House Logo

Jauja (#110 of 4)

Slant’s Top 25 Films of 2015 Numbers #25-#50 and Individual Ballots

Comments Comments (...)

Slant’s Top 25 Films of 2015

Sundance Selects

Slant’s Top 25 Films of 2015

From James Lattimers’s introduction to Slant Magazine’s Top 25 Films of 2015: “The wonderful thing about cinema is how it resists easy ordering principles. Once you start thinking about the movies you’ve seen, they automatically blur into one, a glorious procession of images, sensations, and recollections that is itself like escaping into the darkness of the auditorium. Yet this quality becomes a hindrance as soon as you need to pick out individual films from the flow: Which film did I see at which time and how did it make me feel both now and then? How we consume films today makes things even harder, as both the proliferation of film festivals, themed programs, and retrospectives in New York and beyond and the wealth of Blu-ray editions and streaming options actively encourage us to think boundless.” Click here to read the feature and see if your favorite films of the year made our list. And see below for a list of the films that just missed making it onto our list, followed by our contributors’ individual ballots. Happy reading.

Toronto International Film Festival 2014 Eden, Rosewater, & Jauja

Comments Comments (...)

Toronto International Film Festival 2014: Eden, Rosewater, & Jauja
Toronto International Film Festival 2014: Eden, Rosewater, & Jauja

Filled with retro house cuts, Eden insists upon a good time whenever Paul (Félix de Givry) or his DJ peers spin in various house parties and clubs, yet the prevailing atmosphere of Mia Hansen-Løve’s film is melancholic. One of the more sensitive contemporary directors of youth, Hansen-Løve flips the dynamic of Goodbye, First Love, a film in which the passage of time is keenly felt in the protagonist’s maturation and regression occurs from the reintroduction of outside elements. In this film, it’s everything around Paul that changes and outpaces him while he remains resolutely, depressingly, the same person at 34 that he was at 20.