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Posts Tagged: James Franco

Oscar 2011 Nomination Predictions: Actor in a Leading Role

Javier Bardem

The second I heard Scott Foundas splooge over David Fincher's The Social Network prior to the film's New York Film Festival premiere for representing our cyber-obsessed times as importantly as All the President's Men captured its own eight-track era, I knew we had our Best Picture Oscar winner. Even then, it didn't seem like its star, a young Jewish kid who stammered his way memorably, if unimaginatively, through a handful of high-profile indies since 1999, would make it into the Best Actor horse race, even if the actor had finally, and scarily, succeeded in articulating on screen the sort of personal neuroses that might actually be attributed to someone other than himself. Flash forward four months and Jesse Eisenberg is the only actor standing in the way of Colin Firth's regal march toward Oscar victory—and by standing in the way I mean the shadow cast by the topmost curl on Eisenberg's head. Continue Reading »




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Links for the Day: Anne Francis R.I.P., PGA Noms, DVDBeaver Poll, OFCS Winners, Slate Movie Club, The Playlist Anticipates Year's Movies, & More

Anne Francis

Anne Francis, star of the sci-fi film classic Forbidden Planet and the TV series Honey West, died on Sunday of complications from pancreatic cancer. She was 80. Head over to The A.V. Club for a sweet collection of clips celebrating the actress's career.

Click here for the Producers Guild of America 2010 nominees.

Featuring a ballot from our own Glenn Heath Jr., DVDBeaver's yearly poll on the year's best DVDs and Blu-rays is now live.

The Social Network is tops with the Online Film Critics Society.

James Franco has some mighty, Southern-fried ambitions.

This year's Slate Movie Club is currently in progress.

According to the film critics at The New York Times, the Oscar nominees should be

The folks over at The Playlist anticipate this year's movies.

3D Blu-ray is leading the charge to bring 3D into the home.

Colin Firth has opened a can of worms.

Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to ed@slantmagazine.com and to converse in the comments section.




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Links for the Day: Studies in Silence, Blue Valentine Gets R, Top 10 Lists Galore, Gloria Swanson Relived, Brody on Boudu, Alien Prequel's Sex Appeal

James Franco

A video gallery of classic screen types produced by The New York Times Magazine. Tilda Swinton doing Falconetti. James Franco giving himself "one more." Music by Owen Pallett. Hawt.

The dinosaurs in the MPAA have overtuned Blue Valentine's NC-17 rating. Maybe now more people will actually get to see one of the most beautifully performed American films of the year.

Rolling Stone tool film critic Peter Travers predicts this year's Best Picture nominees has gifted us with his Top 10 of the year. For a palette cleanser, head over to The New Yorker where David Denby and Anthony Lane have also published their Top 10s.

Dan Callahan relives the glories of silent film goddess Gloria Swanson.

Richard Brody's DVD of the Week is Jean Renoir's great Boudu Saved from Drowning.

It won't be good, but Ridley Scott's Alien prequel will at least be sexy.

Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to ed@slantmagazine.com and to converse in the comments section.




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Links for the Day: Pentagon DADT Study, New PJ Harvey, Oscar Hosts and Gotham Winners, Smith Interviews Depp, Southland Tales Prequel, & More

Don't Ask Don't Tell

A long-awaited Pentagon report on the impact of lifting the ban on gays serving openly in the U.S. military was released today. In a surprise to no one except for John McCain, the study argues that gay troops could serve openly without hurting the military's ability to fight.

Starting sometime today, you can preview a track from Let England Shake, the forthcoming album from the greatest living female musician.

House contributor John Lingan on his relationship with Darren Aronofsky's Requiem for a Dream, then and now.

Anne Hathaway and James Franco are cool actors. Now they're Oscar hosts. Gross.

In more tasteful awards news, Debra Granik's Winter's Bone owned the Gotham Awards last night.

Dennis Lim reviews Lisandro Alonso's Liverpool, now on DVD from Kino International, for the Los Angeles Times.

Patti Smith interviews Johnny Depp for Vanity Fair.

Saul Austerlitz on Jonathan Rosenbaum's Goodbye Cinema, Hello Cinephillia.

Is this a threat? Richard Kelly has written an animated prequel to Southland Tales.




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Why Does Justin Timberlake Have an Erection?: The Social Network Meta Review

The Social Network

Robert Tumas just arrived in Union Square with his wife and they are about to see "The Social Network"…but first, a Thai dinner for said wife. I wonder if Zuckerburg likes Thai food.

Robert Tumas likes Thai food.

Robert Tumas just paid for two tickets to see "The Social Network" and overdrafted his joint bank account. He is kicking himself for not just buying a cam recording of the movie illegally on Canal Street.

Robert Tumas has until 11pm tomorrow night to replace the overdrafted funds, thanks to Chase Bank's polite overdraft policy.

Robert Tumas is settled in at the theater and is fucking amped up, having just seen the trailer for "True Grit" with Matt Damon and Jeff Bridges.

