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The Americans Recap Season 5, Episode 5, “Lotus 1-2-3”

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The Americans Recap: Season 5, Episode 5, “Lotus 1-2-3”

Eric Liebowitz/FX

The Americans Recap: Season 5, Episode 5, “Lotus 1-2-3”

In my “What's the Matter with Kansas?” recap, I refrained from describing one important yuk that played out in the Jennings' kitchen that receives a very pointed rejoinder in “Lotus 1-2-3,” tonight's episode of The Americans. Last week, upon sensing that Henry (Keidrich Sellati) was getting sassy with her, Elizabeth (Keri Russell) admonished him: “Don't be smart, Henry.” To which a frazzled Henry blurted out: “I'm not!” This week, in a meeting with Henry's math teacher (Don Guillory), Elizabeth and Philip (Matthew Rhys) learn that their son is so good at math that his school is considering placing him in Algebra II. The parents' joy is the son's sadness in a subsequent scene, which very casually brings to the fore how Elizabeth and Philip's grooming of Paige (Holly Taylor) into a next-generation spy has unconsciously done a number on Henry, a wallflower of his parents' creation who deflects the praise heaped on him by retreating into the world of his video game.

The Americans Recap Season 5, Episode 3, "The Midges"

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The Americans Recap: Season 5, Episode 3, "The Midges"

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The Americans Recap: Season 5, Episode 3, "The Midges"

Last week, I doubted the sincerity with which Philip (Matthew Rhys) reacted to Gabriel contemplating the possibility of the United States government tampering with the Soviet Union's food supply. Though I still think the overall scene was doing much work for the audience's benefit, Philip's seeming incredulousness was instantly reoriented for me by the look he gives Alexei (Alexander Sokovikov) in the opening scene of this week's episode of The Americans, “The Midges.” The Morozovs and the family of spies pretending to be their friends are bowling when Alexei, as is his wont, begins to rail against the oppressiveness of the life he lived in Russia. It is, of course, in Philip and Elizabeth's (Keri Russell) best interests to feign sympathy for whatever Alexei tells them, but the expression on Philip's face is unmistakably sincere, very much rooted in the horror of remembering that which he can't forget.

The Americans Recap Season 5, Episode 2, "Pests"

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The Americans Recap: Season 5, Episode 2, "Pests"

Patrick Harbron/FX

The Americans Recap: Season 5, Episode 2, "Pests"

“Relax your shoulders, and follow through,” says Elizabeth Jennings (Keri Russell) to her daughter, Paige (Holly Taylor), in tonight's episode of The Americans, as they start their latest self-defense training session. The scene begins and ends with the metronomic sound of Paige's fists taking turns smacking—not too hard but also not too soft—a duct-taped throw pillow. That sound, like the girl's movement, is a canny corollary to Elizabeth's methods as a spy, the perfection with which she must thread needles, and how they're inextricably bound to her methods as a mother. Yes, Paige is frustrated by her parents not wanting her to date Matthew (Danny Flaherty), but when she agrees to continue their training session, one grasps Paige's respect for her mother, for the way she broaches the subject of sex so frankly—which is to say, by pretending that it's something that can actually occur.

The Americans Recap Season 5, Episode 1, "Amber Waves"

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The Americans Recap: Season 5, Episode 1, "Amber Waves"

Patrick Harbron/FX

The Americans Recap: Season 5, Episode 1, "Amber Waves"

The season-five premiere of The Americans is an insant reminder that the series is an edifice brilliantly constructed of contrasts. “Amber Waves” begins with the setting up of the pieces of Phillip and Elizabeth Jennings's (Matthew Rhys and Keri Russell) latest spy game, as a young cohort, Tuan (Ivan Mok), pretending to be their adopted son ingratiates himself with a Russian-born teen, Pasha Morozov (Zack Gafin), at school. Blaring on the soundtrack is Devo's “That's Good,” anthemically attesting to the ease with which Tuan exploits his own difference to bait Pasha: “Everybody wants a good thing/Everybody ain't it true that/Everybody's looking for the same thing.”