
1. Scorsese film to focus on George Harrison
["The two surviving Beatles, Sir Paul McCartney and Ringo Starr, are expected to participate, and Harrison's widow, Olivia, will co-produce, according to movie trade magazine Variety."]
2. Vancouver Film Festival to feature 24 Chinese films among others. The festival runs from September 27th to October 12th.
["Highlighted international titles include the German-Turkish film The Edge of Heaven; Romanian film 4 Months, 3 Weeks and 2 Days; and Iranian Persepolis, all of which have won major awards at the Venice Film Festival and the Cannes Film Festival earlier this year."]
3. The Kingdom - as reviewed by Rob Humanick at The Projection Booth.
["A single image from The Kingdom's opening credits effectively summarizes the entire film to follow. An animated timeline serves to enlighten the audience as regards the history of Saudi Arabia, from its formation as a country to the discovery of oil to the involvement of fifteen of its citizens as hijackers in the 9/11 terrorist attacks. This final point is illustrated—in cheap thriller effect with pulse-pounding musical accompaniment to boot—with the all-black image of a jet en route to its soon-to-be-collapsed targets, the screen cutting to black just before the moment of truth, because, well, that would be going too far. There isn't intended malice in this image, just insensitivity. In other words, The Kingdom isn't evil—it's just fucking stupid."]
4. Why the hell not? Peter Berg brings America to The Kingdom. Get ready for the onslaught. And check out Ryland's full treatment. My kingdom for a positive review!
["Despite its questionable politics, Peter Berg's busiest film yet, The Kingdom, blows up a lot of stuff, and kills a lot of people, really well. Which is to say it never bores however bull-headed it may bluster. The flip side, of course, is that the film assaults its audience as much as its villains (and its heroes)."]
5. The Spy Who Shagged Yee. Ang Lee's NC-7 effort isn't sexy, The Village Voice's Wilonsky.
["Based on a 54-page short story that Eileen Chang started writing in the 1950s and finished in the '70s, Ang Lee's latest foray into forbidden love is as monotonous and disaffecting as Brokeback Mountain was gripping and immediate."]
Image of the Day (click to enlarge): "Manifest Destiny" by John Gast (1872)
Clip of the Day: Thank You Masked Man
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"Links for the Day": Each morning, the House editors post a series of weblinks that we think will spark discussion. Comments encouraged.
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