Robert Tumas LOL when he hears his wife remark that the only reason they chose Jesse Eisenberg was because they couldn't afford Michael Cera. Continue Reading »




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Toronto International Film Festival 2010: Day 7 – 127 Hours, Detective Dee and the Mystery of the Phantom Flame, Tabloid, and Guest

127 Hours

127 Hours: Danny Boyle's dramatization of the real-life ordeal of outdoorsman Aron Ralston boasts the kind of conceptual riskiness that a director has the cachet to tackle only after, say, delivering a crowd-pleasing Best Picture Oscar-winner. Unfortunately, it also has Slumdog Millionaire's brand of exploitative uplift, in which cinematic jazziness is mercilessly employed to sugarcoat portraits of human misery. In the beginning, as he settles in for a weekend of thrills in Utah's Canyonlands National Park, Ralston (James Franco) is a roguish whirligig, light as air, high on his own breezy confidence. When he falls into a rocky crevice and gets his arm pinned under a boulder, there's the feeling that he's experiencing stillness and, subsequently, helplessness for the first time. The five days he spends there, alone but for dwindling supplies, a small digital camera, and a blunt knife, are envisioned by Boyle as a visceral smear of panic, excretions, mirages, and epiphanies. Far more than the filmmaker's hectic, ultimately tension-dispersing visual and aural gimmickry, the picture's best special effect remains Franco's performance, which catches the horror and sublimity of a jock humbled while trapped at the bottom of the earth, becoming spiritually whole even as he literally loses parts of himself. Continue Reading »




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Tribeca Film Festival 2010: William Vincent (Jay Anania)

William Vincent

A turgid experiment in elliptical lyricism, William Vincent plays like a hybrid of Pickpocket, In the City of Sylvia, and The Passenger, except far more pretentious than even that description suggests. Jay Anania's film follows a man who goes by the name of William Vincent (James Franco) as he strolls Manhattan's sidewalks, his starting point murky—having cheated death by skipping a doomed flight home from Japan, he assumed a new identity and residence in Chinatown—and his destination unknown. Splintered into fragments, and told largely in retrospect as a mysterious woman named Ann (Julianne Nicholson) reads a letter written by William, Anania's story slowly reveals a basic plot involving amateur thief William's recruitment by a crime boss (Josh Lucas) and his subsequent, frowned-upon relationship with Ann, employed by said kingpin as both a lover and a whore. Such a conventional narrative recap, however, implies a lucidity and momentum that doesn't exist. Every scene is an exercise in drawn-out affectation, with the characters' silent stares at each other, gazes off into nothing, and pauses between dialogue exchanges—all set to meaningful piano twinkles and drum beats—so distended as to intimate parody, an impression exacerbated by William twice telling enforcer Vincent (Martin Donovan) that his comments sound like something from a movie. Continue Reading »




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SXSW 2010: Dispatch Four

MacGruberMacGruber (Jorma Taccone). You might think a full-length feature about MacGruber, Will Forte's bumbling '80s action hero, would feel at least an hour too long. Even Steven Carrell couldn't lift his lumbering feature about Maxwell Smart, the '60s version of MacGruber, off the ground—but maybe he needed Jorma Taccone at the controls.

Saturday Night Life actor/writer/director Taccone, one of the three guys who does those funny videos with Andy Samberg (he also shot a lot of the MacGruber shorts for SNL and is the man behind a Pepsi ad for the Super Bowl), has great sense of comic timing and a deep and gleeful knowledge of comedy conventions and pop-culture icons. In the Q&A after the film, he revealed that he loves late-'80s/early-'90s action movies like Die Hard and Lethal Weapon and Rambo 3 ("not one or two or four—though four is pretty great too"), and that he and his cast intended their movie to be more of a comic tribute than a spoof.

You probably have to love those movies to embrace this one fully, but for those of us who do, it makes for a wildly entertaining night at the movies. Action movie clichés, like the way people keep telling MacGruber, "I thought you were dead!," are given just the right emphasis. You laugh at the dick jokes and gay jokes too, partly because they're cathartic, surfacing and then blowing up all the unacknowledged homoerotic machismo that fuels those movies, but also because Forte does blustery incompetence so well and the editors always know just where to cut. And Michael Bay has taken things so far that you pretty much have to chase your bad guy off a cliff, fire two big guns at him as he goes down, and reduce him to a blackened hole in the ground at the bottom of a canyon if you're going for laughs. This movie also has the funniest sex scene since the South Park movie with the puppets. Continue Reading »




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Links for the Day: Ginsberg Sundances In Green Screen

Howl

Let's start with the big film news of the day, namely that the Sundance 2010 slate has been announced (the Auteurs rounds up links to the various sections here) and that James Franco makes for a damn good looking Allen Ginsberg (see above still from Howl).

Second, check out House contributor Jaime Christley's Out, damned spot! post "CGI and green screen." Great read, much food for thought. Here's his intro:

"I know, it's boring to decry CGI, but it's starting to impact some films that I—or friends of mine—really, really like, and that's unpleasant. So, a few words:

"For a lot of films I've liked over the past, I would say, almost 20 years, CGI actually ages more painfully than any effect from 'the old days.' And under that umbrella, I would include everything from early Melies to '80s Cronenberg. More fairly recent films than I can ignore seem not a little spoiled by the fact that digital and greenscreen effects seem 'Scotch-taped' in, like the matte shots in the original Star Wars.

"What is going on here? Do effects rot, like fruit, or laserdiscs, or AA batteries? It was acceptable in the theater...or were we just tricking our minds, selling ourselves the feat of Hollywood magicians? This is, admittedly, easier for younger moviegoers—and some of my older colleagues probably have zero sympathy whatever."

Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to keithuhlich@gmail.com and to converse in the comments section.




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