Flight (#110 of 9)

15 Famous Airplane Movies

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15 Famous Airplane Movies
15 Famous Airplane Movies

Pedro Almodóvar is back this week with I'm So Excited, a high-flying lark about sex, drugs, and past and present Spanish politics, all set on a commercial jet that can't find a decent place to land. The cast of characters, played by Almodóvar alums like Javier Cámara and Cecilia Roth, and international breakouts like Raúl Arévalo, do whatever they can to distract themselves from potential doom, while the aircraft flies in limbo-like circles. The randy comedy got us thinking of other films that take to the skies, from sci-fi nightmares and fact-based dramas to war flicks and ensemble classics. Read on to see which movies made it on board.

Oscar 2013 Winner Predictions: Original Screenplay

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Oscar 2013 Winner Predictions: Original Screenplay
Oscar 2013 Winner Predictions: Original Screenplay

More than in any of the other categories it's nominated in, the unreal fall from grace suffered by Zero Dark Thirty will be particularly palpable when it inevitably loses here. Though few would deny that it represents this category's most massive undertaking, and even some of the political blogosphere's harshest critics still gave Mark Boal's skill backhanded praise for what they deemed flagrant ethical persuasion, the 24-hour news cycle has plainly turned what was until the nomination announcements the presumptive frontrunner for the prize into, well, something like Peter Staley up against the Academy's petrified bureaucracies, who are evidently ignoring the film and hoping it will all go away. The Academy's skittish unwillingness to grapple with the film's prickly but magnanimous examination of a political situation with no easy answers is going to go down as one of their all-time NAGLs, especially given the two-pronged love letter to God and country (Hollywood and the rest of the U.S., respectively) that's poised to take Best Picture. But as far as this specific category goes, the controversy swirling around just how much input/propaganda the C.I.A. supplied Boal with may well have killed off its chances to win original screenplay even if the issue of whether his film obliquely or outright endorses “enhanced interrogation techniques” hadn't already hit the dependably liberal AMPAS right in the balls. Either way, Boal won't lose this one because his movie failed to discredit Americans' monstrous thirst for vengeance. He'll lose it because our current climate also thirsts for clean, unfettered catharsis, something Zero Dark Thirty responsibly elides.

Oscar 2013 Winner Predictions: Actor

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Oscar 2013 Winner Predictions: Actor
Oscar 2013 Winner Predictions: Actor

The larger-than-life aura that Daniel Day-Lewis breathes into the characters he portrays seems also to have in recent years extended to the actor himself, whose notorious choosiness about selecting roles only buoys the virtually mythical status he carries in the acting world. So when the announcement came in 2010 that Day-Lewis was set to play Abraham Lincoln in Steven Spielberg's long-awaited film about our 16th president, few of us doubted that the extolled actor would go on to claim his third Oscar. With the preeminent voice of modern acting playing one of the most revered figures in American history in a film from the world's most famous filmmaker, the performance was embedded with an air of inevitability long before production photos or clips surfaced. But what's most intriguing about Day-Lewis's depiction of Lincoln is how toned down he is in the role. His performance resounds through quieter timbres and softer movements than we're accustomed to from the actor. Moreover, Day-Lewis reveals a human side of Lincoln that deepens the president's legendary standing while offering a window into his tortured soul. That his performance is exactly the kind of commanding portrait we've come to expect from Day-Lewis, but also acutely nuanced in ways he rarely expresses, only solidifies his imminent victory.

Understanding Screenwriting #104: Lincoln, Skyfall, Flight, & More

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Understanding Screenwriting #104: <em>Lincoln</em>, <em>Skyfall</em>, <em>Flight</em>, & More
Understanding Screenwriting #104: <em>Lincoln</em>, <em>Skyfall</em>, <em>Flight</em>, & More

Coming Up In This Column: Lincoln, Skyfall, Flight, Silver Linings Playbook, Middle of Nowhere, Covert Affairs but first…

Fan Mail: First an addition to US#103. I mentioned in the credits for Argo that there was another source listed in the credits of the film, but I could not find it. Shortly after I sent off the column, the new issue of the British magazine Sight & Sound arrived. It identifies the other source as “based on a selection from The Master of Disguise by Antonio J. Mendez.” I'm guessing that's the Tony Mendez.

David Ehrenstein liked my Sharon and Roman story so much he has added it to his one-man show, currently at finer bookstores near you.

“Erbear423” understandably took me to task for appearing to dump Paul Dano and Jesse Eisenberg into the same category as Adam Sandler and Andy Samberg. I can see how you can read my comments that way, but what I was trying to get at was more the kinds of roles they often play rather than the actors themselves. I like Dano and Eisenberg very much and they have been terrific in some very good movies, but even then they are often playing the sensitive young man finding his way in the world. My point was that there were no characters like that in Argo, for which I was grateful. As for Adam and Andy, they're on their own.

