Review: Biker Boyz

The cool stunts offer brief respites from the otherwise ugly mise-en-scène and soulless characters.

Biker Boyz

Reggie Rock Bythewood’s Biker Boyz opens with a roving camera spinning on its side, observing a tattoo on a curvy black girl’s thigh (“Can you ride this?”) before examining her buttocks as she walks by a line of motorcycles. Sadly, the rest of the film can’t live up to this delirious hoochie moment. Kid (Derek Luke) watches his father bite the dust in an unfortunate accident and decides to vent his anger on Smoke (Laurence Fishburne), the leader of a motorcycle gang called the Black Knights. Once Luke’s Biker Boy uses a ghetto bouquet to seduce Biker Tattoo Girl, he empowers himself by starting his own multicultural gang. When Kid’s PlayStation-loving mother (Vanessa Bell Calloway) spills the beans about the boy’s true father, he has more to negotiate than his pent-up rage. More inexplicable than the bizarre “tunnel vision” with which Smoke observes the roadways is Bythewood’s use of the same jerky camera crawl for the duration of the film. The cool stunts offer brief respites from the otherwise ugly mise-en-scène and soulless characters who are constantly paraded on screen. The film boringly unravels like Antwone Fisher On Wheels (or Rollerball sans skank factor) and is ultimately best savored as a reunion special between the cast of “The Cosby Show” and “A Different World.” (Lisa Bonet stars as Biker Window Dressing and Kadeem Hardison as Biker Cripple.) DreamWorks is touting the film as a “contemporary western,” but a “two-hour hip-hop video with stank soap-opera plot” is more like it.

Score: 
 Cast: Laurence Fishburne, Derek Luke, Orlando Jones, Djimon Hounsou, Lisa Bonet, Brendan Fehr, Larenz Tate, Kid Rock, Rick Gonzalez, Meagan Good, Salli Richardon-Whitfield, Vanessa Bell Calloway  Director: Reggie Rock Bythewood  Screenwriter: Reggie Rock Bythewood, Craig Fernandez  Distributor: DreamWorks Pictures  Running Time: 110 min  Rating: PG-13  Year: 2003  Buy: Video, Soundtrack

Ed Gonzalez

Ed Gonzalez is the co-founder of Slant Magazine. A member of the New York Film Critics Circle, his writing has appeared in The Village Voice, The Los Angeles Times, and other publications.

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