Preacher’s madcap imagination makes its occasional blemishes easy to overlook.
While GLOW may reference the events and pop culture of 1985, the show’s format is decidedly modern.
Transformers: The Last Knight finds Michel Bay comfortably back in the realm of total incomprehensibility.
In The Bad Batch, Ana Lily Amirpour reduces politically loaded signifiers to a battle of the cliques.
The latest episode of Twin Peaks: The Return uses David Lynch’s abiding preoccupation with mirror imagery as an often subtle structural device.