FROM PARIS WITH TERRORAs an agoraphobic's worst nightmare, As Above, So Below is tensely executed.
A VIEW TO A BANALITYThe November Man abounds in hollowly attractive genre superfluities.
A CLEVER BUT IRRELEVANT SATIRICAL FANTASYAri Folman's The Congress wallows in an air of speculative lifelessness.
PEFUNCTORY AND ANONYMOUS Ariana Grande's new album is filled with headache-inducing electro-pop and R&B.
FLAT AND WASHED-OUT PULPSin City: A Dame to Kill For is a fruitless bacchanal of blood, bullets, and babes.