The Cure (#110 of 3)

Lady Gaga Drops Derivative New Single "The Cure"

Comments Comments (...)

Lady Gaga Drops Derivative New Single "The Cure"
Lady Gaga Drops Derivative New Single "The Cure"

Lady Gaga's last album, Joanne, felt like a forgery—a misguided bid to be taken seriously. This was curious coming from an artist who once refreshingly insisted that pop need not make any apologies. Joanne wasn't the sound of a singer who'd lost herself, but of one who never knew who she was in the first place. Gaga's new surprise single, which she premiered during her performance at Coachella last night, only further calcifies that impression. With “The Cure,” she abandons the middling singer-songwriter pap of recent single “Million Reasons” and abruptly shifts gears for a tropical house rhythm complete with a sped-up vocal sample reminiscent of Justin Bieber's smash “Sorry.” The lyrics are composed of generic pop platitudes about unconditional devotion that aren't worth citing here, rendered even more forgettable by a generic hook and a lifeless vocal turn by Gaga herself. If her intention was to make us realize just how much personality she imbued Joanne with, “The Cure” is a resounding success.

The 10 Best Cover Songs from Tori Amos’s Unrepentant Geraldines Tour

Comments Comments (...)

The 10 Best Cover Songs from Tori Amos’s Unrepentant Geraldines Tour
The 10 Best Cover Songs from Tori Amos’s Unrepentant Geraldines Tour

Tori Amos is best known for her brutally honest, often opaque original songs, like “Silent All These Years” and “Caught a Lite Sneeze,” but longtime fans also know her to be a consummate interpreter of other musicians' work. In 2001, Amos released Strange Little Girls, a collection of songs originally written and performed by men, and she's covered the music of everyone from Joni Mitchell to Metallica during her live shows. The crimson-haired singer-songwriter's Unrepentant Geraldines Tour features a segment coined the Lizard Lounge, in which she performs covers selected by fans, and her Tori-fied renditions of Radiohead's “Creep” and Madonna's “Frozen,” not to mention a mash-up of songs by feuding songstresses Sinéad O'Connor and Miley Cyrus, recently got the blogosphere buzzing. Amos, who celebrates her 51st birthday tomorrow, wraps up the North American leg of her tour in the great state of Florida this weekend, and while there's bound to be more gems given the straddled-piano-bench treatment when she hits Australia in November (our pick: Aussie pop icon Kylie Minogue's “Slow”), here are our favorites from 2014 so far.

AFI Fest 2012: Everybody’s Got Somebody…Not Me and Not in Tel Aviv

Comments Comments (...)

AFI Fest 2012: <em>Everybody’s Got Somebody…Not Me</em> and <em>Not in Tel Aviv</em>
AFI Fest 2012: <em>Everybody’s Got Somebody…Not Me</em> and <em>Not in Tel Aviv</em>

“We never love someone. We just love the idea we have of someone.” Those words from poet Fernando Pessoa are surely ones that Alejandra (Andrea Portal) is familiar with, though she might be loath to admit their truth. Everybody's Got Somebody…Not Me, the debut feature from Mexican writer-director Raúl Fuentes, follows Alejandra's turbulent affair with high schooler María (Naian Daeva), whose schoolgirl-in-sunglasses vibe hints at the shades of Lolita undergirding the story. For her part, Alejandra is in that vein of Nabokovian intellectual, a highly cultured literary editor and an aesthete who contemplates María as one would a roughly hewn art object: full of life and energy, but waiting to be refined. Their relationship is defined by its contrasts: Alejandra busts out her portable CD player in a Wendy's to listen to the Cure and still uses a paper address book when she has a perfectly workable cellphone. María is, of course, a teenager.