Bonello discusses The Beast and Coma, his understanding of time and the self, and more.
Mac discusses experience of starring in Sarah Ruhl’s show and the projects waiting in the wings.
The filmmaker brothers discuss how Bigfoot straddles the human and the animal world.
Loach discusses the connection between form and content throughout his body of work.
Chernov discusses what guides his camera, Russia’s weaponization of disinformation, and more.
Manning Walker discusses what different audiences have made of the film’s ambiguities.
Avilés discusses why it’s important to be in touch with a collective consciousness.
Sayles discusses how his 1996 neo-western noir speaks to the present political climate.
Gálvez discusses why his feature-length debut always had to exist within the western genre.
Durkin discusses his approach to genre and the film’s thematic overlap with his prior work.
Friedel discusses how the film’s unconventional shooting style informed his performance.
Wenders discusses how Kiefer’s work informed the craft of Anselm and more.
Wiseman discusses how his latest documentary relates to frequent fascinations in his work.
Haynes discusses the repetitions that abound in the film and the search for emotional truth.
Borgli discusses his beef with the advertising industry, Nicolas Cage’s iconography, and more.
Moreno discusses his influences, the pandemic’s effect on the film’s point of view, and more.
Reggio discusses the film’s overarching philosophy, the construction of its images, and more.