After both losing to Daft Punk two years ago, Kendrick Lamar and Taylor Swift face off again in Album of the Year.
Vinyl is a fictional exploration of an exciting time in American music that's encased in nostalgia masquerading as daring.
That Mad Max: Fury Road is only one of five films to ever be nominated in all seven technical categories can't hurt it's chances in the visual effects category.
Every time we think we're finally settling into a pattern for Record of the Year, Grammy reverses course.
For Ennio Morricone, being hitched up to Quentin Tarantino's nostalgia-flattering métier, will be enough to ensure his first competitive Oscar.
Leonardo DiCaprio will win an Oscar because “being right” is the modus operandi of the average pundit's investment in any given year's Oscar race.
The sentiment of “How many Grammys can we give Taylor Swift?” hangs thick in the air.
In recent months, Meghan Trainor's star has waned, leaving room for a surprise victor in Best New Artist at the Grammys.
Even the least successful of this year's Oscar nominees for animated film avoids settling for mere ersatz babysitter status.
“Home Again” pivots on two narratives, one of which is promising and occasionally quite chilling.