Chilean director Pablo Larraín’s Jackie bluntly hammers home the notion that history is framed by perception rather than reality.
The Weeknd's Starboy remodels an artistically marginal, genuinely interesting figure into a toothless celebrity version thereof.
Finding the crux of a Pedro Almodóvar film is not unlike asking how many licks it takes to get to the center of a Tootsie Pop.
The latest episode of The Walking Dead is a reminder that not everyone reverts to his or her worst self under stress.
Dangerous upped the stakes while cunningly inverting Michael Jackson's playbook.