The filmmaker spoke with us about Bad Hair's central mother-son relationship, shooting on Caracas's barren and dusty streets, the meaning of "bad hair," and more.
The filmmaker sat down with us to discuss Jane and Stephen Hawking's story, Eddie Redmayne's perseverance, and The Theory of Everything's surprise Oscars buzz
We got to sit down with Schwartzman to discuss Listen Up Philip, its acidic one-liners and working with Elisabeth Moss, and the status of that rumored Bored to Death movie.
The actor turned filmmaker discusses the ups and downs of Catch Hell 's production, the freedom of directing himself, and how actors actually do read Internet comments.
The actor spoke with us about becoming a Pasolini rather than the Pasolini, his views on the circumstances surrounding the acclaimed filmmaker's death, and more.
The forensic emphasis on detail that Fincher will bring to Gone Girl's minefield of ever-unfolding secrets may speak to the essence of this ambitiously far-flung cultural event.
The day before the release of The Zero Theorem, we sat down with the 73-year-old auteur and expatriate Python to discuss the film's many meanings and anti-meanings.
Wary as he may be about our conversation becoming too personal, some of the British actor's answers may reveal more than he's planned.
Benson spoke to us about his friendship with Jessica Chastain, whittling Him and Her down to Them, and the time Malick handed him the camera monitor on The Tree of Life.
In Toronto this year, we chatted with Korine about his commitment to 35mm film, the insufferability of record collectors, and the scourge of compromise.
Murdoch spoke to us about his songwriting rituals, preferring breakfast to the rock n' roll lifestyle, and things he believes he has in common with Quentin Tarantino.
The filmmaker spoke with us recently about the genesis of Love Is Strange and his feelings about love and New York City.
On a glowing August morning, he discussed his 20-plus film catalogue with an unsentimental acuity that betrays his age and a gentlemanly aplomb.
The great English actor's voice is a wonderful contradiction: rough and smooth at once, like sandpaper worn beyond use.
We wanted to exalt the most exemplary of the medium's virtues, whether they be richly emotional narrative experiences or invigorating bouts of tactile fun.
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