It's Boring, Bitch
By: Sal Cinquemani On: 09/10/2007 09:25:55 In: VMAs Comments: 1

Britney Spears's opening number at this year's VMAs set the tone for the entire night: disengaged, disoriented, heavily-medicated, and over-hyped. Britney appeared on stage with a bad weave and wearing almost nothing—and a microphone that, not surprisingly, remained unused. What was surprising was that the girl couldn't have looked any less interested in what she was doing. Even a troupe of dancers, who did all the work for her, couldn't disguise the fact that Britney was simply stumbling through the motions; is this the same energetic girl who took the stage in 2000 like a lioness and pounded the floor with her fist while clad in a flesh-colored bodysuit? It's possible Britney had a case of the nerves (this was supposed to be her big comeback, after all), but it's more likely that she's just numbed from years of tabloid scrutiny and, probably, anti-depressants:
Maybe I'm just getting old, but watching this year's ceremony was not unlike being drunk in a hotel and stumbling into different rooms. And speaking of drunk, Britney's ex Justin Timberlake looked nicely lubricated while accepting his awards for Quadruple Threat of the Year and Male Artist of the Year. Both times he gigglingly urged MTV to play more videos (as if they actually play any), once while accepting an award from the cast of the nonmusical reality show The Hills. The night's various performances were mostly shown in frustratingly incomplete snippets ready-made for 15-year-olds with ADD, so it wasn't hard to spot the performance of the night (at least the one that was televised): Alicia Keys, who sounded good, looked better, and segued from her new single into a cover of George Michael's "Freedom" by way of Stevie Wonder's "Sir Duke," one-upping Chris Brown by proving that a tribute is much more than just mimicry:
Oh, and I'd like to point out that Rihanna's win for Monster Single of the Year was a no-brainer and we would have predicted as such had I not inadvertently neglected to include her—as well as four others (10 nominees, MTV? Seriously?)—on our list for that category. As it stands, our predictions were 6 for 11.

Britney Spears's opening number at this year's VMAs set the tone for the entire night: disengaged, disoriented, heavily-medicated, and over-hyped. Britney appeared on stage with a bad weave and wearing almost nothing—and a microphone that, not surprisingly, remained unused. What was surprising was that the girl couldn't have looked any less interested in what she was doing. Even a troupe of dancers, who did all the work for her, couldn't disguise the fact that Britney was simply stumbling through the motions; is this the same energetic girl who took the stage in 2000 like a lioness and pounded the floor with her fist while clad in a flesh-colored bodysuit? It's possible Britney had a case of the nerves (this was supposed to be her big comeback, after all), but it's more likely that she's just numbed from years of tabloid scrutiny and, probably, anti-depressants:
Maybe I'm just getting old, but watching this year's ceremony was not unlike being drunk in a hotel and stumbling into different rooms. And speaking of drunk, Britney's ex Justin Timberlake looked nicely lubricated while accepting his awards for Quadruple Threat of the Year and Male Artist of the Year. Both times he gigglingly urged MTV to play more videos (as if they actually play any), once while accepting an award from the cast of the nonmusical reality show The Hills. The night's various performances were mostly shown in frustratingly incomplete snippets ready-made for 15-year-olds with ADD, so it wasn't hard to spot the performance of the night (at least the one that was televised): Alicia Keys, who sounded good, looked better, and segued from her new single into a cover of George Michael's "Freedom" by way of Stevie Wonder's "Sir Duke," one-upping Chris Brown by proving that a tribute is much more than just mimicry:
Oh, and I'd like to point out that Rihanna's win for Monster Single of the Year was a no-brainer and we would have predicted as such had I not inadvertently neglected to include her—as well as four others (10 nominees, MTV? Seriously?)—on our list for that category. As it stands, our predictions were 6 for 11.
