The filmmaker discusses his approach to depicting the present day as a historical moment.
A highlight of this year’s festival was the focus on the work of Basma Al-Sharif.
Chernov discusses what guides his camera, Russia’s weaponization of disinformation, and more.
Manning Walker discusses what different audiences have made of the film’s ambiguities.
What makes IFFR so endearing is an atmosphere that’s joyful and devoid of self-importance.
Avilés discusses why it’s important to be in touch with a collective consciousness.
Sayles discusses how his 1996 neo-western noir speaks to the present political climate.
In its new iteration, Under the Radar, which runs through January 21, hasn’t missed a step.
The domestic box office wasn’t the only thing saved by Barbenheimer last year.
Gálvez discusses why his feature-length debut always had to exist within the western genre.
In the 24 years since it hit airwaves, Survivor has morphed from a “social experiment” into TV's most complex competition.
Durkin discusses his approach to genre and the film’s thematic overlap with his prior work.
In 2023, there was a happy diversity in the tapestry of the theater that resonated most deeply.
Friedel discusses how the film’s unconventional shooting style informed his performance.
When the going gets tough, the tough double down on the audience least likely to abandon ship.
The best music videos of the year emphasized meticulous technique over virality.
Wenders discusses how Kiefer’s work informed the craft of Anselm and more.