House Logo

Sherilyn Fenn (#110 of 3)

Twin Peaks: The Return Recap Part 13

Comments Comments (...)

Twin Peaks: The Return Recap: Part 13

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Part 13

Last night’s episode of Twin Peaks: The Return testified to the life-affirming power of cherry pie, gave viewers an object lesson in Existentialism 101, and suggested, in suitably surreal fashion, that the more things change, the more they stay the same. A recurrent leitmotiv in the show’s iconography, cherry pie signifies David Lynch’s unabashed embrace of old-fashioned Americana, a deep-running feeling of kinship and respect for the salt-of-the-earth denizens of the country’s outlying and often overlooked small towns. In “Part 13,” a damn good slice of cherry pie plays a pivotal role in several storylines.

Twin Peaks: The Return Recap Part 12

Comments Comments (...)

Twin Peaks: The Return Recap: Part 12

Suzanne Tenner/Showtime

Twin Peaks: The Return Recap: Part 12

Tinkering with the basic building blocks of serialized television has always been a key component of David Lynch’s approach to Twin Peaks, particularly when it concerns tone and timing. The protracted opening segment of “May the Giant Be With You,” for example, demonstrates Lynch’s longstanding penchant for deliberately confounding viewer expectations. And you’d doubtless be in the triple digits by now if you were keeping a running count of the scenes sprinkled throughout the new series that linger lovingly over seemingly inconsequential details. But last night’s installment of Twin Peaks: The Return takes the concept of delayed gratification to whole new levels of perversity—and even apologists for deep-seated perversity are going to have a tough time justifying long stretches of this one.

Fantasia International Film Festival 2013: Antisocial, Willow Creek, Bad Milo, Curse of Chucky, & More

Comments Comments (...)

Fantasia International Film Festival 2013: <em>Antisocial</em>, <em>Willow Creek</em>, <em>Bad Milo</em>, <em>Curse of Chucky</em>, & More
Fantasia International Film Festival 2013: <em>Antisocial</em>, <em>Willow Creek</em>, <em>Bad Milo</em>, <em>Curse of Chucky</em>, & More

After a fully stocked three-week run, the Fantasia International Film Festival concluded this past Wednesday evening. Now in its 17th year, the Montreal-based festival remains a genre lover’s paradise, a celebration of all things horror and sci-fi.

An early highlight was Antisocial, a zombie infection film about college students who develop murderous instincts after being diseased by a Facebook-like website. A film for paranoid Luddites as well as Mark Zuckerberg detractors, Cody Calahan’s satire is clearly indebted to the legacy of Romero, Carpenter, and Cronenberg and serves as a biting commentary on the often addictive nature of online interaction. Also of note is The Dead Experiment, from first-time filmmaker and biology and physics expert Anthony Dixon. The film, whose dialogue is rooted in heavy scientific vernacular, focuses on a deceased med student (Ryan Brownlee) temporarily brought back to life, his brief time on Earth ticking as he and a conflicted friend with Dr. Frankenstein-like tendencies work to extend his lifeline. This film clearly follows the “You can’t play God!” trajectory of the mad scientist-centered sci-fi/horror subgenre, and the initial idea serves as a faithful crossbreed between Pet Sematery and Primer (one of Dixon’s self-noted influences).