2007 MTV Video Music Awards Predictions
By: Sal Cinquemani On: 08/27/2007 13:05:47 In: VMAs Comments: 3

MTV decimated whatever tiny shred of integrity its annual Video Music Awards show still had when this year's list of nominations were announced. It's not so much the nominees—the usual suspects are present and accounted for (The White Stripes, Justin Timberlake, Beyoncé, Kanye West) and, as always, mediocre videos are being over-praised ("What Goes Around…Comes Around") while other, less popular achievements in the music video medium go unrecognized—but it's the categories that have prompted many to pronounce the video channel's yearly burlesque show completely irrelevant. As if last summer's viewer-decided winners weren't horrendous enough, this year's clusterfuck replaces standard categories like Best Group Video with the more general Best Group (which, in effect, continues to strip MTV of its ties to actual music videos) and trades genre categories for such asinine honors as Most Earth-Shattering Collaboration and Quadruple Threat of the Year. If there's an upside to these radically stripped nominations-gone-wild, it's that the discontinuation of their one-time-only Ringtone of the Year award means that Fort Minor's singular legacy will now remain officially without peer.
BEST GROUP
Fall Out Boy
Gym Class Heroes
Linkin Park
Maroon 5
The White Stripes
Sal Cinquemani: Whether this is supposed to be Best Group Making Music in 2007 or Best Group Making Music Videos in 2007 is unclear. What is clear, however, is that you didn't even have to see The White Stripes' videos (or hear their album, for that matter) to know they should win here.
Eric Henderson: I have to assume the nominees aren't decided by viewer votes, because who in the newly gerrymandered VMA age demographic (i.e. ages 7 through My Super Sweet 16) knows who Linkin Park or The White Stripes even are? I'd like to hope this might be one of the few categories where my taste (or possible lack thereof) might overlap with the MTV audience's tastes (or definite lack thereof) and see Gym Class Heroes take a win—even if they are admittedly a tad closer to the Black Eyed Peas than The Roots.
Ed Gonzalez: MTV wouldn't dream of dignifying itself by giving this one to The White Stripes. I say Fall Out Boy will take it, because smut rules and Pete Wentz hasn't been rewarded yet for those nudie pictures he took of himself on his cell phone last year.
Alexa Camp: They should erect, I mean resurrect Ringtone of the Year just for him.
BEST NEW ARTIST
Lily Allen
Gym Class Heroes
Peter Bjorn & John
Carrie Underwood
Amy Winehouse
Sal: Wino should be disqualified in this category for entering rehab so early in her career.
Eric: So early? She's like 50 years old, or at least probably appears about that old to most VMA viewers.
Ed: Girl is reinventing the wheel: She not only gets high, but she calls Perez Hilton to tell him about it. She's more ghetto than Pete Wentz.
Sal: Didn't Carrie Underwood's album come out almost two years ago? Maybe the MTV voting bloc was afraid she'd key their cars.
Eric: Yeah, I'm going to side with bad behavior here. I'd say Winehouse's coronation here is as inevitable as Lindsay Lohan's two hours of community service.
FEMALE ARTIST OF THE YEAR
Beyoncé
Fergie
Nelly Furtado
Rihanna
Amy Winehouse
Sal: This is a pretty predictable harem. Since actual videos don't seem to be a consideration this year, I wouldn't be surprised if Amy won here. Otherwise the Dutchess would be the heiress apparent of the Female Artist throne since her videos are inexplicably and compulsively watchable. Then again, Beyoncé did release 467 videos this year.
Eric: And one of them was "Ring the Alarm." If Dreamgirls was her ode to Ray, "Ring the Alarm" was her psychotic tribute to Paul Verhoeven. I've never been closer to wanting to rub lotion on her calves. That said, there is the unfortunate matter of "Irreplaceable," so I'll take Rihanna on a roll instead.
Ed: Nelly Furtado and Rihanna have the smallest dicks in this category, so it's probably between them.
MALE ARTIST OF THE YEAR
Akon
Robin Thicke
T.I.
Justin Timberlake
Kanye West
Eric: Looks ripe for a vote-split to me. Let's hope the winner remembers to thank Daddy Seaver.
Sal: Kanye's presence here is dubious. His, uhhh, late registration in this year's music video derby makes it an honor just to be nominated.
Ed: Because Robin Thicke and Justin Timberlake sound like they have vaginas, it's probably between them. But which one's is bigger?
