Rohrwacher and O’Connor discuss the ethereal qualities of the film’s main character.
Godzilla and Kong’s team-up is an inevitability, but the film takes its sweet time getting there.
With his first HBO special, the writer-comedian disarmingly balances satire, straight comedy, and old-fashioned pathos.
Jean-Stéphane Sauvaire’s Asphalt City is less a film than a guttersnipe’s wallow.
The film suggests something like a western-inflected musical riff on Design for Living.
Future seems content to be set dressing for Metro Boomin’s elaborate production.
The game’s roguelike structure mostly exacerbates the sense of “been there, done that.”
The album is paradoxically sparse in its construction but dense in its intense inscrutability.
Diop’s riveting meta-drama receives a series of extras that exalt its wide-ranging themes.
This romanticized series mostly suggests rather than shows the horrors of a totalitarian regime.
Having Esposito in the driver’s seat prevents the series from spinning out altogether.
Horror will hold you helpless!
In this unholy sanctuary you haven’t got a prayer.
As a global satanic cabal grows in ferocity, a schoolteacher is chosen to deliver the ultimate evil.
The film is one of the most twistedly intense films of Lucio Fulci’s career.
After a threat arises mid-air, an elite test pilot is forced to test his limits in order to survive.
The film flits uncertainly between telegraphing seriousness and seeking refuge in camp.
International martial arts icon Donnie Yen ramps up the drama in Polar Rescue.
Unicorn Overlord’s graphical style, like that of most other Vanillaware titles, is top notch.
The filmmaker discusses his approach to depicting the present day as a historical moment.