[Editor's Note: Oscar Prospects breaks down awards contenders and how they're likely to fare come Oscar nomination morning. The column is comprehensive, so beware of spoilers.]
A funny thing happens during the course of August: Osage County, a film many would label as this year's Meryl Streep awards vehicle. Though Streep, who plays the story's drug-addled matriarch, Violet Weston, has ample moments of alternating grief, delusion, vileness, and humor, all delivered in a swirl of characteristically calculated theatrics, it's Julia Roberts who walks away with this thing. Playing Barbara, the one of Violet's three daughters who's most distanced from, yet most similar to, her warts-and-all, "truth-telling" mom, Roberts is gifted some of the greatest language in this adaptation of the play by Tracy Letts, who won a Pulitzer and Tony Award for his efforts before shaping his work into a screenplay. In the rare role that actually demands she exude more fire than glee or grace, Roberts brings just the right amount of harsh, poetic cynicism to lines like, "Thank God we can't predict the future; we'd never get out of bed." The key bit of dialogue, though, comes just after the film's resentment-baring emotional peak. Gathered around her mother's table with her sisters, her aunt, her uncle, her cousins, her daughter, and her two-timing husband to commemorate the death of her father, Beverly (Sam Shepard), Barbara finally tackles Violet to the ground, fed up with the woman's rant-fueling pill abuse, which may well have prompted Beverly's apparent suicide. "I'm running things now!" Barbara barks at Violet while snatching a bottle of painkillers, and the sentiment couldn't be truer here in regard to Roberts and Streep.