Sal: So the person with the smallest dick wins Female Artist but the person with the biggest vagina wins Male Artist?
Alexa: Makes perfect sense to me. I've seen Justin Timberlake's vagina. Trust me, it's huge.
MONSTER SINGLE OF THE YEAR
Daughtry, "Home"
Fall Out Boy, "Thks Fr Th Mmrs"
Avril Lavigne, "Girlfriend"
Lil Mama, "Lip Gloss"
Mims, "This Is Why I'm Hot"
Eric: The Mims song leaves out more explanatory details than the Fall Out Boy drops letters.
Ed: Chris Daughtry has a monster ass.
Alexa: Me likey.
Eric: Speaking of monsters, you know what this show is really missing? An award given out to songs (or, if they're feeling adventurous, videos) that haven't been released yet. You know, like when the MTV Movie Awards turned into a big commercial for Transformers?
Sal: So, basically, Best Future Collaboration with Timbaland?
Alexa: Celine Dion. Always go with Celine.
MOST EARTH-SHATTERING COLLABORATION
Akon f/ Eminem, "Smack That"
Beyoncé f/ Shakira, "Beautiful Liar"
Gwen Stefani f/ Akon, "The Sweet Escape"
Justin Timberlake f/ Timbaland, "SexyBack"
U2 f/ Green Day, "The Saints Are Coming"
Alexa: The only thing shattered by "Beautiful Liar" was my hip when I tried to emulate those pelvic thrusts.
Ed: "The Saints Are Coming" doesn't reveal any cracks in Bono's ego, so that one is probably a long shot. Besides, Katrina is so 2006.
Sal: Technically, Katrina is so 2005.
Eric: Wow, Akon's in here twice. So, that's what I guess passes for earth-shattering superstardom, huh? Someone call Al Gore off his soapbox, because the world deserves to fry.
QUADRUPLE THREAT OF THE YEAR
Beyoncé
Bono
Jay-Z
Justin Timberlake
Kanye West
Sal: Is bringing sexy back considered a threat?
Alexa: Maybe it's a promise.
Eric: Now here's a category they should've tried to sneak Lindsay Lohan into.
Sal: I'm not sure driving backwards full-sped at your assistant's mom while high on coke is considered a talent.
Alexa: Not unless you actually hit the mom. Hey, does rehab count? I'm pretty sure she'll have gone four times by the end of the year.
Ed: I did four things this year.
Alexa: And that's not counting the NY Marathon! If you're reading this, sponsor him, bitches!
VIDEO OF THE YEAR
Beyoncé, "Irreplaceable"
Justice, "D.A.N.C.E."
Rihanna f/ Jay-Z, "Umbrella"
Justin Timberlake, "What Goes Around…Comes Around"
Kanye West, "Stronger"
Amy Winehouse, "Rehab"
Eric: Rihanna gets it for performing a pas de deux with a gigantic money shot while wearing virginal white.
Ed: She also gets it for having Jay-Z onboard, assuming there are people still working at MTV who remember that he was robbed in this category for "99 Problems."
Sal: "D.A.N.C.E." is this year's token obscurity. It's crafty and karaoke-friendly!
Eric: Sadly, it was clearly the reason this category was expanded to fit six nominees. Still, I can't watch it and not be preoccupied with the hunch that it was secretly funded by Threadless.com.
BEST CHOREOGRAPHY
Beyoncé f/ Shakira, "Beautiful Liar"
Chris Brown, "Wall to Wall"
Ciara, "Like a Boy"
Eve, "Tambourine"
Justin Timberlake, "My Love"
Sal: I don't mean to get all existential here, but cinematography, which is a prerequisite for any music video to even exist, gets the boot, but choreography is a keeper? I guess it doubles as Best Dance Video, but, as expected, none of these are actual dance songs.
Eric: I imagine Justin is out in front for this award for his uncanny rendition of what Ben Vereen looks like trying to scrape dog shit off the bottom of his soft shoe.
Ed: Ciara should be out in front for her uncanny ability to dance with her back almost horizontal to the floor. Her video is more supernatural than all of the "Thriller"-biting "Wall to Wall."
Alexa: Whatchu mad? Can't handle that?
