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Posts Tagged: Suzan-Lori Parks

2011 Theater Fall Preview

The Mountaintop

With Labor Day, summer vacations, and weekend getaways behind us, it's time again to tune into the city's arts and culture vibe. The House checked out the wide variety of theater offerings for Broadway and beyond this fall and made a few selections to put on your calendar:

New Plays

This season is notable for the number of women playwrights with new plays on Broadway. One of them is 29-year-old Katori Hall, who makes her Broadway debut with The Mountaintop (from September 22 at the Bernard B. Jacobs Theater). In her fictional account, which takes place in 1968, on the night before Dr. Martin Luther King Jr. was assassinated in her own home town of Memphis, the playwright imagines a late-night encounter between King and a mysterious woman. Movie and television star Samuel L. Jackson plays the great civil rights leader and Angela Bassett the nocturnal visitor. The production is directed by Kenny Leon, who received a Tony nomination last year for directing Fences. Leon also helms the production of Stick Fly (from November 18 at the Cort Theater), which marks the Broadway debut of another African American female playwright, Lydia R. Diamond. Stick Fly is a comedy of manners about an affluent black family spending a summer weekend at their home in Martha's Vineyard.

Adam Rapp is well-known for not pulling his punches, so brace yourself for his latest, Dreams of Flying Dreams of Falling (starts September 13 at CSC), a surreal play that promises to "lift the veil on the lives of two wealthy American families" in Connecticut. The Atlantic Theater Company production features a dream cast which includes Christine Lahti, Cotter Smith, Katherine Waterston, and the incomparable Reed Birney. Continue Reading »




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The Book of Grace at the Public Theater

The Book of Grace

"They see the creases, they know they're done for!" carps Vet (John Doman), a belligerent South Texas border cop pontificating on the mindset of illegals when they see the sharp indents of his pants in Suzan-Lori Parks's newest, The Book of Grace. It's an astute analogy, given that Parks—never one to give audiences an easy route through the swirling, often bizarre complexities of her characters—absolutely lets you see the creases here, and certain audiences not on her wavelength are most certainly done for. However, her blackly comic Southern gothic, despite its longueurs and occasional overreaches, is sprinkled with poetic assertions on postwar distress and home-life abuses, and in James Macdonald's first-rate production at the Public, it occasionally even manages to cast a sinister spell. Continue Reading »




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