Trainspotting (#110 of 4)

Berlinale 2017: T2 Trainspotting Review

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Berlinale 2017: T2 Trainspotting Review

TriStar Pictures

Berlinale 2017: T2 Trainspotting Review

Compared to its predecessor, T2 Trainspotting is a relatively aimless and sedate experience. But that’s to be expected for a film that’s largely about people trying to move on from the follies of their youth and finding themselves unable to let go of the past. Director Danny Boyle’s style this time around fully reflects this: Dialing down the devil-may-care impulsiveness that he brought to disquietingly exhilarating effect in Trainspotting, he allows a reflective melancholy to seep through even the film’s loosest sections, a quality that was nowhere in evidence in the original because the characters were too busy getting high or trying to avoid falling back into the habit.

15 Famous Movie Drug Dealers

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15 Famous Movie Drug Dealers
15 Famous Movie Drug Dealers

In Pusher, which hits theaters this weekend, Briton Richard Coyle stars as a mid-level drug dealer, whose business is booming in London’s underground culture. A remake of Nicolas Winding Refn’s 1990s thriller, the film (which also marks director Luis Prieto’s English-language debut) watches as a drug lord’s life implodes, a process with which filmgoers are quite familiar. Throughout much of cinema history, and especially in recent decades, drug pushers of all walks have graced the screen, providing brief escapes for lost souls and party people. But be them morphine sellers, pot distributors, or even moonshine runners, the party has to stop some time.

If I Had a Sight & Sound Ballot Tim Peters’s Top 10 Films of All Time

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If I Had a Sight & Sound Film Ballot: Tim Peters’s Top 10 Films of All Time
If I Had a Sight & Sound Film Ballot: Tim Peters’s Top 10 Films of All Time

In the interest of iconoclasm, and of pointing one’s critical finger at great movies that were created, you know, sometime after the 1970s, what follows is an alphabetically-arranged list of what this reviewer thinks are world-historically worthwhile films produced after 1986, the year of his birth. The standards of judgment that these movies were able to so spectacularly and consistently surpass are the standards of a person who is, well, in his mid-20s, and who is agitated and restless and frequently lonesome. Those standards involve, more cinematically-speaking, the intensity of the movie; the intelligence of the movie; its willingness to admit that life is often disappointing, drab, and deceptive; and a preference for protagonists who are struggling to resist the rather deadening expectations of the society in which they’ve found themselves living. Given the quantity of critical cinematic verbiage that’s emanated forth on the Internet prior to, and in the wake of, the release of the 2012 Sight & Sound Top 10 list, this reviewer will say no more, but merely and humbly direct your attention to the list he’s provided.