BEST DIRECTOR
Christina Aguilera, "Candyman" (Matthew Rolston)
Beyoncé f/ Shakira, "Beautiful Liar" (Jake Nava)
Kanye West, "Stronger" (Hype Williams)
Linkin Park, "What I've Done" (Joe Hahn)
Rihanna f/ Jay-Z, "Umbrella" (Chris Applebaum)
Justin Timberlake, "What Goes Around…Comes Around" (Samuel Bayer)
Eric: Samuel Bayer could win for the most over-direction in a music video. And that's no small accomplishment with Hype Williams in the mix.
Alexa: The Linkin Park video is a little unfocused. I think they need to pick one global plight and stick with it. Like Lindsay Lohan's downward spiral.
Sal: Subtlety is not juxtaposing a woman measuring her waist with an emaciated African or synching the beat of your song to a junkie slapping his arm. And kudos to Joe Hahn for the least powerful use of a 9/11 image to date. This video is about as interesting as watching grass grow. Oh, and that's in there too!
Ed: You have to understand that there are people out there who think the video is neat-o for showing them everything that happened in the world since the last time they changed the channel from MTV.
BEST EDITING
Beyoncé f/ Shakira, "Beautiful Liar" (Jarrett Figl)
Gnarls Barkley, "Smiley Faces" (Ken Mowe)
Linkin Park, "What I've Done" (Igor Kovalik)
Justin Timberlake, "What Goes Around…Comes Around" (Hollee Singer)
Kanye West, "Stronger" (Peter Johnson & Corey Weisz)
Ed: I used to splice random shit together back at NYU and cue it to some semi-topical song from the moment and I was never nominated for an MTV award.
Sal: Obviously the editing is the worst part of the Linkin Park video. I predict a Timbersweep in the tech categories.
Ed: The Gnarls Barkley video nails the documentary aesthetic it's going after, but I think J.T. will win for updating the bloat of Celine Dion and Meatloaf videos for Generation Y.
Alexa: I told you. Always bet on Celine.






MTV decimated whatever tiny shred of integrity its annual Video Music Awards show still had when this year's list of nominations were announced. It's not so much the nominees—the usual suspects are present and accounted for (The White Stripes, Justin Timberlake, Beyoncé, Kanye West) and, as always, mediocre videos are being over-praised ("What Goes Around…Comes Around") while other, less popular achievements in the music video medium go unrecognized—but it's the categories that have prompted many to pronounce the video channel's yearly burlesque show completely irrelevant. As if last summer's viewer-decided winners weren't horrendous enough, this year's clusterfuck replaces standard categories like Best Group Video with the more general Best Group (which, in effect, continues to strip MTV of its ties to actual music videos) and trades genre categories for such asinine honors as Most Earth-Shattering Collaboration and Quadruple Threat of the Year. If there's an upside to these radically stripped nominations-gone-wild, it's that the discontinuation of their one-time-only Ringtone of the Year award means that Fort Minor's singular legacy will now remain officially without peer.
BEST GROUP
Gym Class Heroes
Linkin Park
Maroon 5
The White Stripes
Sal Cinquemani: Whether this is supposed to be Best Group Making Music in 2007 or Best Group Making Music Videos in 2007 is unclear. What is clear, however, is that you didn't even have to see The White Stripes' videos (or hear their album, for that matter) to know they should win here.
Eric Henderson: I have to assume the nominees aren't decided by viewer votes, because who in the newly gerrymandered VMA age demographic (i.e. ages 7 through My Super Sweet 16) knows who Linkin Park or The White Stripes even are? I'd like to hope this might be one of the few categories where my taste (or possible lack thereof) might overlap with the MTV audience's tastes (or definite lack thereof) and see Gym Class Heroes take a win—even if they are admittedly a tad closer to the Black Eyed Peas than The Roots.
Ed Gonzalez: MTV wouldn't dream of dignifying itself by giving this one to The White Stripes. I say Fall Out Boy will take it, because smut rules and Pete Wentz hasn't been rewarded yet for those nudie pictures he took of himself on his cell phone last year.
