Both actor and director explain that the Before saga has ebbed, flowed, and evolved with spontaneity, like life itself.
Slant had the chance to talk with Folman from the Croisette about The Congress's fascinating origins and reception thus far.
Anticipating an interview with him is, I'd imagine, a lot like waiting to go on trial, or waiting to take a lie-detector test, albeit with the tables turned.
This is the film festival as cultural event, easily earning its reputation as a major happening for New York cinephiles of all inclinations.
Carruth hopes that Upstream Color's ending will eventually appear less resolved than its surface suggests.
The director talked about Ryan Gosling, family, fateful collaborations, and how, in art and life, choices mean everything.
Ascher discusses what he learned most from The Shining fans profiled in his Room 237 and his own love of Kubrick.
This year's edition of the festival presents a slate as deep and diverse as any in recent memory.
Before he even takes a seat, Korine makes note of the faint "unce-unce" pumping out of the house speakers.
Melody is the connective tissue between Tame Impala and their audience.
This living, breathing, low-budget seal of approval has kept busy bringing dramedic street cred to numerous projects.
The entries on this list offer a glimpse of the staggeringly dissimilar outcomes of music video's democratization.
Two thousand and twelve was, if nothing else, a banner year for uncommonly productive provocation.
Whatever the future holds, 2012 showed that the album remains a viable method of expression.
Our list is a collection of songs that either survived their airwaves onslaught or deserved more.
The year in television was all about characters keeping up with the times.
It was a year of expected sequels and companies feeding off of gamers' urge to quench their thirst for supreme nostalgia.
We spoke with Lonergan about the formal and structural qualities that make Margaret an uncommon cinematic experience.
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