The House Next Door

Posts Tagged: Whit Stillman

Sundance Film Festival 2012: 2 Days in New York and For a Good Time, Call…

2 Days in New York

When it comes to Julie Delpy, the key question remains the old Barbra Streisand one. Namely, how much of her can you take in one sitting? A dedicated movie-polymath, effortlessly bilingual and scooping the best of both Old and New World, Delpy resembles a bizarre version of Miranda July: Instead of celebrating lonely quirks of a self-centered sensibility, she throws herself (and the viewer) into a comic vortex of agitated, super-busy scenes of noisy familial squabbles and cerebral lovers' quarrels, which seems a projection of her own coyly humane view of life.

Her new movie is a sequel to 2 Days in Paris, in which she played a fabulously promiscuous European chick to Adam Goldberg's perpetually shocked American straight man. Five years have passed, and Goldberg is no longer in the picture: Delpy's character, Marion, is now living in New York with a new partner, Mingus (Chris Rock), and two children—one of hers and one of his. As befits a typical New York couple, Mingus is a radio-show host (and a Village Voice reporter, no less), while Marion prepares to open a debut photo exhibition, frankly examining her previous sexual relationships and involving a public act of a (literal) "selling of her soul" to an anonymous buyer. Continue Reading »




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Links for the Day: Toronto International Film Festival Lineup, Whit Stillman to Close Venice, Dollywood Hates Gays, Man Booker Longlist, & More

Toronto International Film Festival

Most of the lineup has been released for this year's Toronto Film Festival.

Whit Stillman's Damsels in Distress is set to close the 68th Venice Film Festival on Saturday, September 10th. Related: Expect to see Roman Polanski, David Cronenberg, and Steven Soderbergh there.

Shudder.

Dollywood hates gays.

Man Booker prize 2011 longlist includes quartet of debut novels.

J. Ho tries to address a question many of us have asked: Does Miranda July have any idea of how annoying she is?

Our own Jonathan Keefe tells us about five albums we should be listening to right now.

Below, A.O. Scott on Back to the Future.

Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to ed@slantmagazine.com and to converse in the comments section.




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A Conversation with Alex Ross Perry About The Color Wheel

The Color Wheel

[The Color Wheel screens today at 7 p.m. as part of BAMcinemaFest. Click here for details.]

I know Alex Ross Perry from the movies, from seeing him at repertory screenings in New York. Before I had even met Alex, I heard a rumor that he had made Out 1 T-shirts to commemorate the "I was there" experience of that rare, 13-hour film's U.S. premiere. Who was this kid? Oftentimes I've been at screenings with just five people in the audience: Alex, a notable critic, a DP (who shot Alex's films) and a publicist/programmer (who has a cameo in Alex's latest film). It was rewarding, then, to see his second film The Color Wheel and see that the lessons from all those films had sunk in. Alex made a film that feels like films he seeks out—idiosyncratic and perfectly flawed, and awaiting discovery. I spoke with Alex about his film, and then asked him to make a list of some of his most memorable moviegoing experiences.

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Links for the Day: The Hipster in the Mirror, New Whit Stillman, Why Eastwood Matters, Godard on Oscar, Dennis Lim on The Night of the Hunter

The Hipster in the Mirror

Mark Greif, for The New York Times, investigates the contemporary hipster—what it means and what it means to be one.

Whit Stillman has finished shooting his first film in 12 years.

Bilge Ebiri on why Clint Eastwood matters.

Jean-Luc Godard now has an Oscar. Click here for a translation of the snarky interview he gave to Christian Jungen last week for NZZ.

For the Los Angeles Times, Dennis Lim gives The Night of the Hunter a second look. The Charles Laughton film will be released by the Criterion Collection on Tuesday.

Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to ed@slantmagazine.com and to converse in the comments section.




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Hating the Player, Losing the Game: The Armond White Meta-Review

Toy Story 3

When New York Press critic Armond White panned the universally admired Toy Story 3, the disapproval he expressed and the backlash it inspired were so "predictable" that they were, well, predicted. Bumping TS3 from its briefly "100% Fresh" standing at the critical aggregator Rotten Tomatoes, White's piece (entitled "Bored Game") channeled a steady stream of pissed off Pixar loyalists to the Press website. "Registered just to say I think you are a massive twat and I feel really sorry for you," user woahreally weighed in. "Whoever ur boss is should be slapped for allowing you to publish this disaster of a review," opined the inventively pseudonymed usuckballs.

The comments-section calls for White to be fired are occasionally hilarious in their venom and vulgarity, all the more so for being so spectacularly self-defeating—could the Press have mounted a more successful campaign to increase their web traffic and user registrations? And there's the rub. White's detractors accuse of him being a "contrarian," someone who bucks the critical establishment and defies popular taste out of little more than cynical self-promotion and antisocial perversity. (This highly circulated chart of Armond's pans and praises has been offered as definitive "proof" that his opinions are reflexively reactionary.) But if this is true, any principled stand against White paradoxically rewards and enables him. "Don't feed the trolls," as the saying goes. Continue Reading »




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