Alexa Camp: They should erect, I mean resurrect Ringtone of the Year just for him.
BEST NEW ARTIST
Lily Allen
Gym Class Heroes
Peter Bjorn & John
Carrie Underwood
Sal: Wino should be disqualified in this category for entering rehab so early in her career.
Eric: So early? She's like 50 years old, or at least probably appears about that old to most VMA viewers.
Ed: Girl is reinventing the wheel: She not only gets high, but she calls Perez Hilton to tell him about it. She's more ghetto than Pete Wentz.
Sal: Didn't Carrie Underwood's album come out almost two years ago? Maybe the MTV voting bloc was afraid she'd key their cars.
Eric: Yeah, I'm going to side with bad behavior here. I'd say Winehouse's coronation here is as inevitable as Lindsay Lohan's two hours of community service.
FEMALE ARTIST OF THE YEAR
Fergie
Nelly Furtado
Rihanna
Amy Winehouse
Sal: This is a pretty predictable harem. Since actual videos don't seem to be a consideration this year, I wouldn't be surprised if Amy won here. Otherwise the Dutchess would be the heiress apparent of the Female Artist throne since her videos are inexplicably and compulsively watchable. Then again, Beyoncé did release 467 videos this year.
Eric: And one of them was "Ring the Alarm." If Dreamgirls was her ode to Ray, "Ring the Alarm" was her psychotic tribute to Paul Verhoeven. I've never been closer to wanting to rub lotion on her calves. That said, there is the unfortunate matter of "Irreplaceable," so I'll take Rihanna on a roll instead.
Ed: Nelly Furtado and Rihanna have the smallest dicks in this category, so it's probably between them.
MALE ARTIST OF THE YEAR
Akon
Robin Thicke
T.I.
Kanye West
Eric: Looks ripe for a vote-split to me. Let's hope the winner remembers to thank Daddy Seaver.
Sal: Kanye's presence here is dubious. His, uhhh, late registration in this year's music video derby makes it an honor just to be nominated.
Ed: Because Robin Thicke and Justin Timberlake sound like they have vaginas, it's probably between them. But which one's is bigger?
Sal: So the person with the smallest dick wins Female Artist but the person with the biggest vagina wins Male Artist?
Alexa: Makes perfect sense to me. I've seen Justin Timberlake's vagina. Trust me, it's huge.
MONSTER SINGLE OF THE YEAR
Daughtry, "Home"
Fall Out Boy, "Thks Fr Th Mmrs"
Avril Lavigne, "Girlfriend"
Lil Mama, "Lip Gloss"
Eric: The Mims song leaves out more explanatory details than the Fall Out Boy drops letters.
Ed: Chris Daughtry has a monster ass.
Alexa: Me likey.
Eric: Speaking of monsters, you know what this show is really missing? An award given out to songs (or, if they're feeling adventurous, videos) that haven't been released yet. You know, like when the MTV Movie Awards turned into a big commercial for Transformers?
Sal: So, basically, Best Future Collaboration with Timbaland?
Alexa: Celine Dion. Always go with Celine.
MOST EARTH-SHATTERING COLLABORATION
Akon f/ Eminem, "Smack That"
Gwen Stefani f/ Akon, "The Sweet Escape"
Justin Timberlake f/ Timbaland, "SexyBack"
U2 f/ Green Day, "The Saints Are Coming"
Alexa: The only thing shattered by "Beautiful Liar" was my hip when I tried to emulate those pelvic thrusts.
Ed: "The Saints Are Coming" doesn't reveal any cracks in Bono's ego, so that one is probably a long shot. Besides, Katrina is so 2006.
Sal: Technically, Katrina is so 2005.
Eric: Wow, Akon's in here twice. So, that's what I guess passes for earth-shattering superstardom, huh? Someone call Al Gore off his soapbox, because the world deserves to fry.
QUADRUPLE THREAT OF THE YEAR
Beyoncé
Bono
Jay-Z
Kanye West
Sal: Is bringing sexy back considered a threat?
Alexa: Maybe it's a promise.
Eric: Now here's a category they should've tried to sneak Lindsay Lohan into.
