In the beginning was the Word, wrote St. John. The ontology of the man at the center of Christian worship is defined through language. And so it is that Into Great Silence, director Philip Gröning's transcendent documentary about austere, cloistered Carthusian monks, ends up being a (mostly) silent film about communication. Continue Reading »
The House Next Door
Archive: February, 2007
I AM WHO I AM: Philip Gröning's Into Great Silence
by Annie Frisbie on February 28th, 2007 at 7:46 am in Film
Links for the Day (February 28th, 2007)
by Keith Uhlich on February 28th, 2007 at 6:15 am in Links for the Day
1. "Scorsese Teams With Jagger For Rock Movie": The Last Temptation of Mick.
["Oscar-winner Martin Scorsese is not resting on his laurels. Just two days after the Departed nabbed him Oscars for best director and best picture, Scorsese announced a collaboration with music legend Mick Jagger for a movie called The Long Play."] Continue Reading »
Brute Force: John Frankenheimer's The Train
by Matt Zoller Seitz on February 27th, 2007 at 11:28 am in Film, Television
Bamako: Cinema on Trial
by Kevin B. Lee on February 27th, 2007 at 8:00 am in Film
By Kevin B. Lee
What if Al Gore had made Bamako? This is not an absurd or unfair comparison to make. Say what you will about An Inconvenient Truth as a work of cinema, but that slideshow-on-celluloid has proven incredibly effective at galvanizing the cause against global warming. Poverty in Africa could benefit from such a forceful argument (much more so than from celebrity coverage of African orphan adoptions or Hollywood action movies set in Sierra Leone) to more readily enter the public consciousness. Alas, we cannot say that Abderrahmane Sissako's Bamako is interested purely in inspiring action against Africa's victimization at the hands of foreign debt. The film, which stages a fantasy trial against international monetary organizations for their victimization of Africans in a perpetual state of poverty, seems rhetorical by design. But there is a deeper and more troubling argument being made here. The film does as much to resist its rhetoric as to support it. What emerges is a grander agenda: not just reclaiming Africa's economic well-being, but its very sense of self. Continue Reading »
Links for the Day (February 27th, 2007)
by Keith Uhlich on February 27th, 2007 at 6:27 am in Links for the Day
1. "Foreign Relations": From Reverse Blog, news that is sadly nothing new.
["The brilliant Iranian filmmaker Jafar Panahi, who was to appear at Queens' Museum of the Moving Image next week to accompany a preview screening of his superlative Offside, an exquisitely pared down study in the art of mixing polemic with crowd-pleaser, has had to cancel his appearance, as the United States government has, naturally, rescinded his travel visa."] Continue Reading »
BSG Mondays: Season 3, Episode 16, "Dirty Hands"
by Todd VanDerWerff on February 26th, 2007 at 11:58 am in Television
When the producers of Battlestar Galactica said they wanted to examine the life of the civilians in the fleet, I pictured episodes like the one that aired Sunday night, "Dirty Hands." Continue Reading »
The 79th Annual Academy Awards
by Matt Zoller Seitz on February 25th, 2007 at 10:25 pm in Awards, Film
Links for the Day (February 26th, 2007)
by Keith Uhlich on February 25th, 2007 at 10:23 pm in Links for the Day

1. "Genealogists: Thurmond's family owned Sharpton's kin": Timberlake's right—what goes around comes back around.
["The Rev. Al Sharpton is a descendant of a slave owned by relatives of the late Sen. Strom Thurmond—a discovery the civil rights activist called "shocking" on Sunday. Sharpton learned of his connection to Thurmond, once a prominent defender of segregation, last week through the Daily News, which asked genealogists to trace his roots. "It was probably the most shocking thing in my life," Sharpton said at a news conference Sunday, the same day the tabloid revealed the story."] Continue Reading »
Links for the Day (February 25th, 2007)
by Keith Uhlich on February 25th, 2007 at 6:10 am in Links for the Day
1. "Rob Lowe/Snow White": Happy Oscar Night!
["Ooooooooo! Just follow the Hollywood stars!"] Continue Reading »
Oscar 2007 Composite Winner Predictions
by Ed Gonzalez on February 24th, 2007 at 9:24 pm in Awards
Picture: Babel
Directing: Martin Scorsese, The Departed
Actor: Forest Whitaker, The Last King of Scotland
Actress: Helen Mirren, The Queen
Actor in a Supporting Role: Djimon Hounsou, Blood Diamond
Actress in a Supporting Role: Jennifer Hudson, Dreamgirls
Writing (Original Screenplay): The Queen
Writing (Adapted Screenplay): The Departed
Foreign Language Film: The Lives of Others
Documentary Feature: An Inconvenient Truth
Animated Feature Film: Cars
Documentary Short: Recycled Life
Short Film (Animated): The Danish Poet
Short Film (Live Action): West Bank Story
Film Editing: Babel
Art Direction: Pan's Labyrinth
Cinematography: Children of Men
Costume Design: Marie Antoinette
Makeup: Pan's Labyrinth
Score: The Queen
Song: "I Need To Wake Up," An Inconvenient Truth
Sound Editing: Pirates of the Caribbean: Dead Man's Chest
Sound Mixing: Dreamgirls
Visual Effects: Pirates of the Caribbean: Dead Man's Chest
Links for the Day (February 24th, 2007)
by Keith Uhlich on February 24th, 2007 at 6:08 am in Links for the Day

