[Editor's Note: Originally published at Bohemian Cinema.]
A video essay (my first), exploring the similarities between the ending of François Truffaut's The 400 Blows and the beginning and ending of Jonathan Glazer's 2004 film, Birth. Based on an old essay of mine, The 400 Births.
Jonathan Pacheco is a current web developer and future freelance writer. He blogs and reviews films at Bohemian Cinema.
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