Sal: I'm not sure driving backwards full-sped at your assistant's mom while high on coke is considered a talent.
Alexa: Not unless you actually hit the mom. Hey, does rehab count? I'm pretty sure she'll have gone four times by the end of the year.
Ed: I did four things this year.
Alexa: And that's not counting the NY Marathon! If you're reading this, sponsor him, bitches!
VIDEO OF THE YEAR
Beyoncé, "Irreplaceable"
Justice, "D.A.N.C.E."
Rihanna f/ Jay-Z, "Umbrella"
Kanye West, "Stronger"
Amy Winehouse, "Rehab"
Eric: Rihanna gets it for performing a pas de deux with a gigantic money shot while wearing virginal white.
Ed: She also gets it for having Jay-Z onboard, assuming there are people still working at MTV who remember that he was robbed in this category for "99 Problems."
Sal: "D.A.N.C.E." is this year's token obscurity. It's crafty and karaoke-friendly!
Eric: Sadly, it was clearly the reason this category was expanded to fit six nominees. Still, I can't watch it and not be preoccupied with the hunch that it was secretly funded by Threadless.com.
BEST CHOREOGRAPHY
Beyoncé f/ Shakira, "Beautiful Liar"
Chris Brown, "Wall to Wall"
Ciara, "Like a Boy"
Eve, "Tambourine"
Sal: I don't mean to get all existential here, but cinematography, which is a prerequisite for any music video to even exist, gets the boot, but choreography is a keeper? I guess it doubles as Best Dance Video, but, as expected, none of these are actual dance songs.
Eric: I imagine Justin is out in front for this award for his uncanny rendition of what Ben Vereen looks like trying to scrape dog shit off the bottom of his soft shoe.
Ed: Ciara should be out in front for her uncanny ability to dance with her back almost horizontal to the floor. Her video is more supernatural than all of the "Thriller"-biting "Wall to Wall."
Alexa: Whatchu mad? Can't handle that?
BEST DIRECTOR
Christina Aguilera, "Candyman" (Matthew Rolston)
Beyoncé f/ Shakira, "Beautiful Liar" (Jake Nava)
Kanye West, "Stronger" (Hype Williams)
Linkin Park, "What I've Done" (Joe Hahn)
Rihanna f/ Jay-Z, "Umbrella" (Chris Applebaum)
Eric: Samuel Bayer could win for the most over-direction in a music video. And that's no small accomplishment with Hype Williams in the mix.
Alexa: The Linkin Park video is a little unfocused. I think they need to pick one global plight and stick with it. Like Lindsay Lohan's downward spiral.
Sal: Subtlety is not juxtaposing a woman measuring her waist with an emaciated African or synching the beat of your song to a junkie slapping his arm. And kudos to Joe Hahn for the least powerful use of a 9/11 image to date. This video is about as interesting as watching grass grow. Oh, and that's in there too!
Ed: You have to understand that there are people out there who think the video is neat-o for showing them everything that happened in the world since the last time they changed the channel from MTV.
BEST EDITING
Beyoncé f/ Shakira, "Beautiful Liar" (Jarrett Figl)
Gnarls Barkley, "Smiley Faces" (Ken Mowe)
Linkin Park, "What I've Done" (Igor Kovalik)
Kanye West, "Stronger" (Peter Johnson & Corey Weisz)
Ed: I used to splice random shit together back at NYU and cue it to some semi-topical song from the moment and I was never nominated for an MTV award.
Sal: Obviously the editing is the worst part of the Linkin Park video. I predict a Timbersweep in the tech categories.
Ed: The Gnarls Barkley video nails the documentary aesthetic it's going after, but I think J.T. will win for updating the bloat of Celine Dion and Meatloaf videos for Generation Y.
Alexa: I told you. Always bet on Celine.