1. "Beavers return to New York City after 200 years": I just had 'em stuffed.
["Beavers grace New York City's official seal. But the industrious rodents have not been seen in the flesh here for as many as 200 years—until this week. Biologists videotaped a beaver swimming up the Bronx River on Wednesday. Its twig-and-mud lodge had been spotted earlier on the river bank, but the tape confirmed the presence of the animal itself."] Continue Reading »
Oscar 2007 Winner Predictions: Picture
by Ed Gonzalez on February 23rd, 2007 at 5:43 pm in Awards

Anyone who has followed this year's Oscar race for Best Picture knows that the stats above are not meant as a joke. An intelligent case, pro and con, can be made for every single one of these films. Letters from Iwo Jima has the intelligence, grace, and prestige, but it's told in a foreign tongue (a deterrent for those who claim to care about movies but really don't) and enters the race having made very little money and without a DGA nomination, though a case could be made that Clint Eastwood failed to make that cut with his peers when his two war films split nomination votes. Stephen Frears's The Queen lacks for passion, but there is something to be said about a film whose banal TV-ness offends no one except for elk. The Departed is a film fans of Martin Scorsese can be proud of without back-bending excuses, but there is still the fact that half its cast gets shot in the head at close range. (The Best Picture polls being conducted on the home pages of this site and The Film Experience would suggest the film is way out in the lead, but when cinephilles are your core demographic it's easy to chalk up results like these to wishful thinking.) Little Miss Sunshine, a film whose only offense is the ridiculous fondness some seem to have for it, won both the SAG ensemble award and the PGA prize, but there's still the fact that comedies rarely win here and that Jonathan Dayton and Valerie Faris weren't nominated in the directing category. Babel, a film that desperately wants to give the illusion of import, has kept people busy connecting its spurious dots for months now, but there is still a considerable amount of people who have seen through the gas it emits. The closest thing to an epic in the category, Babel may not inspire the same intense affection and loathing people have for Crash, but its epic-scale tapestry of interconnected stories should appeal to voters feeling a little global this year. Also, if there is one precedent that's impossible to ignore it's the fact that Oscar has a history of rewarding the very worst film in this category.
RKO Lost and Found at the Film Forum
by Odienator on February 23rd, 2007 at 2:18 pm in Festivals, Film
By odienator
Radio-Keith-Orpheum Pictures was the springboard for many of Hollywood's famous players, from David O. Selznick, George Cukor and Max Steiner behind the camera to Kate Hepburn and Cary Grant in front of it. One of the original Big Five studios, RKO became known for B-pictures, Astaire and Rogers musicals, screwball comedies like Bringing Up Baby, and a little movie by a young writer-director named Orson Welles. In Hollywood circles, RKO was also known for its constant financial problems; despite having successful runs under Selznick and King Kong creator Merian C. Cooper, the studio's extravagant spending often threatened its existence. The studio changed hands several times (most notably, Howard Hughes' hands) before its original incarnation was dissolved in 1959.
When cinematic crayon wielder Ted Turner bought RKO's library in 1987, no one knew the purchase was short six films. These films were recently discovered by Turner's cable outlet, Turner Classic Movies, and will join its rotation later in 2007. Five of these films have not been seen in any medium since 1959, and the sixth film was thought to be lost forever. These films, originally sold to Merian C. Cooper after he left the studio, are being presented as double features in a one-week retrospective starting today at New York City's Film Forum. Continue Reading »
Drowning by Numbers: The Number 23
by Jeremiah Kipp on February 23rd, 2007 at 10:00 am in Film
I'm sure there must have been an episode of Sesame Street where the friendly neighborhood of cheerful humans and adorable puppets wanted to throttle the Count, a character obsessive in his love to count things. Throughout The Number 23, a psychological thriller/puzzle movie where Jim Carrey is driven into a state of heightened lunacy by seeing the magical number 23 everywhere ("You and I met when we were 23!"; "Your license plate begins with the numbers two...three!"; "I was born on February 3...2/3!"), I started thinking of our friend the Count. If he had been cast in the role instead of Jim Carrey, The Number 23 might have been a useful exercise for children of all ages instead of a childish exercise that, in lieu of depth, is content to wallow in protracted, circuitous babble. Continue Reading »
The Eavesdropper: Lillian Ross
by Matt Zoller Seitz on February 23rd, 2007 at 9:00 am in Books, Film
In Lillian Ross' 1952 Picture, believed to be the first making-of-a-movie book, director John Huston described Hollywood as, "a closed in, tight, frantically inbred, and frantically competitive jungle." Ross is that jungle's most experienced and attentive zoologist. Continue Reading »


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