The great English actor's voice is a wonderful contradiction: rough and smooth at once, like sandpaper worn beyond use.
We wanted to exalt the most exemplary of the medium's virtues, whether they be richly emotional narrative experiences or invigorating bouts of tactile fun.
The filmmaker told me about not directing Joaquin Phoenix, his increasingly personal links to his films, and what he loves most about New York City.
As the actress recalls her early goals and ambitions, her memories mirror the themes of James Gray's The Immigrant itself.
The filmmaker admitted to us that Isabelle was a mystery to him—one he constantly tried to crack amid the process of making Young and Beautiful.
This is the film festival as cultural event, easily earning its reputation as a major happening for New York cinephiles of all inclinations.
She suggests a cosmic force manifest as she ruminates on immorality, lost loves and unsatisfied longings, fears and secrets, even fish and the Darkness.
The writer-director of Under the Skin shares a preference of viewing formal details as afterthoughts—elements that, fittingly, find their place as the whole takes shape.
The actor and director spoke of the working conditions under which men like Cesar Chavez worked and his understanding of the man's legacy.
The actor let it all hang out, discussing religion, his "limited experience" with S&M, a certain "floppy dick," and how, with Nymphomaniac, the one who's truly fucked is the viewer.
Now in its 43rd year, the renowned festival continues its commitment to bringing exciting new discoveries from around the world to New York City filmgoers.
The director shared his fascination with making movie storybooks and getting to the heart of why his work is so gorgeously meticulous.
Though Omar is unmistakably political, the director insists that he aimed to sideline politics in the Oscar-nominated film.
The filmmaker spoke of his fixation with the 1970s, his attraction to the mythical, and how Stranger by the Lake is ultimately an existential study.
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