Sean Young (#110 of 3)

Sinful Cinema Ace Ventura: Pet Detective, The Most Offensive and Homophobic Football Movie Ever Made

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Sinful Cinema: Ace Ventura: Pet Detective, The Most Offensive and Homophobic Football Movie Ever Made
Sinful Cinema: Ace Ventura: Pet Detective, The Most Offensive and Homophobic Football Movie Ever Made

One of my favorite things about recalling my movie-watching past is considering the ways I viewed certain films through younger eyes. To see these movies again, today, is often a wildly different experience. Back then, there were countless passages I didn't get, and, surely, dialogue I couldn't grasp. A childhood story I've recounted ad nauseam involves Batman Returns, and my recitation of the word “bastard” at a friend's house during playtime. I was eight, and I was scolded by the friend's mom, but all I knew was that's what Michelle Pfeiffer's Catwoman said when she landed in a truck full of kitty litter. We all have stories like this, of course. But I recently discovered that, in my personal viewing history, perhaps no movie has played more differently for my current and former selves than Ace Ventura: Pet Detective.

Co-written by lead star Jim Carrey, this 1994 football-themed farce made the rubbery comedian a household name, and was quickly followed, within two years, by the onslaught of The Mask, Dumb and Dumber, Batman Forever, and the Ace Ventura sequel, When Nature Calls. I'm not sure if I ever loved Ace Ventura: Pet Detective, but I clearly absorbed enough of it to remember its hallmarks well: lines like, “Alrighty then”; Ace's signature, tidal-wave up-do; and gags like Ace literally talking out of his ass. What I didn't realize is that this movie is shockingly offensive, and not in the tongue-in-cheek, envelope-pushing way most modern comedies are. It's set during the lead-up to a Super Bowl, and while I'm sure plenty of football films have delivered their share of queer slurs, I don't think any are as homophobic—or, in large part, transphobic—as this one.

On the Circuit: Blade Runner: The Final Cut

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On the Circuit: <em>Blade Runner: The Final Cut</em>
On the Circuit: <em>Blade Runner: The Final Cut</em>

Is there anything more to see, anything left to say about Blade Runner? More to see, yes. That's always the case with the great ones, and the fact that there isn't much left to say about Ridley Scott's sci-fi cult classic doesn't contradict the first claim; it illuminates it. “More of the same” is a very good thing in this case.

The Final Cut is remastered from original 35mm elements and transferred to High Definition digital video at 4K (4096 horizontal pixel) resolution. Projected in HD at 24 frames a second for this year's New York Film Festival, this Blade Runner has no visible grain, dirt or scratches, stuttering frames, reel-change “cigarette burns” or soft-focus moments when the film gets loose in the projector gate. Funny how I thought I'd miss all those things, their “organic” qualities, but this restoration gives us a pristine image without sacrificing warmth. The picture even fooled our editor, who at first thought he was looking at a 35mm projection. This Blade Runner removes every barrier to getting lost in Scott's fire-and-rain Los Angeles short of presenting it as interactive theater.

Here are 10 images, sounds and ideas from Blade Runner that stand out in 2007 and/or HD: