Posts Tagged: James Franco

The second I heard Scott Foundas splooge over David Fincher's The Social Network prior to the film's New York Film Festival premiere for representing our cyber-obsessed times as importantly as All the President's Men captured its own eight-track era, I knew we had our Best Picture Oscar winner. Even then, it didn't seem like its star, a young Jewish kid who stammered his way memorably, if unimaginatively, through a handful of high-profile indies since 1999, would make it into the Best Actor horse race, even if the actor had finally, and scarily, succeeded in articulating on screen the sort of personal neuroses that might actually be attributed to someone other than himself. Flash forward four months and Jesse Eisenberg is the only actor standing in the way of Colin Firth's regal march toward Oscar victory—and by standing in the way I mean the shadow cast by the topmost curl on Eisenberg's head. Continue Reading »
Tags: 127 Hours, Academy Awards, Biutiful, Blue Valentine, Colin Firth, Everyone Else, Get Low, I Love You Phillip Morris, James Franco, Javier Bardem, Jeff Bridges, Jesse Eisenberg, Jim Carrey, Lars Eidinger, Robert Duvall, Ryan Gosling, The King's Speech, The Social Network, True Grit
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Anne Francis, star of the sci-fi film classic Forbidden Planet and the TV series Honey West, died on Sunday of complications from pancreatic cancer. She was 80. Head over to The A.V. Club for a sweet collection of clips celebrating the actress's career.
Click here for the Producers Guild of America 2010 nominees.
Featuring a ballot from our own Glenn Heath Jr., DVDBeaver's yearly poll on the year's best DVDs and Blu-rays is now live.
The Social Network is tops with the Online Film Critics Society.
James Franco has some mighty, Southern-fried ambitions.
This year's Slate Movie Club is currently in progress.
According to the film critics at The New York Times, the Oscar nominees should be…
The folks over at The Playlist anticipate this year's movies.
3D Blu-ray is leading the charge to bring 3D into the home.
Colin Firth has opened a can of worms.
Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to ed@slantmagazine.com and to converse in the comments section.
Tags: 3D, Academy Awards, Anne Francis, Colin Firth, DVDBeaver, Forbidden Planet, Honey West, James Franco, Online Film Critics Society, Producers Guild of America, Slate, The A.V. Club, The New York Times, The Playlist, The Social Network
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A video gallery of classic screen types produced by The New York Times Magazine. Tilda Swinton doing Falconetti. James Franco giving himself "one more." Music by Owen Pallett. Hawt.
The dinosaurs in the MPAA have overtuned Blue Valentine's NC-17 rating. Maybe now more people will actually get to see one of the most beautifully performed American films of the year.
Rolling Stone tool film critic Peter Travers predicts this year's Best Picture nominees has gifted us with his Top 10 of the year. For a palette cleanser, head over to The New Yorker where David Denby and Anthony Lane have also published their Top 10s.
Dan Callahan relives the glories of silent film goddess Gloria Swanson.
Richard Brody's DVD of the Week is Jean Renoir's great Boudu Saved from Drowning.
It won't be good, but Ridley Scott's Alien prequel will at least be sexy.
Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to ed@slantmagazine.com and to converse in the comments section.
Tags: Alien, Anthony Lane, Blue Valentine, Boudu Saved from Drowning, Dan Callahan, David Denby, Gloria Swanson, James Franco, MPAA, Owen Pallett, Peter Travers, Richard Brody, Ridley Scott, Rolling Stone, The New York Times Magazine, The New Yorker, Tilda Swinton
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A long-awaited Pentagon report on the impact of lifting the ban on gays serving openly in the U.S. military was released today. In a surprise to no one except for John McCain, the study argues that gay troops could serve openly without hurting the military's ability to fight.
Starting sometime today, you can preview a track from Let England Shake, the forthcoming album from the greatest living female musician.
House contributor John Lingan on his relationship with Darren Aronofsky's Requiem for a Dream, then and now.
Anne Hathaway and James Franco are cool actors. Now they're Oscar hosts. Gross.
In more tasteful awards news, Debra Granik's Winter's Bone owned the Gotham Awards last night.
Dennis Lim reviews Lisandro Alonso's Liverpool, now on DVD from Kino International, for the Los Angeles Times.
Patti Smith interviews Johnny Depp for Vanity Fair.
Saul Austerlitz on Jonathan Rosenbaum's Goodbye Cinema, Hello Cinephillia.
Is this a threat? Richard Kelly has written an animated prequel to Southland Tales.
Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to ed@slantmagazine.com and to converse in the comments section.
Tags: Academy Awards, Anne Hathaway, Dennis Lim, Don't Ask Don't Tell, Goodbye Cinema Hello Cinephillia, Gotham Independent Film Awards, James Franco, Johnny Depp, Jonathan Rosenbaum, Let England Shake, Liverpool, Patti Smith, PJ Harvey, Requiem for a Dream, Richard Kelly, Saul Austerlitz, Southland Tales, Winter's Bone
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by Robert Tumas on October 25th, 2010 at 2:21 pm in Film

Robert Tumas just arrived in Union Square with his wife and they are about to see "The Social Network"…but first, a Thai dinner for said wife. I wonder if Zuckerburg likes Thai food.
Robert Tumas likes Thai food.
Robert Tumas just paid for two tickets to see "The Social Network" and overdrafted his joint bank account. He is kicking himself for not just buying a cam recording of the movie illegally on Canal Street.
Robert Tumas has until 11pm tomorrow night to replace the overdrafted funds, thanks to Chase Bank's polite overdraft policy.
Robert Tumas is settled in at the theater and is fucking amped up, having just seen the trailer for "True Grit" with Matt Damon and Jeff Bridges.
Robert Tumas LOL when he hears his wife remark that the only reason they chose Jesse Eisenberg was because they couldn't afford Michael Cera. Continue Reading »
Tags: Aaron Sorkin, David Fincher, James Franco, Jesse Eisenberg, Justin Timberlake, Lewis Carroll, Matt Damon, Michael Cera, Napster, The Social Network, True Grit
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127 Hours: Danny Boyle's dramatization of the real-life ordeal of outdoorsman Aron Ralston boasts the kind of conceptual riskiness that a director has the cachet to tackle only after, say, delivering a crowd-pleasing Best Picture Oscar-winner. Unfortunately, it also has Slumdog Millionaire's brand of exploitative uplift, in which cinematic jazziness is mercilessly employed to sugarcoat portraits of human misery. In the beginning, as he settles in for a weekend of thrills in Utah's Canyonlands National Park, Ralston (James Franco) is a roguish whirligig, light as air, high on his own breezy confidence. When he falls into a rocky crevice and gets his arm pinned under a boulder, there's the feeling that he's experiencing stillness and, subsequently, helplessness for the first time. The five days he spends there, alone but for dwindling supplies, a small digital camera, and a blunt knife, are envisioned by Boyle as a visceral smear of panic, excretions, mirages, and epiphanies. Far more than the filmmaker's hectic, ultimately tension-dispersing visual and aural gimmickry, the picture's best special effect remains Franco's performance, which catches the horror and sublimity of a jock humbled while trapped at the bottom of the earth, becoming spiritually whole even as he literally loses parts of himself. Continue Reading »
Tags: 127 Hours, Andy Lau, Carina Lau, Chantal Akerman, Danny Boyle, Detective Dee and the Mystery of the Phantom Flame, Errol Morris, Guest, James Franco, Joyce McKinney, Li Bingbing, Tabloid, Toronto International Film Festival, Tsui Hark
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A turgid experiment in elliptical lyricism, William Vincent plays like a hybrid of Pickpocket, In the City of Sylvia, and The Passenger, except far more pretentious than even that description suggests. Jay Anania's film follows a man who goes by the name of William Vincent (James Franco) as he strolls Manhattan's sidewalks, his starting point murky—having cheated death by skipping a doomed flight home from Japan, he assumed a new identity and residence in Chinatown—and his destination unknown. Splintered into fragments, and told largely in retrospect as a mysterious woman named Ann (Julianne Nicholson) reads a letter written by William, Anania's story slowly reveals a basic plot involving amateur thief William's recruitment by a crime boss (Josh Lucas) and his subsequent, frowned-upon relationship with Ann, employed by said kingpin as both a lover and a whore. Such a conventional narrative recap, however, implies a lucidity and momentum that doesn't exist. Every scene is an exercise in drawn-out affectation, with the characters' silent stares at each other, gazes off into nothing, and pauses between dialogue exchanges—all set to meaningful piano twinkles and drum beats—so distended as to intimate parody, an impression exacerbated by William twice telling enforcer Vincent (Martin Donovan) that his comments sound like something from a movie. Continue Reading »
Tags: James Franco, Jay Anania, Josh Lucas, Julianne Nicholson, Martin Donovan, Tribeca Film Festival, William Vincent
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MacGruber (Jorma Taccone). You might think a full-length feature about MacGruber, Will Forte's bumbling '80s action hero, would feel at least an hour too long. Even Steven Carrell couldn't lift his lumbering feature about Maxwell Smart, the '60s version of MacGruber, off the ground—but maybe he needed Jorma Taccone at the controls.
Saturday Night Life actor/writer/director Taccone, one of the three guys who does those funny videos with Andy Samberg (he also shot a lot of the MacGruber shorts for SNL and is the man behind a Pepsi ad for the Super Bowl), has great sense of comic timing and a deep and gleeful knowledge of comedy conventions and pop-culture icons. In the Q&A after the film, he revealed that he loves late-'80s/early-'90s action movies like Die Hard and Lethal Weapon and Rambo 3 ("not one or two or four—though four is pretty great too"), and that he and his cast intended their movie to be more of a comic tribute than a spoof.
You probably have to love those movies to embrace this one fully, but for those of us who do, it makes for a wildly entertaining night at the movies. Action movie clichés, like the way people keep telling MacGruber, "I thought you were dead!," are given just the right emphasis. You laugh at the dick jokes and gay jokes too, partly because they're cathartic, surfacing and then blowing up all the unacknowledged homoerotic machismo that fuels those movies, but also because Forte does blustery incompetence so well and the editors always know just where to cut. And Michael Bay has taken things so far that you pretty much have to chase your bad guy off a cliff, fire two big guns at him as he goes down, and reduce him to a blackened hole in the ground at the bottom of a canyon if you're going for laughs. This movie also has the funniest sex scene since the South Park movie with the puppets. Continue Reading »
Tags: Debra Granik, I'm Here, James Franco, Jennifer Lawrence, Jorma Taccone, Kristen Wiig, MacGruber, Powers Boothe, Ryan Philippe, Solitary/Release, Spike Jonze, SXSW, Val Kilmer, Will Forte, Winter's Bone
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Let's start with the big film news of the day, namely that the Sundance 2010 slate has been announced (the Auteurs rounds up links to the various sections here) and that James Franco makes for a damn good looking Allen Ginsberg (see above still from Howl).
Second, check out House contributor Jaime Christley's Out, damned spot! post "CGI and green screen." Great read, much food for thought. Here's his intro:
"I know, it's boring to decry CGI, but it's starting to impact some films that I—or friends of mine—really, really like, and that's unpleasant. So, a few words:
"For a lot of films I've liked over the past, I would say, almost 20 years, CGI actually ages more painfully than any effect from 'the old days.' And under that umbrella, I would include everything from early Melies to '80s Cronenberg. More fairly recent films than I can ignore seem not a little spoiled by the fact that digital and greenscreen effects seem 'Scotch-taped' in, like the matte shots in the original Star Wars.
"What is going on here? Do effects rot, like fruit, or laserdiscs, or AA batteries? It was acceptable in the theater...or were we just tricking our minds, selling ourselves the feat of Hollywood magicians? This is, admittedly, easier for younger moviegoers—and some of my older colleagues probably have zero sympathy whatever."
Links for the Day: A collection of links to items that we hope will spark discussion. We encourage our readers to submit candidates for consideration to keithuhlich@gmail.com and to converse in the comments section.
Tags: Howl, Jaime Christley, James Franco, Sundance Film Festival, The Auteurs Notebook
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