion, though no definitively stated absolutes. That is until a month ago when I received a nighttime phone call from Matt, his voice unwavering and decisive. "I'm out," he said in regards to his seventeen years plus profession, going on to state his reasons, though, in that moment, he needn't have justified his choice to me. It was unmistakably prepared for, and though I felt a twinge of wistful sadness (impossible not to), I was more happy for him and the potential futures he was now laying out before me, his tone crystal clear and infectious. There was a part of me that wondered if this wasn't an extended prank, that we'd get to zero hour and he'd say—with a mischievous, Cheshire Cat grin—"Just kidding." But the point of no return has passed. The clock has struck midnight. The DeLorean's hit 88 mph. And, where Matt's going, he don't need roads.
All this to say that I think I've personally had enough time to deal with any resultant aftershocks of Editor Emeritus Seitz's announcement, of his entrustment of The House Next Door to me, of the great responsibility that comes with that, and of my desire, determination, and commitment to maintain the continually high level of collaborative quality that Matt has instilled in this venture. It's the least I can do, and I hope you'll all (contributors, constant readers, and newcomers alike) come along for the ride—it's far from over. Yet any passing of the torch requires more than just an announcement. As I say in the accompanying podcast conversation, I think we're presented with markers in our life, signposts directing us down a certain path or away from it. Sometimes we heed said marker's advice, other times we ignore it, but it always makes an impression, and we more often, whether regretfully or not, remember the road not taken. I thought it important that Matt and I create our own signpost, to mark a moment that shouldn't come off as an end of things or a farewell, but as a present-tense point in time that has its own complicated history, ripe for retrospective exploration, and which portends a future filled with endless and abundant possibilities.
So we have done below: Laughed much. Explained and enlightened. Spoken from the heart and bared the soul—now to an audience. It remains only for me to thank Matt for his friendship and guidance, his trust and love, and to wish him well on his each and every future endeavor. You're a brother to me, my friend. And an inspiration to many besides. Keith Uhlich
Podcast is accessible after the break. If you have any problems accessing it, you can also find it here. The conversation is transcribed in full below, with minor edits for style and clarification. Continue Reading »
Tags: Home, House Maintenance, Keith Uhlich, Matt Zoller Seitz
79 Comments »
House Rewind: February 2012
by staff on March 1st, 2012 at 10:12 pm in The House
[Editor's Note: House Rewind is a collection of House articles from the month gone by—a recap of the posts you loved and those you might have missed.]
Leading up to the Academy Awards ceremony on February 26, Ed Gonzalez, Eric Henderson, and R. Kurt Osenlund predicted the winners in every category, slipping up on only six: Live Action Short, Foreign Language Film, Costume Design, Visual Effects, Film Editing, and Actress, which went to―egads!―Meryl Streep.
Ed Gonzalez also ranked, from best to worst, all 58 of the 61 nominated films he saw before the ceremony. The list may surprise you.
We didn't too bad with our Grammy predictions either.
In the wake of Whitney Houston's death, Andrew Chan wrote a beautiful piece about his personal connection to her work, one he no doubt shared with countless fans.
In yet another installment of our "Conversations" series, Jason Bellamy and Ed Howard discussed Spike Lee's Bamboozled.
In response to the endless swirl of buzz and ire surrounding The Artist, Ted Pigeon offered a popular essay entitled, "Critical Distance."
Continue Reading »
Tags: Academy Awards, Bamboozled, Berlinale, film comments selects, Grammy Awards, House Rewind, josh hutcherson, Justified, Katori Hall, Lana Del Ray, Lana Del Rey, Luck, Madonna, Meryl Streep, Nicki Minaj, Posters, Santigold, The Artist, The Hunger Games, the wooster group, this means war, Tom Hardy, Transfer, Whitney Houston
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