Internet Killed the Video Star
By: Sal Cinquemani On: 09/01/2006 21:07:14 In: VMAs Comments: 3992

In the words of The Raconteurs' Jack White, Internet killed the video star. With viewers at least partially controlling the results at this year'sTeen Choice Awards MTV Video Music Awards, the winners were nearly impossible to predict (we got a whopping two correct! Woo-hoo!) and almost as unbearable to watch. More times than not, the worst video in each category prevailed: Kelly Clarkson's "Because Of You" for Best Female Video? I guess we should have seen that one coming, seeing as how she comes with a built-in fanbase that's predisposed to mass-voting. Avenged Sevenfold for Best New Artist? As Eric told me halfway through the show: I think we're getting too old for this. There wasn't even any justice in the crappiest category of the night (Best Rap Video). Here are some other thoughts I had while watching the show:
1. Lil' Kim isn't bringing sexy back, but she might be bringing herpes back.
2. Pharrell: You're on TV, dude. Sing. Or stay in the studio. On second thought, don't. We've all heard your solo "effort."
3. All of the front-row celebs looked like they were watching the Twin Towers collapse. Hey, people! You're on camera. Pretend you're having a good time.
4. OK Go's dance moves are more complicated that anything in eitherCharo Shakira or the Pussycat Dolls' videos (which won for choreography and dance, respectively).
5. One of the most worthy wins of the night was Pink's "Stupid Girls" for Best Pop Video. I had a hunch she would snag the award (and it was our pick for "should win"), and her acceptance speech—in front of Nicole Richie, no less—was priceless. MTV, can we please have more Pink and less Fergie…and Christina…and Shakira…and the Pussycat Dolls? On his blog, my friend Rich asked, "Why does Pink think she's better than everyone else?" Because she is.
6. Beyoncé, who apparently now only arrives at the VMAs from the rafters, gave the best performance of the night, hands down. Yes, we love "Ring The Alarm" and she tore it up, even if she was lip-synching—which I don't think she was, at least not during the verses. But what does it matter? Add Beyoncé to the growing list of female artists doing Janet better than Janet these days.
7. All I wanna know is, who the fuck does Jordan Catalano think he is? And where's Tino?
8. Award for the longest and most unnecessarily written thank-you list goes to Mike Shinoda, whose side-project Fort Minor won for…Ringtone of the Year. Relax, Mike. It's not even a real award. But I'm glad you enjoyed it.
9. Hey, Kanye, Hype Williams is not Picasso. He's not even Andy Warhol.
10. Speaking of Andy Warhol, remember when 15 minutes of fame didn't last six years? Yeah, I'm talking to you, cast of Jackass.

In the words of The Raconteurs' Jack White, Internet killed the video star. With viewers at least partially controlling the results at this year's
1. Lil' Kim isn't bringing sexy back, but she might be bringing herpes back.
2. Pharrell: You're on TV, dude. Sing. Or stay in the studio. On second thought, don't. We've all heard your solo "effort."
3. All of the front-row celebs looked like they were watching the Twin Towers collapse. Hey, people! You're on camera. Pretend you're having a good time.
4. OK Go's dance moves are more complicated that anything in either
5. One of the most worthy wins of the night was Pink's "Stupid Girls" for Best Pop Video. I had a hunch she would snag the award (and it was our pick for "should win"), and her acceptance speech—in front of Nicole Richie, no less—was priceless. MTV, can we please have more Pink and less Fergie…and Christina…and Shakira…and the Pussycat Dolls? On his blog, my friend Rich asked, "Why does Pink think she's better than everyone else?" Because she is.
6. Beyoncé, who apparently now only arrives at the VMAs from the rafters, gave the best performance of the night, hands down. Yes, we love "Ring The Alarm" and she tore it up, even if she was lip-synching—which I don't think she was, at least not during the verses. But what does it matter? Add Beyoncé to the growing list of female artists doing Janet better than Janet these days.
7. All I wanna know is, who the fuck does Jordan Catalano think he is? And where's Tino?
8. Award for the longest and most unnecessarily written thank-you list goes to Mike Shinoda, whose side-project Fort Minor won for…Ringtone of the Year. Relax, Mike. It's not even a real award. But I'm glad you enjoyed it.
9. Hey, Kanye, Hype Williams is not Picasso. He's not even Andy Warhol.
10. Speaking of Andy Warhol, remember when 15 minutes of fame didn't last six years? Yeah, I'm talking to you, cast of Jackass.
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