Lincoln (2012. Written by Tony Kushner, based in part on the book Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin. 150 minutes.)

The public figure: I have always liked Tony Kushner, and not just the concept of Tony Kushner the public writer. The latter would be the playwright and activist who writes about public issues like AIDS, race, violence and politics. What I like about Kushner is that he is a hell of an interesting writer. OK, I will admit that when I first saw the stage play Angels in America in 1995, the writing instructor in me mentally got out my red grading pen. I imagined waving it in the air, saying, “You can cut this;” “You've said that three times, twice is probably enough;” “We don't need all that.” Even though the TV film of Angels (2004) was shorter than the play, I brought out the mental red pen again. And his 2001 play Homebody/Kabul was probably talkier than it needed to be. But his book for the 2002 musical Caroline, or Change was a model of precision. And his screenplay, co-written by Eric Roth, of the 2005 film Munich was one of the smartest scripts of the last decade.

Oscar 2013 Nomination Predictions: Actor

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Oscar 2013 Nomination Predictions: Actor
Oscar 2013 Nomination Predictions: Actor

Whether the reason boils down to Oscar politics or an overall lack of enthusiasm, it certainly looks like Joaquin Phoenix is about to be snubbed for his work in The Master, despite the mind-boggling excellence of his performance as Freddie Quell. From stature to facial contortions, Phoenix startlingly became someone else while tackling the film's lead role, in a manner beyond the typical transformative acting that annually courts hyperbole. Without looking all that different beyond considerable weight loss, Phoenix adopted a whole new aura as the spiritually starved WWII vet, and spoke his lines with barks and snarls that seemed uncannily natural, as if a pit bull just happened to don Phoenix's skin. The actor's now-infamous dis of the Oscar process couldn't have helped his chances, but it seems Paul Thomas Anderson's movie has, in general, lost steam, its lack of a PGA nod being the most recent evidence. The man most likely to benefit from Phoenix's misfortune is Bradley Cooper, whose turn in Silver Linings Playbook is frothy by comparison, but just the sort of crowd-pleasing lead performance Oscar loves. A likable actor, Cooper's bound to be seen as triumphant for stretching beyond Hangover territory, and with the Academy increasingly honoring flexible comic stars (think Jonah Hill and Melissa McCarthy), his nomination should in fact be an easy get.

Oscar 2013 Nomination Predictions: Original Screenplay

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Oscar 2013 Nomination Predictions: Original Screenplay
Oscar 2013 Nomination Predictions: Original Screenplay

Thanks to Mark Boal's second consecutive slam-dunk teaming with Kathryn Bigelow, the one certainty of this year's Original Screenplay field is a bit of 2010 déjà vu. Boal picked up a statuette that year for penning Bigelow's The Hurt Locker, and he's poised to do the same for his work on Zero Dark Thirty, his collaborator's high-stakes, buzz-heavy follow-up. There are ample fine points to Boal's script that fall in his favor, like the shaping of a classic hoo-ra heroine and the refusal to shy away from divisive torture scenes, which have surely provided the most popular angle for journalists covering the film. But the greatest asset should prove to be the movie's all-access fascination, which only grows as this epic manhunt soldiers toward its killshot.

Next in line as a likely candidate is Wes Anderson's Moonrise Kingdom, a pint-sized love story beautifully suited to the offbeat auteur's whimsy, and his most well-scripted effort since The Royal Tenenbaums. Currently teetering as a will-it-or-won't-it Best Picture hopeful, Moonrise Kingdom has performed surprisingly well in the precursors, landing a Golden Globe nod for Best Picture—Comedy, getting shortlisted by the AFI, and clinching a heap of Indie Spirit nominations. If there's one achievement for which the film is primed to advance, it's Anderson's markedly humane, yet still characteristically ironic, screenplay.

New York Film Festival 2012: Flight

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New York Film Festival 2012: <em>Flight</em>
New York Film Festival 2012: <em>Flight</em>

In Robert Zemeckis's Flight, Denzel Washington stars as Whip Whitaker, a pilot with an addiction problem who guides a jetliner to the ground after a sudden failure sends the plane into freefall. Nearly everyone aboard survives and Whitaker is branded a national hero. Soon after, the pilot's union discovers that he had alcohol and cocaine in his system, which sends Whitaker's life into a tailspin. Believing that the crash had nothing to do with his consumption, Whitaker frantically navigates the shambles of his personal life to avoid dealing with his own problems. He's assisted by a longtime union friend (Bruce Greenwood) and lawyer (Don Cheadle) for the airline, both of whom compromise ethical lines for their friend. He also meets a fellow addict, Nicole (Kelly Reilly), who's more realistic about the state of her life and tries to help Whitaker recognize his.